This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.
This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.
What does Revelation really mean? Writers in the past have tried to use their own understanding to explain Revelation instead of using the Bible. The result is complicated, confusing and difficult to understand. The explanation in this book relies on the scriptures. There are no complicated verses to connect together, no going here and there for answers. This book puts the scriptures right in front of you so you can see for yourself if what is said is right.
One of the World's Foremost Bible Experts Offers a Groundbreaking Presentation of the Five Books of Moses In The Bible with Sources Revealed, Richard Elliott Friedman offers a new, visual presentation of the Five Books of Moses -- Genesis, Exodus, Leviticus, Numbers, and Deuteronomy -- unlocking the complex and fascinating tapestry of their origins. Different colors and type styles allow readers to easily identify each of the distinct sources, showcasing Friedman's highly acclaimed and dynamic translation. NOTE: This book is meant to be experienced in color and the eBook is not compatible with black and white devices.
Knowing God and His attributes, how He saves and answers prayer is foundational to all truth and eternal life. Section one deals with proper attitudes we bring to the Old Testament text, knowing it is God's self-revelation Section two points out passages where two Persons manifest divine attributes or are called God, Jehovah or Lord: and Who is the Angel of the Lord. Section three explains the texts where three Persons are called God, Jehovah or Creator. Here we see the lie of the Da Vinci Code as hundreds of years B.C. Jesus is called God. God's self-revelation in the Old Testament is proved by hundreds of fulfilled prophecies we enumerate. The appendices deal with: the eternal personality of the Spirit; How to pray with Trinitarian Resources; Biblical words and phrases twisted by sectarians; the Trinity in the New Testament and Divine Names given equally to Jehovah and Jesus.
Centuries before anyone could make sense of these fantastic warnings, the prophets declared that the mysteries of Revelation would not be understood until the Last Days. Verse by verse and chapter by chapter, Jack Van Impe, reviews John's portrait of history's final claims.
