Subject and Object in Modern English, first published in 1979, deals with subjects in the English language (one of the two main constituents of a clause), first comparing two possible notions of derived subject and then re-examining some derived subjects which had been assumed to be underlying subjects as well. This title also concerns itself with the basic verb phrase relations; not only with direct and indirect objects, but locative and directional phrases, with-phrases, and of-phrases considered. This book will be of interest to students of English language and linguistics.
The purpose of these essays is to mine the complexity and expressive richness of still life, traditionally considered one of the lesser genres. Though theorists have commented on its appeal since antiquity, the status of still life has risen significantly only recently, as the priorities of art history and criticism have been reordered to validate areas outside the canon of traditional inquiry. Here six distinguished scholars interpret a wide range of still lifes, using diverse current methods, including paleoethnobotanical research (which makes it possible to reconstruct diets), social history, technical examinations, and material culture studies. The introduction provides a historiography of still life with an emphasis on the twentieth century. Reindert Falkenburg's essay is "Matters of Taste: Pieter Aertsen's Market Scenes, Eating Habits, and Pictorial Rhetoric in the Sixteenth Century," Anne Lowenthal's, "Contemplating Kalf," Julia Ballerini's "Recasting Ancestry: Statuettes as Imaged by Three Inventors of Photography," and Doreen Bolger's "The Early Rack Paintings of John F. Peto: Beneath the Nose of the Whole World.'" Petra ten-Doesschate Chu writes on Vincent van Gogh's still lifes and the nineteenth-century vignette tradition; and Nan Freeman, on Tom Wesselmann and still-life painting and American culture, circa 1962. In view of the current interest in still life, the publication of this book is ideally timed. Cumulatively, the six essays alert the reader to the myriad meanings carried by still lifes and the diverse ways in which those meanings can be studied.
The World Atlas of Language Structures is a book and CD combination displaying the structural properties of the world's languages. 142 world maps and numerous regional maps - all in colour - display the geographical distribution of features of pronunciation and grammar, such as number of vowels, tone systems, gender, plurals, tense, word order, and body part terminology. Each world map shows an average of 400 languages and is accompanied by a fully referenced description ofthe structural feature in question.The CD provides an interactive electronic version of the database which allows the reader to zoom in on or customize the maps, to display bibliographical sources, and to establish correlations between features. The book and the CD together provide an indispensable source of information for linguists and others seeking to understand human languages.The Atlas will be especially valuable for linguistic typologists, grammatical theorists, historical and comparative linguists, and for those studying a region such as Africa, Southeast Asia, North America, Australia, and Europe. It will also interest anthropologists and geographers. More than fifty authors from many different countries have collaborated to produce a work that sets new standards in comparative linguistics. No institution involved in language research can afford to bewithout it.
This dissertation presents a study on the acquisition of telicity by Spanish and English native speakers. In addition to the study of acquisition, it investigates the syntactic and semantic properties of locatum constructions (e.g., the water filled the bucket), which are sentences that contain two internal arguments and whose subject is non-agentive. This dissertation explores the syntactic and semantic properties of elements of the verb phrase that had not been previously considered in the interpretation of telicity, such as the role of non-agentive subjects and the type of movement that takes place in the checking of the verb's telic features. Contrary to the assumption that only the direct internal argument of the verb can delimit an event, I argue that objects generated in the lower verb phrase, by virtue of being an internal argument of the verb can delimit an event. An object delimits an event by checking the verb's telic features in spec-AspP, either by covert or overt movement. If a predicate contains one internal argument (e.g., the boy filled the bucket) the checking of the verb's telic features takes place via covert movement. That is, only the NPs specific quantification features move covertly to check the verb's telic features in spec-AspP. However, if the predicate contains two internal arguments (e.g., fill the bucket with water), the surfaced subject (e.g., the water filled the bucket) by virtue of being an internal argument of the verb, checks the verb's telic features as the category and its features move overtly to subject position. The study shows that young children understand telicity when the verb's telic features are checked via overt movement, but have difficulties understanding telicity when the verb's telic features are checked via covert movement. I propose that predicates whose telicity involves overt movement should be acquired earlier than predicates whose telicity involves covert movement because overt movement is an operation that happens between D-structure and S-structure before the sentence is pronounced. Predicates whose telicity involves covert movement might be acquired at a later age of development because covert movement happens between S-structure and LF after the sentence is pronounced.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations.
