The Rhymers' Club

The Rhymers' Club

Author: W B Yeats|Ernest Dowson|Richard Le Gallienne

Publisher:

Published: 2020-06-18

Total Pages: 48

ISBN-13: 9781839675263

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In 1890 W B Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street's immortal 'Ye Olde Cheshire Cheese' pub with occasional appearances at the Domino room in the Café Royal poets gathered together to dine and drink. Whilst it was based on a core of poets many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them 'the tragic generation'. As well as their enthusiastic social forays they printed two anthologies of verse. The first in 1892 and the second in 1894. For all the talent it could call upon the print runs were only in their hundreds. Part of a poet's obligation is to move the boundaries of society, to write what others shun. And whilst that is certainly the case with our group in terms of writing in one glaring respect they were very Victorian. The members of the club were only men. Arthur Ransome sums up their existence as "... the Rhymer's Club used to meet, to drink from tankards, smoke clay pipes, and recite their own poetry". Whilst their initial aims were food, drink, camaraderie and bragging, the reality is that their poetry gives us so much more.


Madder Music, Stronger Wine

Madder Music, Stronger Wine

Author: Jad Adams

Publisher: Tauris Parke Paperbacks

Published: 2000-04-22

Total Pages: 234

ISBN-13:

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Ernest Dowson was one of the major poets of the romantic late-Victorian Decadent period. This biography examines Dowson's obsessions and explores his life and work in the context of the social mores and attitudes of his era.


Yeats and the Rhymers' Club

Yeats and the Rhymers' Club

Author: Joann Gardner

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 1989

Total Pages: 276

ISBN-13:

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A diverse group of dedicated poets, the Rhymers' Club provided the environment in which W.B. Yeats «learned his trade.» For the most part, however, these promising young writers passed into obscurity with the end of the Decadent age, leaving behind only incomplete or inaccurate information concerning their activities and character. This study brings together for the first time a comprehensive history of the group. It examines the Rhymers' influence on Yeats, both as a young and a mature poet, and the crucial ways in which he distinguished himself from his less successful contemporaries.


The Fin-de-siècle Poem

The Fin-de-siècle Poem

Author: Joseph Bristow

Publisher: Ohio University Press

Published: 2005

Total Pages: 385

ISBN-13: 0821416278

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Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of such legendary writers as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W.B. Yeats, whose careers have always been associated with the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siecle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations made in English poetry of the 1880s and 1890s and show how woman poets stood shoulder-to-shoulder with their better-known male contemporaries.Joseph Bristow is professor of English at the University of California, Los Angeles, where he edits the journal Nineteenth-Century Literature. His recent books include The Cambridge Companion to Victorian Poetry, Oscar Wilde: Contextual Conditions, and the variorum edition of Oscar Wilde's The Picture of Dorian Gray.