This book is a study devoted to exploring the use of a Russian version of the Jewish stereotype (the ridiculous Jew) in the works of three of the greatest writers of the nineteenth century. Rosenshield does not attempt to expose the stereotype—which was self-consciously and unashamedly employed. Rather, he examines how stereotypes are used to further the very different artistic, cultural, and ideological agendas of each writer. What distinguishes this book from others is that it explores the problems that arise when an ethnic stereotype is so fully incorporated into a work of art that it takes on a life of its own, often undermining the intentions of its author as well as many of the defining elements of the stereotype itself. With each these writers, the Jewish stereotype precipitates a literary transformation, taking their work into an uncomfortable space for the author and a challenging one for readers.
This book is a collection of letters from a religious Jew in Israel to a Christian friend in Barcelona on life as an Orthodox Jew. Equal parts lighthearted and insightful, it's a thorough and entertaining introduction to the basic concepts of Judaism.
From three award-winning and bestselling humor writers comes a hilarious guide to everything you need to know about Jewish history, holidays, and traditions. Immerse yourself in the essence of Jewish humor and culture with A Field Guide to the Jewish People brought to you by Dave Barry, Adam Mansbach, and Alan Zweibel. Join them as they dissect every holiday, rite of passage, and tradition, unravel a long and complicated history, and tackle the tough questions that have plagued Jews and non-Jews alike for centuries. Combining the sweetness of an apricot rugelach with the wisdom of a matzoh ball, this is the last book on Judaism that you will ever need. So gather up your chosen ones, open a bottle of Manischewitz, and get ready to laugh as you finally begin to understand the inner-workings of Judaism.
Alongside the formal development of Judaism from the eleventh through the sixteenth centuries, a robust Jewish folk religion flourished—ideas and practices that never met with wholehearted approval by religious leaders yet enjoyed such wide popularity that they could not be altogether excluded from the religion. According to Joshua Trachtenberg, it is not possible truly to understand the experience and history of the Jewish people without attempting to recover their folklife and beliefs from centuries past. Jewish Magic and Superstition is a masterful and utterly fascinating exploration of religious forms that have all but disappeared yet persist in the imagination. The volume begins with legends of Jewish sorcery and proceeds to discuss beliefs about the evil eye, spirits of the dead, powers of good, the famous legend of the golem, procedures for casting spells, the use of gems and amulets, how to battle spirits, the ritual of circumcision, herbal folk remedies, fortune telling, astrology, and the interpretation of dreams. First published more than sixty years ago, Trachtenberg's study remains the foundational scholarship on magical practices in the Jewish world and offers an understanding of folk beliefs that expressed most eloquently the everyday religion of the Jewish people.
Hundreds of colorful, witty, and downright hilarious stories, anecdotes, quips, jokes, and yarns reflect and poke fun at Jewish culture from ancient times to the present.
Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.
"The Protocols of the Elders of Zion" is almost certainly fiction, but its impact was not. Originating in Russia, it landed in the English-speaking world where it caused great consternation. Much is made of German anti-semitism, but there was fertile soil for "The Protocols" across Europe and even in America, thanks to Henry Ford and others.
Trying to give definition to humor of any kind is already bad business in itself. Just when you thought you have laid down the rules, someone will definitely give you a tap on the shoulder and remind you of other forms of humor. And worse, you might even get to raise some eyebrows in your mere attempt to define it.As far as Jewish humor is concerned, it is basically a kind of humor that is blatantly Jewish in all its characters, concerns, language, definitions, symbols or values. Based on one definition, a Jewish joke is something that a non-Jewish person will be able to understand and all Jews say that they already heard. However, not all the Jewish humor has been derived from Jewish sources. And in the same way, not all the humor that the Jews created are necessarily Jewish. For this reason, it would be best that you examine not the song but the singer. Jewish humor is very diverse and rich and can be difficult to adequately describe it with a single generalization. The Jewish theologians said that it is much easier to describe God in things that He is not and the same thing can be of use when trying to understand Jewish humor. Jewish humor is not escapist and not a slapstick. This is not physical and in general, it is not cruel and this doesn't relate to the infirm or the weak. Similarly, this is also not gentle and polite. What Jewish humor truly is might be even harder to determine and here are several broad statements in a complete awareness of all the possible futility of this exercise. Usually, Jewish humor is substantive and is about something. This is specifically fond of some particular topics like food, business, family, wealth and its absence, anti-Semitism, survival and health. Jewish humor is fascinated by logic and intricacies of the mind as well as the short elliptical path that separates the absurd from the rational. As a religious or social commentary, Jewish humor tends to be resigned, complaining, descriptive or sarcastic. At times, the humor's point is actually more powerful than the laugh that it delivers and for several of these jokes, the right response is not really laughter but instead, a consoling sigh of recognition or a bitter nod. The didactic can preclude laughing for free similar with slapstick humor that derives the laughter from the misfortune of other people. There is no doubt that Jewish humor is an interesting thing that continues to fascinate people from all parts of the world, whether they are Jewish or not. To give you a dose of Jewish fun, here are some of the best Jewish jokes that can either make you double up in laughter or stop, think and contemplate on the real meaning that lies within.
Here are more than 100 of the best Jewish jokes you'll ever hear, interspersed with perceptive and persuasive insight into what they can tell us about how Jews see themselves, their families, and their friends, and what they think about money, sex, and success. Rabbi Joseph Telushkin is as celebrated for his wit as for his scholarship, and in this immensely entertaining book, he displays both in equal measure. Stimulating, something stinging, and always very, very funny, Jewish Humor offers a classic portrait of the Jewish collective unconscious.
"Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking--as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being--and the price it may exact from its practitioners and audience"--