This textbook showcases innovative approaches to the interdisciplinary field of childhood and youth studies, examining how young people in a wide range of contemporary and historical contexts around the globe live their young lives as subjects, objects, and agents. The diverse contributions examine how children and youth are simultaneously constructed: as individual subjects through social processes and culturally-specific discourses; as objects of policy intervention and other adult power plays; and also as active agents who act on their world and make meaning even amidst conditions of social, political, and economic marginalization. In addition, the book is centrally engaged with questions about how researchers take into consideration children’s and young people’s own conceptions of themselves and how we conceptualize child and youth potentials for agency at different ages and stages of growing up. Each chapter discusses substantive research but also engages in self-reflection about methodology, positionality, and/or disciplinarity, thus making the volume especially useful for teaching. This book will be of interest to students and scholars across a range of disciplines, including childhood studies, youth studies, girls’ studies, development studies, research methods, sociology, anthropology, education, history, geography, public policy, cultural studies, gender and women’s studies and global studies.
The bestselling workbook and grammar guide, revised and updated! Hailed as one of the best books around for teaching grammar, The Blue Book of Grammar and Punctuation includes easy-to-understand rules, abundant examples, dozens of reproducible quizzes, and pre- and post-tests to help teach grammar to middle and high schoolers, college students, ESL students, homeschoolers, and more. This concise, entertaining workbook makes learning English grammar and usage simple and fun. This updated 12th edition reflects the latest updates to English usage and grammar, and includes answers to all reproducible quizzes to facilitate self-assessment and learning. Clear and concise, with easy-to-follow explanations, offering "just the facts" on English grammar, punctuation, and usage Fully updated to reflect the latest rules, along with even more quizzes and pre- and post-tests to help teach grammar Ideal for students from seventh grade through adulthood in the US and abroad For anyone who wants to understand the major rules and subtle guidelines of English grammar and usage, The Blue Book of Grammar and Punctuation offers comprehensive, straightforward instruction.
Numbers and other mathematical objects are exceptional in having no locations in space or time or relations of cause and effect. This makes it difficult to account for the possibility of the knowledge of such objects, leading many philosophers to embrace nominalism, the doctrine that there are no such objects, and to embark on ambitious projects for interpreting mathematics so as to preserve the subject while eliminating its objects. A Subject With No Object cuts through a host of technicalities that have obscured previous discussions of these projects, and presents clear, concise accounts, with minimal prerequisites, of a dozen strategies for nominalistic interpretation of mathematics, thus equipping the reader to evaluate each and to compare different ones. The authors also offer critical discussion, rare in the literature, of the aims and claims of nominalistic interpretation, suggesting that it is significant in a very different way from that usually assumed.
In recent years an increasing number of scholars have incorporated a focus on emotions in their theories of material culture, transnationalism and globalization, and this book aims to contribute to this field of inquiry. It examines how ‘emotions’ can be theorized, and serves as a useful analytical tool for understanding the interrelated mobility of humans, objects and images. Ethnographically rich, and theoretically grounded case studies offer new perspectives on the relations between migration, material culture and emotions. While some chapters address the many different ways in which migrants and migrant artists express their emotions through objects and images in transnational contexts, other chapters focus on how particular works of art, everyday objects and artefacts can evoke feelings specific to particular migrant groups and communities. Case studies also analyse how artists, academics and policy makers can stimulate positive interaction between migrants and non-migrant communities.
