After her father's untimely death, Theresa faced a rocky and unstable childhood. But there was one place she felt safe: her grandmother's house in Mason, a depressed former copper mining town in Michigan's Upper Peninsula. Gram's passing leaves Theresa once again at the mercy of the lasting, sometimes destructive grief of her Ojibwe mother and white stepfather. As the family travels back and forth across the country in search of a better life, one thing becomes clear: if they want to find peace, they will need to return to their roots. The Mason House is at once an elegy for lost loved ones and a tale of growing up amid hardship and hope, exploring how time and the support of a community can at last begin to heal even the deepest wounds.
WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD 2021 ‘Riveting, taking in prejudice as well as sacrifice. There are 4.30am starts, lost instruments, fractured wrists, all captured with vivid flourishes. A paean to camaraderie.’ Observer Seven brothers and sisters. All of them classically trained musicians. One was Young Musician of the Year and performed for the royal family. The eldest has released her first album, showcasing the works of Clara Schumann. These siblings don’t come from the rarefied environment of elite music schools, but from a state comprehensive in Nottingham. How did they do it? Their mother, Kadiatu Kanneh-Mason, opens up about what it takes to raise a musical family in a Britain divided by class and race. What comes out is a beautiful and heartrending memoir of the power of determination, camaraderie and a lot of hard work. The Kanneh-Masons are a remarkable family. But what truly sparkles in this eloquent memoir is the joyous affirmation that children are a gift and we must do all we can to nurture them.
Harold Godwineson was king of England from January 1066 until his death at Hastings in October of that year. For much of the reign of Edward the Confessor, who was married to Harold’s sister Eadgyth, the Godwine family, led by Earl Godwine, had dominated English politics. In The Rise and Fall of the House of Godwine, Emma Mason tells the turbulent story of a remarkable family which, until Harold’s unexpected defeat, looked far more likely than the dukes of Normandy to provide the long-term rulers of England. But for the Norman Conquest, an Anglo-Saxon England ruled by the Godwine dynasty would have developed very differently from that dominated by the Normans.
The Mason House was dark, dreary, and very scary for Mary and David as children when they visited with their mother. Their Uncle Danbury was a scary man and frequently yelled at his niece and nephew. Finding a secret passage had only caused their young imagination to go wild. Too young and scared to explore it, they barred the door instead. Now as young adults, they were the new owners upon inheriting it from their uncle. The first thing they do is follow the secret passage and found it went virtually nowhere. As they try to find the reasons for a hidden pathway, Mary tries to heal from a broken marriage. Her ex-husband is running from his own past and broken promises. More than once he brings danger into Mary's life. The Mason House remains in the center of the family healing and mystery as the next generation is caught up in a kidnapping. Intrigue, mystery, and life's strife find its way in normal everyday lives. As this family finds out, no one is immune to trouble.
Published in 1971, this work presents an illustrative architectural description of a house in Fairfax County, Virginia. The writer gives a brief history of the Mason family and the home and quickly moves to explore the architectural treasure that was the house. He brilliantly described the house plan, the interior, the exterior, etc.
Howard Van Doren Shaw designed stately country houses in and around Chicago—from affluent Lake Forest, Illinois, and Lake Geneva, Wisconsin, to Iowa, Minnesota, Ohio, and Indiana—from 1894 to 1926, a period in American architecture that spanned the Gilded Age, the adoption of Beaux-Arts classicism as the ideal for civic architecture, the invention of the skyscraper, and the beginning of modernism. Born in 1869, he worked for the leading industrialists of that period, including Reuben H. Donnelley of printing fame, newspaper giant Joseph Medill Patterson, Edward Forster Swift, the meatpacking king, and Edward L. Ryerson of Ryerson Steel. A contemporary of Frank Lloyd Wright, Shaw explored many of the same ideas as the Prairie School Architects within the forms of traditional architecture. Though he was recognized as one of the leading country house architects of the early twentieth century, his name was largely forgotten after his death. Like many traditional architects practicing today, Shaw was skilled at adapting historic precedents to suit contemporary living, in particular the easy flow of interior space that became a design hallmark of the period for traditionalists and modernists alike. For the new and fashionable suburb of Lake Forest, Shaw created Market Square, the town center, which was lauded for its design as both a unique town green and the first American shopping center designed to accommodate automobiles. This timely reappraisal of Howard Van Doren Shaw’s work features many previously unpublished images from the Shaw Archive in the Burnham and Ryerson Library at the Art Institute of Chicago and the Chicago History Museum, rare construction drawings, and new color photography as well as a catalogue of Shaw’s residential work. His legacy includes substantial houses in prosperous communities, many of which are still standing—including Ragdale, once Shaw’s own summer house in Lake Forest, now home to the prestigious artists’ community; the Becker Estate on Chicago’s North Shore; and The Hermann House overlooking Lake Michigan.
Packed with chilling stories, GHOSTLY ENCOUNTERS is filled with practical information for anyone who dares to spend a night in a haunted house. Frances Kermeen bought the Myrtles Plantation of St. Francisville, LA, with the dream of turning the historic site into a cozy inn. But she was shocked to discover that the property was haunted. Instead of losing customers, however, business exploded. Since then, Kermeen has traveled to over 150 haunted inns and hotels throughout the U.S. and collected some of the creepiest ghost stories ever told-and they're all true. Readers will enter the Oatman Hotel, where the distinct outline of a man, once murdered in the room, remains imprinted on the sheets-no matter how many times the maids change them. And in the garden of the Myrtles Plantation, two little girls, who were poisoned there in 1824, are often seen playing.
