Christopher Garlington immigrated from England to York Co., Virginia during or beofre 1638 and married twice. He moved to Northumberland Co., Virginia and died in 1677.
Garlington's images shimmer and flicker, lighting a pathway to an absurd land of dreams. 100 fantastical portraits which subvert reality. Garlington's eye is unsparing, yet his images also convey a wry compassion for the outcast. His images are more than mere portraits of the bizarre as he simultaneously dissects and embraces his subjects as fellow pilgrims. Some of the images in this book come from cross-country excursions in Photo Car, a sedan Garlington covered with samples of his work. The car served as a magnet and an ice-breaker to draw subjects to his lens.
Southerners are known for their strong sense of history. But the kinds of memories southerners have valued--and the ways in which they have preserved, transmitted, and revitalized those memories--have been as varied as the region's inhabitants themselves. This collection presents fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past. Thirteen contributors explore the workings of historical memory among groups as diverse as white artisans in early-nineteenth-century Georgia, African American authors in the late nineteenth century, and Louisiana Cajuns in the twentieth century. In the process, they offer critical insights for understanding the many communities that make up the American South. As ongoing controversies over the Confederate flag, the Alamo, and depictions of slavery at historic sites demonstrate, southern history retains the power to stir debate. By placing these and other conflicts over the recalled past into historical context, this collection will deepen our understanding of the continuing significance of history and memory for southern regional identity. Contributors: Bruce E. Baker Catherine W. Bishir David W. Blight Holly Beachley Brear W. Fitzhugh Brundage Kathleen Clark Michele Gillespie John Howard Gregg D. Kimball Laurie F. Maffly-Kipp C. Brenden Martin Anne Sarah Rubin Stephanie E. Yuhl
In April 1861, Dick and Tally Simpson, sons of South Carolina Congressman Richard F. Simpson, enlisted in Company A of the Third South Carolina Volunteers of the Confederate army. Their letters home--published here for the first time--read like a historical novel, complete with plot, romance, character, suspense, and tragedy. In their last year of college when the war broke out, Dick and Tally were hastily handed their diplomas so they could volunteer for military duty. Dick was twenty; Tally was twenty-two. Well educated, intelligent, and thoughtful young men, Dick and Tally cared deeply for their country, their family, and their comrades-in-arms and wrote frequently to their loved ones in Pendleton, South Carolina, offering firsthand accounts of dramatic events from the battle of First Manassas in July 1861 to the battle of Chickamauga in September 1863. Their letters provide a picture of war as it was actually experienced at the time, not as it was remembered some twenty or thirty years later. It is a picture that neither glorifies war nor condemns it, but simply "tells it like it is." Written to a number of different people, the boys' letters home dealt with a number of different subjects. Letters to "Pa" went into great detail about military matters in Lee's Army of Northern Virginia--troop movements, casualties, and how well particular units had fought; letters to "Ma" and sisters Anna and Mary were about camp life and family friends in the army and usually included requests for much-needed food and clothing; letters to Aunt Caroline and her daughter Carrie usually concerned affairs of the heart, for Aunt Caroline continued to be Dick and Tally's trusted confidante, even when they were "far, far from home." The value of these letters lies not so much in the detailed information they provide as in the overall picture they convey--a picture of how one Southern family, for better or for worse, at home and at the front--coped with the experience of war. These are not wartime reminiscences, but wartime letters, written from the camp, the battlefield, the hospital bed, the picket line--wherever the boys happened to be when they found time to write home. It is a poignant picture of war as it was actually experienced in the South as the Civil War unfolded.