This is the story of a young man's riverboat journey to find his missing father.Set in 1890, Johnny enlists the help of an absent-minded skipper, an amnesia-suffering first mate, a tall hillbilly hunter, an uppity couple and a grumpy muted cook to help him reach New Orleans and hopefully find the father he has been without for 15 years.This is part five of The "Mayhem Mysteries Series".
The stunning true story of a murder that rocked the Mississippi Delta and forever shaped one author’s life and perception of home. “Mix together a bloody murder in a privileged white family, a false accusation against a Black man, a suspicious town, a sensational trial with colorful lawyers, and a punishment that didn’t fit the crime, and you have the best of southern gothic fiction. But the very best part is that the story is true.” —John Grisham In 1948, in the most stubbornly Dixiefied corner of the Jim Crow south, society matron Idella Thompson was viciously murdered in her own home: stabbed at least 150 times and left facedown in one of the bathrooms. Her daughter, Ruth Dickins, was the only other person in the house. She told authorities a Black man she didn’t recognize had fled the scene, but no evidence of the man's presence was uncovered. When Dickins herself was convicted and sentenced to life in prison, the community exploded. Petitions pleading for her release were drafted, signed, and circulated, and after only six years, the governor of Mississippi granted Ruth Dickins an indefinite suspension of her sentence and she was set free. In Deer Creek Drive, Beverly Lowry—who was ten at the time of the murder and lived mere miles from the Thompsons’ home—tells a story of white privilege that still has ramifications today, and reflects on the brutal crime, its aftermath, and the ways it clarified her own upbringing in Mississippi.
NEW YORK TIMES BESTSELLER • The award-winning book that inspired an Apple Original series from Apple TV+ • A landmark investigation of patient deaths at a New Orleans hospital ravaged by Hurricane Katrina—and the suspenseful portrayal of the quest for truth and justice—from a Pulitzer Prize–winning physician and reporter “An amazing tale, as inexorable as a Greek tragedy and as gripping as a whodunit.”—Dallas Morning News After Hurricane Katrina struck and power failed, amid rising floodwaters and heat, exhausted staff at Memorial Medical Center designated certain patients last for rescue. Months later, a doctor and two nurses were arrested and accused of injecting some of those patients with life-ending drugs. Five Days at Memorial, the culmination of six years of reporting by Pulitzer Prize winner Sheri Fink, unspools the mystery, bringing us inside a hospital fighting for its life and into the most charged questions in health care: which patients should be prioritized, and can health care professionals ever be excused for hastening death? Transforming our understanding of human nature in crisis, Five Days at Memorial exposes the hidden dilemmas of end-of-life care and reveals how ill-prepared we are for large-scale disasters—and how we can do better. ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times Book Review • ONE OF THE BEST BOOKS OF THE YEAR: Chicago Tribune, Seattle Times, Entertainment Weekly, Christian Science Monitor, Kansas City Star WINNER: National Book Critics Circle Award, J. Anthony Lukas Book Prize, PEN/John Kenneth Galbraith Award, Los Angeles Times Book Prize, Ridenhour Book Prize, American Medical Writers Association Medical Book Award, National Association of Science Writers Science in Society Award
The southern Delta has never been more exhilarating, evocative, and wickedly funny than in the mysteries of Carolyn Haines. Now she takes readers on another rollicking ride across the Mississippi cotton fields and into the glamour of New Orleans…as P.I. Sarah Booth Delaney follows a winding trail of murder and deception into a world where ghosts make fashion statements—and where one person’s miracle is another person’s mayhem. The leaves of the calendar may be shedding faster than the sycamores on her family’s decaying Mississippi plantation, but thirty-something southern belle Sarah Booth Delaney isn’t ready to sing the blues. Not when she’s got a thriving detective agency and the outspoken, outrageously attired ghost of her great-great-grandmother’s nanny to keep her on her toes. But the matchmaking phantom may have the last word on motherhood when Sarah Booth takes on the controversial case of an accused baby killer. Although Doreen Mallory’s been arrested for feeding sleeping pills to her ten-week-old daughter, no one could accuse her of lacking faith. A healer who, tragically, couldn’t save her own baby girl, born with multiple birth defects, Doreen has her own crosses to bear. While the local law seems convinced of Doreen’s guilt, Sarah Booth isn’t so sure. But why is Doreen reluctant to talk about the men in her life? Like the televangelist who stands to lose a lot more than his flock. Or the married politician with family ties to the Mob. Either of them could be little Rebekah’s father; either of them could also be her killer. With Halloween approaching and her own personal life up for grabs, Sarah Booth could use a little faith healing herself. Torn between a married sheriff and an old flame who’s literally sweeping her off her feet, she’d better be prepared for the fallout of her most unpopular case yet. Justice may not stand a ghost of a chance as a decades-old secret explodes, unleashing a storm of fury on Sarah Booth and all those she loves. Witty, suspenseful, and featuring a cast of memorable characters, Hallowed Bones is a riveting tale of faith, murder, and maternal love. It is Carolyn Haines’s most accomplished novel yet.
Los Angeles in the 1960s gave the world some of the greatest music in rock 'n' roll history: "California Dreamin'" by the Mamas and the Papas, "Mr. Tambourine Man" by the Byrds, and "Good Vibrations" by the Beach Boys, a song that magnificently summarized the joy and beauty of the era in three-and-a-half minutes. But there was a dark flip side to the fun fun fun of the music, a nexus between naïve young musicians and the fringe elements that exploited the decade's peace-love-and-flowers ethos, all fueled by sex, drugs, and overnight success. One surf music superstar unwittingly subsidized the kidnapping of Frank Sinatra Jr. The transplanted Texas singer Bobby Fuller might have been murdered by the Mob in what is still an unsolved case. And after hearing Charlie Manson sing, Neil Young recommended him to the president of Warner Bros. Records. Manson's ultimate rejection by the music industry likely led to the infamous murders that shocked a nation. Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing—Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others—and their stories form a modern epic of the battles between innocence and cynicism and joy and terror. You'll never hear that beautiful music in quite the same way.
