The Radif of Persian Music
Author: Bruno Nettl
Publisher:
Published: 1987
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Bruno Nettl
Publisher:
Published: 1987
Total Pages: 290
ISBN-13:
DOWNLOAD EBOOKAuthor: Ann E. Lucas
Publisher: University of California Press
Published: 2019-10-22
Total Pages: 286
ISBN-13: 0520300807
DOWNLOAD EBOOKA free open access ebook is available upon publication. Learn more at www.luminosoa.org. Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.
Author: Hormoz Farhat
Publisher: Cambridge University Press
Published: 2004-07-08
Total Pages: 220
ISBN-13: 9780521542067
DOWNLOAD EBOOKIn this book Hormoz Farhat has unravelled the art of the dastgah by analysing their intervallic structure, melodic patterns, modulations, and improvisations, and by examining the composed pieces which have become a part of the classical repertoire in recent times.
Author: Ella Zonis
Publisher:
Published: 2013-10-01
Total Pages: 223
ISBN-13: 9780674434936
DOWNLOAD EBOOKAuthor: Dr Laudan Nooshin
Publisher: Ashgate Publishing, Ltd.
Published: 2015-01-28
Total Pages: 257
ISBN-13: 0754607038
DOWNLOAD EBOOKThis book interrogates musicological discourses of creativity from the perspective of critical theory and postcolonial studies, examining their ideological underpinnings and the relationships of alterity which they sustain. The repertoire which forms the book’s main focus is Iranian classical music, a tradition in which the performer plays a central creative role. Addressing a number of central issues regarding the nature of musical creativity, the author explores both the discourses through which ideas about creativity are constructed, exchanged and negotiated within this tradition, and the practices by which new music comes into being.
Author: Lloyd Miller
Publisher: Routledge
Published: 2012-05-04
Total Pages: 395
ISBN-13: 1136814876
DOWNLOAD EBOOKThis book is the first full-length analysis of the theory and practice of Persian singing, demonstrating the centrality of Persian elements in the music of the Islamic Middle Ages, their relevance to both contemporary and traditional Iranian music and their interaction with classical Persian poetry and metrics.
Author: Mohammed M. A. Ahmed
Publisher:
Published: 2007
Total Pages: 342
ISBN-13:
DOWNLOAD EBOOKAuthor: Mohammad Reza Azadehfar
Publisher: Azadehfar
Published: 2011
Total Pages: 386
ISBN-13: 964621892X
DOWNLOAD EBOOKAuthor: Marianne Alireza
Publisher:
Published: 1971
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOKThe true story of a California girl's twelve years in the harem of her husband's Arabian family.
Author: Laudan Nooshin
Publisher: Taylor & Francis
Published: 2017-03-02
Total Pages: 257
ISBN-13: 1351926241
DOWNLOAD EBOOKQuestions of creativity, and particularly the processes which underlie creative performance or ’improvisation’, form some of the central areas of interest in current musicology. Yet the predominant discourses on which musicological thought in this area are based have rarely been challenged. In this book Laudan Nooshin interrogates musicological discourses of creativity from the perspective of critical theory and postcolonial studies, examining their ideological underpinnings, the relationships of alterity which they sustain, and the profound implications for our understanding of creative processes in music. The repertoire which forms the book’s main focus is Iranian classical music, a tradition in which the performer plays a central creative role. Addressing a number of issues regarding the nature of musical creativity, the author explores both the discourses through which ideas about creativity are constructed, exchanged and negotiated within this tradition, and the practice by which new music comes into being. For the latter she compares a number of performances by musicians playing a range of instruments and spanning a period of more than 30 years, focusing on one particular section of repertoire, dastgāh Segāh, and providing transcriptions of the performances as the basis for analytical exploration of the music’s underlying compositional principles. This book is about understanding musical creativity as a meaningful social practice. It is the first to examine the ways in which ideas about tradition, authenticity, innovation and modernity in Iranian classical music form part of a wider social discourse on creativity, and in particular how they inform debates regarding national and cultural identity.