Anne Finch and Her Poetry

Anne Finch and Her Poetry

Author: Barbara McGovern

Publisher: University of Georgia Press

Published: 1992

Total Pages: 302

ISBN-13: 9780820314105

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Anne Finch and Her Poetry is the first major critical examination of the life and works of the foremost English woman poet of the eighteenth century. This biography places Anne Finch (1661-1720) in her social and literary milieu and includes discussion of such topics as love and marriage, female friendships, melancholy, and nature as they relate both to Finch's life and to her poetry. Barbara McGovern gives considerable attention to the methods by which Finch developed her artistry and molded a largely masculine literary tradition to her own designs through a variety of rhetorical and stylistic devices. She examines the entire body of Finch's work, including two verse plays and a number of previously unpublished poems and letters, and corrects numerous misconceptions about the poet and her work. Though recognized in her lifetime as a talented poet, for nearly two hundred years Finch has been overlooked or, when anthologized, misrepresented. McGovern focuses on the historical place and displacement of Finch in Restoration and early eighteenth-century England in terms of her involvement with Britain's most critical religious and political controversies. An Anglican and Royalist who along with her husband was attached to the Stuart court at the time of the Glorious Revolution, Finch was an outsider because of her politics and religion as well as her gender. Despite her marginal status in society, Anne Finch was able to develop her poetic identity in part by defining her relationships with other early women writers, including Katherine Philips and Aphra Behn. Her female friendships, as well as aristocratic family ties and titled position, gave her access to a number of the most famous literary figures of her age, including Alexander Pope and Jonathan Swift. A thoroughly researched, well-written, and compelling work, Anne Finch and Her Poetry will no doubt become the standard biography of the finest woman poet in England before the nineteenth century.


The Poetry of Anne Finch

The Poetry of Anne Finch

Author: Charles H. Hinnant

Publisher: University of Delaware Press

Published: 1994

Total Pages: 300

ISBN-13: 9780874134698

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At the same time her stance as a feminist led her not only to articulate issues in terms of gender but also to define her poetry in opposition to the dominant literary form of the age, satire."--BOOK JACKET.


The Anne Finch Wellesley Manuscript Poems

The Anne Finch Wellesley Manuscript Poems

Author: Anne Kingsmill Finch Countess of Winchilsea

Publisher: University of Georgia Press

Published: 1998

Total Pages: 264

ISBN-13: 9780820319957

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The publication of the Wellesley manuscript marks the first complete edition of fifty-three poems by the most talented and significant woman poet of the Restoration and eighteenth century. Anne Finch (1661-1720) wrote most of these poems in the last decade of her life, and they are essential to a complete evaluation of her work. This authoritative edition, edited by Barbara McGovern and Charles H. Hinnant, is useful for scholars as well as general readers of eighteenth-century poetry and women's literature. It contains textual notes, commentary, and an introduction that examines many of the issues relevant to Finch's poetry, including political climate, literary milieu, personal circumstances, and gender awareness. The editors also discuss Finch's devotional verse and her poetry in praise of female friendship, offering new insight into her attitudes toward these themes. These poems were not published during Finch's lifetime nor in a posthumous collection and subsequently fell into obscurity until the manuscript resurfaced in the twentieth century. McGovern and Hinnant suggest that this had to do with the dangerous political environment in England, particularly following the Jacobite rebellion of 1715. Not only do these poems help to define Finch's stature as a poet, they also provide a valuable perspective on the politics of the early woman writer.


The Spleen,

The Spleen,

Author: Anne Kingsmill Finch Countess of Winchilsea

Publisher:

Published: 1709

Total Pages: 26

ISBN-13:

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Miscellany Poems

Miscellany Poems

Author: Anne Kingsmill Finch

Publisher:

Published: 2008-11

Total Pages: 276

ISBN-13: 9781409951568

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Anne Finch (nee Kingsmill), Countess of Winchilsea (1661-1720), was one of the first female English poets to be published. She was well educated as her family believed in good education for girls as well as for boys. Today, some consider her to be Englandas best female poet prior to the nineteenth century. While Finch also authored fables and plays, today she is best known for her poetry: lyric poetry, odes, love poetry and prose poetry. Later literary critics recognized the diversity of her poetic output as well as its personal and intimate style. Her works include: Miscellany Poems: On Several Occasions (1713) and Aristomenes; or, The Royal Shepherd (1713).


An Exaltation of Forms

An Exaltation of Forms

Author: Annie Finch

Publisher: University of Michigan Press

Published: 2002

Total Pages: 460

ISBN-13: 9780472067251

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Fifty poets examine the architecture of poems--from the haiku to rap music--and trace their history


A Study Guide for Anne Finch's "A Nocturnal Reverie"

A Study Guide for Anne Finch's

Author: Gale, Cengage Learning

Publisher: Gale, Cengage Learning

Published: 2016

Total Pages: 25

ISBN-13: 1410354032

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A Study Guide for Anne Finch's "A Nocturnal Reverie," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.


Eighteenth-Century Women Poets and Their Poetry

Eighteenth-Century Women Poets and Their Poetry

Author: Paula R. Backscheider

Publisher: JHU Press

Published: 2005-12-31

Total Pages: 866

ISBN-13: 0801895901

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“Our sense of eighteenth-century poetic territory is immeasurably expanded by [this] excellent historical and cultural” study of UK women poets of the era (Cynthia Wall, Studies in English Literature). This major work offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women’s poetry is necessary for an accurate and nuanced literary history. Within chapters on important verse forms, she sheds light on such topics as women’s use of religious poetry to express ideas about patriarchy and rape; the important role of friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet. Co-Winner, James Russell Lowell Prize, Modern Language Association


The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea: Volume 2, Later Collections, Print and Manuscript

The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea: Volume 2, Later Collections, Print and Manuscript

Author: Anne Finch

Publisher: Cambridge University Press

Published: 2021-05-06

Total Pages: 796

ISBN-13: 1108578454

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This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This second volume provides established texts of Finch's later collections in print and manuscript form, Miscellany Poems, on Several Occasions (1713) and The Wellesley Manuscript, as well as uncollected poems and letters.


The Body of Poetry

The Body of Poetry

Author: Annie Ridley Crane Finch

Publisher: University of Michigan Press

Published: 2010-02-22

Total Pages: 192

ISBN-13: 0472025589

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The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation. Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart." Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.