From acclaimed master of mystery Dick Francis comes a thrilling novel about the illusion of film and the reality of murder—a New York Times notable book. Thomas Lyon has finally been given the chance to direct a potential blockbuster, based on the true story of an unsolved crime that rocked the horseracing world twenty-six years ago. But a cryptic deathbed confession, an assault on an elderly woman, and a frightening threat lead Lyon to pick up the thread of this unfinished tale—and follow it through to its perilous end...
"Local editors Schaper and Horwitz have assembled a noteworthy collection of noir-infused stories mixed with laughter...The Akashic noir short-story anthologies are avidly sought and make ideal samplers for regional mystery collecting." --Library Journal "Crime fans who missed the first round will find this expanded version worthwhile." --Publishers Weekly "The best pieces in the collection turn the clich s of the genre on their head . . . and despite the unseemly subject matter, the stories are often surprisingly funny." --City Pages (Minneapolis) "If you've never read an Akashic Noir book, Twin Cities Noir is a fine place to start." --San Francisco Book Review/Sacramento Book Review "A fun...read...particularly ripe for picking by locals who'll delight in recognizing their stomping grounds in the stories, but with enough unexpected turns to make it worthwhile for those outside the Midwest, too." --KnightsArts Brand-new stories from John Jodzio, Tom Kaczynski, and Peter Schilling, Jr., in addition to the original volume's stories by David Housewright, Steve Thayer, Judith Guest, Mary Logue, Bruce Rubenstein, K.J. Erickson, William Kent Krueger, Ellen Hart, Brad Zellar, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart. "St. Paul was originally called Pig's Eye's Landing and was named after Pig's Eye Parrant--trapper, moonshiner, and proprietor of the most popular drinking establishment on the Mississippi. Traders, river rats, missionaries, soldiers, land speculators, fur trappers, and Indian agents congregated in his establishment and made their deals. When Minnesota became a territory in 1849, the town leaders, realizing that a place called Pig's Eye might not inspire civic confidence, changed the name to St. Paul, after the largest church in the city . . . Across the river, Minneapolis has its own sordid story. By the turn of the twentieth century it was considered one of the most crooked cities in the nation. Mayor Albert Alonzo Ames, with the assistance of the chief of police, his brother Fred, ran a city so corrupt that according to Lincoln Steffans its 'deliberateness, invention, and avarice has never been equaled.' As recently as the mid-'90s, Minneapolis was called 'Murderopolis' due to a rash of killings that occurred over a long hot summer . . . Every city has its share of crime, but what makes the Twin Cities unique may be that we have more than our share of good writers to chronicle it. They are homegrown and they know the territory--how the cities look from the inside, out . . ."
One of NPR's Best Books of the Year Finalist for the 2022 Edgar Award for Best Fact Crime The inside story of how a courageous FBI informant helped to bring down the KKK organization responsible for a brutal civil rights–era killing. By early 1966, the work of Vernon Dahmer was well known in south Mississippi. A light-skinned Black man, he was a farmer, grocery store owner, and two-time president of the Forrest County chapter of the NAACP. He and Medgar Evers founded a youth NAACP chapter in Hattiesburg, and for years after Evers’s assassination Dahmer was the chief advocate for voting rights in a county where Black registration was shamelessly suppressed. This put Dahmer in the crosshairs of the White Knights, with headquarters in nearby Laurel. Already known as one of the most violent sects of the KKK in the South, the group carried out his murder in a raid that burned down his home and store. A year before, Tom Landrum, a young, unassuming member of a family with deep Mississippi roots, joined the Klan to become an FBI informant. He penetrated the White Knights’ secret circles, recording almost daily journal entries. He risked his life, and the safety of his young family, to chronicle extensively the clandestine activities of the Klan. Veteran journalist Curtis Wilkie draws on his exclusive access to Landrum’s journals to re-create these events—the conversations, the incendiary nighttime meetings, the plans leading up to Dahmer’s murder and its erratic execution—culminating in the conviction and imprisonment of many of those responsible for Dahmer’s death. In riveting detail, When Evil Lived in Laurel plumbs the nature and harrowing consequences of institutional racism, and brings fresh light to this chapter in the history of civil rights in the South—one with urgent implications for today.
This is the first published comprehensive survey of naval action on the Mississippi River and its tributaries for the years 1863-1865. Following introductory reviews of the rivers and of the U.S. Navy's Mississippi Squadron, chronological Federal naval participation in various raids and larger campaigns is highlighted, as well as counterinsurgency, economical support and control, and logistical protection. The book includes details on units, locations and activities that have been previously underreported or ignored. Examples include the birth and function of the Mississippi Squadron's 11th District, the role of U.S. Army gunboats, and the war on the Upper Cumberland and Upper Tennessee Rivers. The last chapter details the coming of the peace in 1865 and the decommissioning of the U.S. river navy and the sale of its gunboats.
“A wickedly entertaining” (The New York Times) detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare. Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. “Intensely readable…with bust-out laughing moments” (Garden & Gun), Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of Elizabethan portraiture.” A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a “gripping, poignant, and enjoyable” (The Washington Post) journey that will forever change the way you look at one of history’s greatest cultural and literary icons.
