Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.
The Wars of the Roses were not just fought by men on the battlefield. Behind the scenes, there were daughters, wives, mistresses, mothers and queens whose lives and influences helped shape the most dramatic of English conflicts.This book traces the story of women on the Lancastrian side, from the children borne by Blanche, wife of John of Gaunt, through the turbulent fifteenth century to the advent of Margaret Beaufort’s son in 1509 and the establishment of the Tudor dynasty. From the secret liaisons of Katherine Swynford and Catherine of Valois to the love lives of Mary de Bohun and Jacquetta of Luxembourg, to the queenship of Joan of Navarre and Margaret of Anjou, this book explores their experiences as women. What bound them to their cause? What real influence did they wield?Faced with the dangers of treason and capture, defamation and childbirth, read how these extraordinary women survived in extraordinary times.
If Richard III had not charged to his death at Bosworth, how different might the history of Britain have been? Beginning in 1453 and ending in 1487, The Red Rose and the White provides a gripping overview of the bitter dynastic struggle for supremacy that raged between the houses of York and Lancaster for thirty years, culminating in the dramatic events on Bosworth Field in 1485. As well as offering a comprehensive account of the campaigns, battles and sieges of the conflict, the book also assesses the commanders and men involved and considers the weapons and tactics employed. Photographs, maps and portraits of the principal characters help to bring the period to life, whilst the fast-paced narrative conveys a sense of what it was actually like to fight in battles such as Towton or Tewkesbury the effect of the arrow storm and the grim realities of hand-to-hand combat with edged and bladed weapons. Skilfully weaving in political and social events to place the conflict in its context, The Red Rose and the White is a fascinating exploration of the turbulent period that would change the course of British history forever.
Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.
Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s renowned play, Richard III. In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the Wars of the Roses. During this time, the house of York came to dominate England. At its heart were three charismatic brothers—King Edward IV, and his two younger siblings George and Richard—who became the figureheads of a spectacular ruling dynasty. Together, they looked invincible. But with Edward’s ascendancy the brothers began to turn on one another, unleashing a catastrophic chain of rebellion, vendetta, fratricide, usurpation, and regicide. The brutal end came at Bosworth Field in 1485, with the death of the youngest, then Richard III, at the hands of a new usurper, Henry Tudor, later Henry VII, progenitor of the Tudor line of monarchs. Fascinating, dramatic, and filled with vivid historical detail, The Brothers York is a brilliant account of a conflict that fractured England for a generation. Riven by internal rivalries, jealousy, and infighting, the three York brothers failed to sustain their power and instead self-destructed. It is a rich and bloody tale as gripping as any historical fiction.
From the city of Calais, on the northern coast of France, one may look over the water on a clear day and see the white cliffs of Dover, in England. At this point the English Channel is only twenty-one miles wide. But this narrow water has dangerous currents, and often fierce winds sweep over it, so that small ships find it hard to cross. This rough Channel has more than once spoiled the plans of England's enemies, and the English people have many times thanked God for their protecting seas.
When Henry VI becomes king, it is soon clear that he would be better suited to a quiet life than to ruling the country. Richard, Duke of York, is convinced that he would make a better king and has more right to the crown, and he will stop at nothing to claim it. But Margaret of Anjou, Henry's new French wife, is a formidable woman who is just as determined to keep Henry on the throne. Most powerful of all is the Earl of Warwick, the kingmaker, and with his support of Richard of York the War of the Roses begins. When Henry VI lapses into madness and eventually meets his mysterious end in the Wakefield Tower, Margaret directs all of her ambition towards her young son. Passionate and impulsive, she begins scheming for him, and in doing so dashes headlong into disaster ... Praise for Jean Plaidy 'Plaidy has brought the past to life' TLS 'Outstanding' Vanity Fair
Two East Texas families must deal with the aftermath of a marriage that never happened leading to deceit, secrets, and tragedies in a sweeping multigenerational Southern saga "with echoes of Gone with the Wind" (Publishers Weekly). Spanning the 20th century, the story of Roses takes place in a small East Texas town against the backdrop of the powerful timber and cotton industries, controlled by the scions of the town's founding families. Cotton tycoon Mary Toliver and timber magnate Percy Warwick should have married but unwisely did not, and now must deal with consequences of their momentous choice and the loss of what might have been--not just for themselves but for their children, and their children's children. With expert, unabashed, big-canvas storytelling, Roses covers a hundred years, three generations of Texans, and the explosive combination of passion for work and longing for love.