The Aestheticism in Oscar Wilde’s Poems “Impression du Matin” and “Roses and Rue”

The Aestheticism in Oscar Wilde’s Poems “Impression du Matin” and “Roses and Rue”

Author: Stefan Zeuge

Publisher: GRIN Verlag

Published: 2007-05-08

Total Pages: 29

ISBN-13: 3638780910

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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam, course: PS British Poetry since Romanticism, language: English, abstract: Oscar Wilde (1854 – 1900) was one of the most famous writers of the Victorian Age. He was primarily known as a playwright but also created a number of poems, stories and fairytales. Already during his studies at Oxford he developed a style in his art that would later make him the best-known writer of English aestheticism. For Wilde, however, aesthetic sense was more than a concept in art. He rather devoted his whole life to the perfection of beauty. He cultivated a flamboyant lifestyle, supported nonconformist views and had homoerotic tendencies, which made him a kind of media star. The attention directed towards him was often hostile because his attitudes contradicted mainstream Victorian values. These were marked by moral strictness and considerations of usefulness. Oscar Wilde, however, was a hedonist and an individualist. This contradiction and his persistence in defending his views brought him towards the end of his life even to court and to prison, which shows that his attitudes were more than pure provocation. This assignment deals with the question how aestheticism is expressed in Wilde’s poems. It investigates where the Aesthetic Movement originated and what its principles were. Which theories about art influenced Oscar Wilde and how did he develop them further for his own purposes? What was in his social and artistic biographical background that could have had an impact on his attitudes? How consequently did he follow his own principles that he often mentioned in his essays and articles? Is it possible to create a pure form of aestheticism and which difficulties occur while trying to do so?


The Influence of Oscar Wilde on W.B. Yeats

The Influence of Oscar Wilde on W.B. Yeats

Author: Noreen Doody

Publisher: Springer

Published: 2018-08-07

Total Pages: 337

ISBN-13: 3319895486

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This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility.


Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"

Oscar Wilde, Art and Morality: A Defence of

Author: Various

Publisher: DigiCat

Published: 2022-09-16

Total Pages: 122

ISBN-13:

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DigiCat Publishing presents to you this special edition of "Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


Cosmopolitan Criticism

Cosmopolitan Criticism

Author: Julia Prewitt Brown

Publisher: University of Virginia Press

Published: 1997

Total Pages: 164

ISBN-13: 9780813918884

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Brown (English, Boston U.) places Wilde in the continuum of continental philosophy from Kant and Schiller through Kierkegaard and Nietzsche to Benjamin and Adorno, discussing his conception of art, its meaning, and the contradictory relations between art and the sphere of the ethical everyday. Annotation copyrighted by Book News, Inc., Portland, OR


Palgrave Advances in Oscar Wilde Studies

Palgrave Advances in Oscar Wilde Studies

Author: Frederick S. Roden

Publisher: Springer

Published: 2004-09-30

Total Pages: 315

ISBN-13: 0230524303

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Palgrave Advances in Oscar Wilde Studies is a comprehensive guide to recent critical approaches. Topics covered include Gay Studies, Feminist Criticism, Material Culture, Religion, Philosophy, Performance Studies, Aestheticism, Biography, Textual Studies and Postcolonial Theory. The book is designed to acquaint readers of all levels with the history of scholarship in a range of fields and suggest ways that Wilde's work offer new areas for research. The collection also provides a Chronology and detailed bibliography.


Aestheticism in Oscar Wilde's "The Picture of Dorian Gray"

Aestheticism in Oscar Wilde's

Author: Jannis Rudzki-Weise

Publisher: GRIN Verlag

Published: 2010-12-07

Total Pages: 21

ISBN-13: 3640771494

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Seminar paper from the year 2010 in the subject American Studies - Literature, grade: 2.0, University of Kassel, course: Anglo-American Literature, language: English, abstract: Oscar Wilde’s only novel, The Picture of Dorian Gray, can be considered a revolutionary piece of literature not only because it broke out of the traditional value and belief pattern of the Victorian society but also because it replaced the traditional pattern with new concepts coined by Wilde and his former tutors. Several themes such as homoeroticism, an aesthetic lifestyle or influence and corruption, were issues that many had been afraid to address in the time before Wilde. In this research paper, I will place my main focus on the matter of aestheticism, the causes that it has and the consequences that result from an aesthetic lifestyle. In order to analyze these aspects, it is inevitable to have a closer look at Oscar Wilde’s beliefs about art and morality which serve as a basis for understanding the main character’s behavior in the novel. To begin my paper, I will outline Wilde’s thoughts on art and aestheticism as presented in his famous selection, Intentions, which consists of a number of essays and dialogues on aesthetics as well as his preface to The Picture of Dorian Gray that has been regarded as Wilde’s personal praise of aestheticism. This background information is essential to understanding the main character’s motivations in the story, which can often be related to Wilde’s life as an artist. I will then make a detailed analysis of the characters Basil Hallward, Lord Henry Wotton, Sibyl Vane and Dorian Gray and will explain how their aesthetic behavior and their moral beliefs can be linked to Wilde’s thoughts. To end, I will attempt to summarize my findings referring to the statement that Wilde also included criticism of aestheticism in his novel. The term ‘aestheticism’ derives from Greek, meaning “perceiving through senses” and is a nineteenth-century European concept that rejects the moral rules and conventions of Victorian society, and focuses instead on beauty and the resulting pleasure in life. Since it is hard to nail down ‘aestheticism’ to one definition and since it has different meanings to different people, I will take a closer look at Oscar Wilde's thoughts about this concept, in order to better understand the correlation between this idea, and The Picture of Dorian Gray. When it was first published in Lippincott's Monthly Magazine on 20 June 1890, The Picture of Dorian Gray was attacked fiercely as it suggested a new set of moral beliefs.


Yeats and the Visual Arts

Yeats and the Visual Arts

Author: Elizabeth Bergmann Loizeaux

Publisher:

Published: 1986

Total Pages: 278

ISBN-13:

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This volume traces Yeats fascination with the visual arts and their influence on his poetry. Elizabeth Bergmann Loizeaux demonstrates how the influences in Yeats' early years, especially his interest in Pre-Raphaelite painting, helped shape his aesthetic theory and practice as a poet. She argues that the analogies Yeats often used between the visual arts and literature provide an apt way to characterize his own work. In the early verse, the governing analogy is poem-as-painting; later, influenced by his work inthe theatre, Yeats writes poems analogous to the three-dimensional forms of sculpture. Loizeaux's thorough documentation and scholarly approach make her book a useful contribution to our understanding of Yeats' poetry.


E FRUCTU ARBOR COGNOSCITUR

E FRUCTU ARBOR COGNOSCITUR

Author: ROXANA UTALE

Publisher: Editura Universității din București - Bucharest University Press

Published: 2020-01-01

Total Pages: 196

ISBN-13: 6061611498

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STUDII DE ANGLISTICĂ ȘI AMERICANISTICĂ ale studenților și masteranzilor din Facultatea de Limbi și Literaturi Străine (2010-2017)


Oscar Wilde: An Idler's Impression

Oscar Wilde: An Idler's Impression

Author: Edgar Saltus

Publisher: Good Press

Published: 2021-04-25

Total Pages: 19

ISBN-13:

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'Oscar Wilde: An Idler's Impression' is a short biographical sketch on the life of Oscar Wilde as told by his contemporary and acquaintance Edgar Saltus. Saltus recollects his encounters with Wilde and paints a vivid picture of the often controversial poet and author.