Women who want God to be more than superficially in their lives can rise above the world's expectations by becoming housewife theologians finding true meaning and true worship everyday. Great for journaling and for group discussion.
In Hope When You're Hurting, Drs. Larry Crabb and Dan Allender consider four key questions people ask: What's wrong? Who can help? What will the helper do? And, What can I hope for? In answering these questions, Crabb and Allender shed light on the strengths and weaknesses of different counseling models. They consider the psychological, medical, and spiritual aspects of emotional pain. They examine the role of the church as a vital agent for restoration and growth. And most important, they offer guidance, choices, and hope for people struggling with spiritual and emotional pain.
From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.