Fifteen-year-old Webber was driving a car that hit a little girl who now may never walk again, and Webber's grandfather wants to claim that he was driving, not Webber.
My story begins aged 3, when my mother abandoned me and left me with my brutal father to raise me. Nobody knew the secrets that went on inside that house, or the journey that I travelled on after leaving it, until now. This is the story of my survival. What do you do when no one wants you? How many people need to destroy a child until that child wants to destroy herself? What if social services always got told a different story? What would you do if you were in my position? Survival is key.
It's autumn in Tokyo, and 12-year-old Akira and his younger siblings Kyoko, Shige, and little Yuki have just moved into a new apartment with their mother. Akira hopes it's a new start for all of them. But their mother soon begins to spend more and more time away from the apartment, and then one morning Akira finds an envelope of money and a note. She has gone away with her new boyfriend for a while. For a brief time the children bask in their freedom. They shop, explore, plant a little balcony garden, have the playground to themselves. Even when the bank account is empty and the utilities are turned off and the children become increasingly ill kempt, it seems in the bustling big city, nobody notices them. It's as if nobody knows.
Cassie Sheridan has all a television news reporter could want: an important beat in Washington D.C., a skyrocketing career, and a talent that everyone acknowledges. But then, she makes a critical mistake. Suddenly, her career is in shambles, her credibility is questioned, and her teenaged daughter makes her realize just how much time she hasn't spent with her. The repercussions of ambitious reporting have now derailed the career of KEY News justice correspondent Cassie Sheridan. Cassie is transferred to Miami, to wait out the end of her contract-separated from her family, her friends, and the familiarity of Washington. But in an unsuspecting south Florida town, a killer is watching...and waiting. While covering a hurricane that's moving up Florida's west coast, Cassie meets 11-year-old Vincent, who has just made a grisly discovery on the beach. In one week, Cassie traces the connection between Vincent's newfound "treasure" and a secret operation in the dark shadows of sunny Sarasota-a story that has national significance and maybe, just maybe, will win back her reputation. But nobody knows how fierce the coming storm will be. Nobody knows how far a psychopath will go in pursuit of twisted pleasure. Nobody knows if a young woman's murderer will stop at nothing to keep the crimes a secret. And nobody knows if Cassie will get out alive. . . .
"As a kid growing up in Manhattan, William Helmreich played a game with his father they called "Last Stop." They would pick a subway line and ride it to its final destination, and explore the neighborhood there. Decades later, Helmreich teaches university courses about New York, and his love for exploring the city is as strong as ever. Putting his feet to the test, he decided that the only way to truly understand New York was to walk virtually every block of all five boroughs--an astonishing 6,000 miles. His epic journey lasted four years and took him to every corner of Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. Helmreich spoke with hundreds of New Yorkers from every part of the globe and from every walk of life, including Mayor Michael Bloomberg and former mayors Rudolph Giuliani, David Dinkins, and Edward Koch. Their stories and his are the subject of this captivating and highly original book. We meet the Guyanese immigrant who grows beautiful flowers outside his modest Queens residence in order to always remember the homeland he left behind, the Brooklyn-raised grandchild of Italian immigrants who illuminates a window of his brownstone with the family's old neon grocery-store sign, and many, many others. Helmreich draws on firsthand insights to examine essential aspects of urban social life such as ethnicity, gentrification, and the use of space. He finds that to be a New Yorker is to struggle to understand the place and to make a life that is as highly local as it is dynamically cosmopolitan."--Publisher's description.
The nail-bitingly intense story of a summer at camp that ends in a disturbing death—and depicts a powerful friendship that won’t ever be forgotten. Perfect for fans of One of Us Is Lying and Broken Things. Kayla is still holding on to Lainie’s secrets. After all, Lainie is Kayla’s best friend. And despite Lainie’s painful obsession with her on-again, off-again boyfriend, and the ways he has tried to come between them, friends don’t spill each other’s secrets. They don’t betray each other’s trust. The murder at the end of the summer doesn’t change all that. Besides—Kayla knows that the truth is not the whole story.
'These essays ... live and grow in the mind' James Campbell, Independent Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris. 'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times 'A bright and alive book, full of grief, love and anger' Chicago Tribune
The Gunsmith 449 The Girl Nobody Knew Clint rides into the town of Split Rail, Wyoming for no other reason than to stop for a meal and a bed before continuing on his way to . . . nowhere. He has no destination in mind, and is not on his way to help anybody who’s in trouble. He’s just . . . riding. Split Rail is a decent sized town with plenty of places to eat. He picks one that is pretty crowded, but gets himself a table in the back that nobody else seemed to want. Before he’s served a woman comes over and asks if she can sit with him, since he’s eating alone. Otherwise she can’t get a table. She’s lovely, so he agrees. They get along, end up in his hotel room for the night, and then agree to meet the next day. Only the next day she’s nowhere to be found, and no one seems to remember her, not even the waiter in the restaurant. It’s not that she’s gone, it’s as if she never existed. . .