"In Ireland, the Great Famine was a period of mass starvation, disease and emigration between 1845 and 1852. It is also known, mostly outside Ireland, as the Irish Potato Famine. In the Irish language it is called an Gorta Mór (IPA: [n t mo?], meaning "the Great Hunger") or an Drochshaol ([n dxhi?l], meaning "the bad life"). During the famine approximately 1 million people died and a million more emigrated from Ireland, causing the island's population to fall by between 20% and 25%."--Wikipedia.
Based on original research with Irish women both at home and in England, this book explores how questions of mobility and stasis are recast along gender, class, racial and generational lines.
This book explores the changing relationship between Ireland and America in the modern world. Its main themes examine the shifting patterns of Irish migration over time and the implications of these changes for the political and cultural relationship between the two countries. The historic connection between Ireland and America is at a transitional point, and that while Irish-America is not disappearing altogether, it is changing in fundamental ways, mediated by the forces of globalisation and modernity. Conceptually, the book focuses on Irish-America as an evolved diaspora - a migrant community that has moved into the political, economic and cultural mainstream within US society. A number of important issues lie at the heart of this book for all of us. Where do we belong? Why do we belong there? Can we mediate between where we are from and where we live, to transcend territorial restrictions and live our lives beyond, or in between, the country of our birth and where we've made our ho
In New Perspectiveson the Irish Diaspora, Charles Fanning incorporates eighteen fresh perspectives on the Irish diaspora over three centuries and around the globe. He enlists scholarly tools from the disciplines of history, sociology, literary criticism, folklore, and culture studies to present a collection of writings about the Irish diaspora of great variety and depth.
In the century between the Napoleonic Wars and the Irish Civil War, more than seven million Irish men and women left their homeland to begin new lives abroad. While the majority settled in the United States, Irish emigrants dispersed across the globe, many of them finding their way to another “New World,” Australia. Ireland’s New Worlds is the first book to compare Irish immigrants in the United States and Australia. In a profound challenge to the national histories that frame most accounts of the Irish diaspora, Malcolm Campbell highlights the ways that economic, social, and cultural conditions shaped distinct experiences for Irish immigrants in each country, and sometimes in different parts of the same country. From differences in the level of hostility that Irish immigrants faced to the contrasting economies of the United States and Australia, Campbell finds that there was much more to the experiences of Irish immigrants than their essential “Irishness.” America’s Irish, for example, were primarily drawn into the population of unskilled laborers congregating in cities, while Australia’s Irish, like their fellow colonialists, were more likely to engage in farming. Campbell shows how local conditions intersected with immigrants’ Irish backgrounds and traditions to create surprisingly varied experiences in Ireland’s new worlds. Outstanding Book, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association “Well conceived and thoroughly researched . . . . This clearly written, thought-provoking work fulfills the considerable ambitions of comparative migration studies.”—Choice
This book brings together a series of articles which provide an overview of the Irish Diaspora from a global perspective. It combines a series of survey articles on the major destinations of the Diaspora; the USA, Britian and the British Empire. On each of these, there is a number of more specialist articles by historians, demographers, economists, sociologists and geographers. The inter-disciplinary approach of the book, with a strong historical and modern focus, provides the first comprehensive survey of the topic.
Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.
How diaspora activism in the Irish land movement intersected with wider radical and reform causes The Irish Land War represented a turning point in modern Irish history, a social revolution that was part of a broader ideological moment when established ideas of property and land ownership were fundamentally challenged. The Land War was striking in its internationalism, and was spurred by links between different emigrant locations and an awareness of how the Land League’s demands to lower rents, end evictions, and abolish “landlordism” in Ireland connected with wider radical and reform causes. Changing Land offers a new and original study of Irish emigrants’ activism in the United States, Argentina, Scotland, and England and their multifaceted relationships with Ireland. Niall Whelehan brings unfamiliar figures to the surface and recovers the voices of women and men who have been on the margins of, or entirely missing from, existing accounts. Retracing their transnational lives reveals new layers of radical circuitry between Ireland and disparate international locations, and demonstrates how the land movement overlapped with different types of oppositional politics from moderate reform to feminism to revolutionary anarchism. By including Argentina, which was home to the largest Irish community outside the English-speaking world, this book addresses the neglect of developments in non-Anglophone places in studies of the “Irish world.” Changing Land presents a powerful addition to our understanding of the history of modern Ireland and the Irish diaspora, migration, and the history of transnational radicalism.
Using an interdisciplinary and transhistorical framework this book examines the cultural, material, and symbolic articulations of Irish migration relationships from the medieval period through to the contemporary post-Celtic Tiger era. With attention to people’s different uses of social space, relationships with and memories of the landscape, as well as their symbolic expressions of diasporic identity, Heritage, Diaspora and the Consumption of Culture examines the different forms of diaspora over time and contributes to contemporary debates on home, foreignness, globalization and consumption. By examining various movements of people into and out of Ireland, the book explores how expressions of cultural capital and symbolic power have changed over time in the Irish collective imagination, shedding light on the ways in which Ireland is represented and Irish culture consumed and materialized overseas. Arranged around the themes of home and location, identity and material culture, and global culture and consumption, this collection brings together the work of scholars from the UK, Ireland, Europe, the US and Canada, to explore the ways in which the processes of movement affect the people’s negotiation and contestation of concepts of identity, the local and the global. As such, it will appeal to scholars working in fields such as sociology, politics, cultural studies, history and archaeology, with interests in migration, gender studies, diasporic identities, heritage and material culture.
