Read and Download eBook Full
Author: Terence P. Logan
Publisher:
Published: 1978
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKThis book gives a comprehensive account of recent scholarship on English plays and playwrights, exclusive of Shakespeare. It includes plays and playwrights of both popular and private theaters for the time period from 1616 to 1642. -- from Book Jacket.
Author: Matthew Steggle
Publisher: Manchester University Press
Published: 2004
Total Pages: 236
ISBN-13: 9780719063589
DOWNLOAD EBOOKRichard Brome was the leading comic playwright of 1630s London. Starting his career as a manservant to Ben Jonson, he wrote a string of highly successful comedies which were influential in British theatre long after Brome's own playwriting career was cut short by the closure of the theatres in 1642.This book offers the first full-length chronological account of Brome's life and works, drawing on a wide range of recently rediscovered manuscript sources. Each of the surviving plays is discussed in relation to its social and political context, and its sense of place. A final chapter reviews Brome's enduring stageworthiness into the eighteenth and nineteenth centuries, and the most recent Brome revivals.
Author: Terence P. Logan
Publisher:
Published: 1978
Total Pages: 279
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael J. Marcuse
Publisher: Univ of California Press
Published: 2023-11-10
Total Pages: 2816
ISBN-13: 0520321871
DOWNLOAD EBOOKAuthor: Sylvia Stoler Wagonheim
Publisher: Routledge
Published: 2013-08-21
Total Pages: 393
ISBN-13: 1134676344
DOWNLOAD EBOOKAn analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.
Author: Alfred Harbage
Publisher: Psychology Press
Published: 1989
Total Pages: 398
ISBN-13: 9780415010993
DOWNLOAD EBOOKAn analytical record of all plays, extinct or lost, chronologically arranged and indexed by authors, titles and dramatic companies.
Author: Coburn Freer
Publisher: JHU Press
Published: 2019-12-01
Total Pages: 357
ISBN-13: 142143430X
DOWNLOAD EBOOKOriginally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry—from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The Poetics of Jacobean Drama offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.
Author: Michael Hattaway
Publisher: John Wiley & Sons
Published: 2010-02-12
Total Pages: 1264
ISBN-13: 9781444319026
DOWNLOAD EBOOKIn this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Author: Mario DiGangi
Publisher: Cambridge University Press
Published: 1997-09-04
Total Pages: 236
ISBN-13: 9780521587013
DOWNLOAD EBOOKDiGangi analyses the relation between homoeroticism and social power in a range of literary and historical texts from the 1580s to the 1620s, drawing on insights from materialist, queer and feminist theory to show the centrality of homoerotic practices.
Author: Robert Hornback
Publisher: DS Brewer
Published: 2013
Total Pages: 260
ISBN-13: 1843843560
DOWNLOAD EBOOKFrom the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
