Those who love the adaptability of acrylic but have trouble working with its unique properties will be enlightened and inspired by this book''s instruction. Over 100 diverse compositions by 23 artists are featured.'
An examination of the lingering effects of a hydroelectric power station on Pimicikamak sovereign territory in Manitoba, Canada. The child of South Asian migrants, Kazim Ali was born in London, lived as a child in the cities and small towns of Manitoba, and made a life in the United States. As a man passing through disparate homes, he has never felt he belonged to a place. And yet, one day, the celebrated poet and essayist finds himself thinking of the boreal forests and lush waterways of Jenpeg, a community thrown up around the building of a hydroelectric dam on the Nelson River, where he once lived for several years as a child. Does the town still exist, he wonders? Is the dam still operational? When Ali goes searching, however, he finds not news of Jenpeg, but of the local Pimicikamak community. Facing environmental destruction and broken promises from the Canadian government, they have evicted Manitoba’s electric utility from the dam on Cross Lake. In a place where water is an integral part of social and cultural life, the community demands accountability for the harm that the utility has caused. Troubled, Ali returns north, looking to understand his place in this story and eager to listen. Over the course of a week, he participates in community life, speaks with Elders and community members, and learns about the politics of the dam from Chief Cathy Merrick. He drinks tea with activists, eats corned beef hash with the Chief, and learns about the history of the dam, built on land that was never ceded, and Jenpeg, a town that now exists mostly in his memory. In building relationships with his former neighbors, Ali explores questions of land and power?and in remembering a lost connection to this place, finally finds a home he might belong to. Praise for Northern Light An Outside Magazine Favorite Book of 2021 A Book Riot Best Book of 2021 A Shelf Awareness Best Book of 2021 “Ali’s gift as a writer is the way he is able to present his story in a way that brings attention to the myriad issues facing Indigenous communities, from oil pipelines in the Dakotas to border walls running through Kumeyaay land.” —San Diego Union-Tribune “A world traveler, not always by choice, ponders the meaning and location of home. . . . A graceful, elegant account even when reporting on the hard truths of a little-known corner of the world.” —Kirkus Reviews “[Ali’s] experiences are relayed in sensitive, crystalline prose, documenting how Cross Lake residents are working to reinvent their town and rebuild their traditional beliefs, language, and relationships with the natural world. . . . Though these topics are complex, they are untangled in an elegant manner.” —Foreword Reviews (starred review)
Over 35 techniques illustrated in step-by-step demonstrations enable you to master the art of watercolor painting. Each technique is shown with two variations on the same page, showing a range of alternative applications. The work of master artists is analyzed to ensure successful watercolor painting. A section at the beginning provides you with everything you need to know to get started--Jacket.
The unusual and enduring partnership of Maud and Miska Petersham will intrigue everyone who is interested in the integration of life and work, values and livelihood. Maud and Miska met when they were young, aspiring artists working in their first New York City jobs. Maud, a 1912 Vassar graduate, had deep Yankee roots; Miska immigrated from Hungary in 1912 after rigorous study at the Royal National School for Applied Arts in Budapest. They met while working at a commercial design studio in New York City and married in 1917. They moved to Woodstock, New York, in 1920. Pioneers in a golden age of children's book publishing in America, the Petershams were among a handful of people who set the direction for illustrated children's books as we know them today. They worked closely with such legendary editors as Louise Seaman Bechtel and May Massee, and with such inventive printers as Charles Stringer and William Glaser, greatly advancing the art of the illustrated children's book. Under their studio's north light they produced more than a hundred books, as illustrators or author/illustrators, during a career that spanned five decades. Theirs was a deep collaboration of complementary backgrounds and temperaments, and a marriage that created a warm and welcoming household. Their books were not only immensely popular with children, but also admired by critics, librarians and tastemakers. In the years before the founding of the Caldecott Medal, their contributions were recognized by the American Institute of Graphic Arts (AIGA). Four of the Petershams' books were selected for inclusion in the highly competitive AIGA exhibitions in the late 1920s and early 1930s. During the 1940s the Petershams won a Caldecott Honor (in 1942, for An American ABC) and a Caldecott Medal (in 1946, for The Rooster Crows.).
In Nordic literature a remarkable discussion of the northern light appears in Kongespeilet (The King's Mirror) a thirteenth-century Norwegian chronicle. It is described in vivid detail as the following translated excerpts demonstrate: These northern lights have this peculiar nature, that the darker the night is, the brighter they seem, and they always appear at night but never by day, most frequently in the densest darkness and rarely by moonlight. In appearance they resemble a vast flame of fire viewed from a great distance. It also looks as if sharp points were shot from this flame up into the sky; these are of uneven height and in constant motion, now one, now another darting highest; and the light appears to blaze like a living flame. Three different theories for the origin of the northern light were suggested in this book. Numerous naturally occurring heavenly phenomena have been observed and enjoyed as long as the Earth has been inhabited, but hardly any of them has stirred man's imagination, curiosity and fear as much as the northern light. The northern light is certainly one of the most spectacular of nature's phenomena.
In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story.
Henry Page, owner of The Northern Light, the oldest and most respected newspaper in Tynecastle, is offered a vast sum to turn over control to a mass-circulation group based in London. He refuses – despite entreaties by his wife to accept – and so begins his fight with the Chronicle, an almost defunct newspaper in the same area which is given new life by London-thinking and London men. Against Henry Page, a journalist who believes in honest presentation of news without bringing in sensationalism, the Chronicle pulls every dirty trick in the trade. And Henry, brought eventually almost to his knees, stoically holds on to his principles and The Northern Light. It is only when he has won the battle that tragedy robs him of the most important thing in his life. In the magnificent narrative tradition of The Citadel, The Stars Look Down and Cronin’s other classic novels, The Northern Light is a great book by a much-loved author.
"Organized by medium for easy reference, The North Light Artist's Guide to Materials & Techniques tells you everything you need to know to buy and use art materials today." "You'll also learn which materials and techniques popular North Light artists use, along with favorite tricks they've picked up over the years." "Whether you're thinking of trying a new medium or you just want to explore the options in your current medium, this reference guide will help you make the right choices for your art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved