'Thirty-seven years in the force, and if I was allowed to choose just one thing to erase from my mind, what's inside that room would be it.' That's what a LAPD Lieutenant tells Detectives Hunter and Garcia of the Ultra Violent Crimes Unit as they arrive at one of the most shocking crime scenes they have ever attended. In a completely unexpected turn of events, the detectives find themselves joining forces with the FBI to track down a serial killer whose hunting ground sees no borders; a psychopath who loves what he does because to him murder is much more than just killing - it's an art form. Welcome to The Gallery of the Dead.
The "Art of the Dead" showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Epoque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley "Mouse" Miller, Alton Kelley, Wes Wilson, and Victor Moscoso. The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock 'n' roll band ever. The book will follow a chronological evolution of the art from the band's origination in 1965 through Jerry Garcia's death in 1995.
The Days of the Dead offers a remarkable journey within Mexico's traditional holiday honoring departed ancestors, friends, and family. Each aspect of the multiday festival is carefully explored, from the journey to the cemeteries to spruce up neglected gravesites to the lively marketplace selling breads and candies in the shapes of skulls and skeletons and finally, the peaceful vigil as friends and families crowd the cemeteries to await the arrival of their loved ones through the long night. San Francisco-based photographer John Greenleigh traveled to small towns in Mexico in four different years to document this extraordinary festival. Accompanied by evocative text by cultural scholar Rosalind Rosoff Beimler, the pictures speak eloquently to a ritual that is at once mocking and respectful of death -- and ultimately affirming of human life.
Published by Skybound & produced by AMC Networks Publishing, discover the behind-the-scenes pre-production & production art for AMC's THE WALKING DEAD shows: The Walking Dead, Fear the Walking Dead, and The Walking Dead: World Beyond, all in one incredible collection! Includes never-before-seen original sketches, concept art, storyboards, previs art, set concept and engineering art, promotional concept to completion key art, special product illustrations, in-world product art, and much more. Also includes a brand-new wraparound cover featuring over 50 characters from across all the shows. Features an introduction by Chief Content Officer, SCOTT M. GIMPLE, as well as other compelling anecdotes and fun facts from The Walking Dead creators and crew. A must-have for anyone who has ever shouted, "We are the Walking Dead!"
FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER Every story has a beginning . . . They met for the first time in college. Two of the brightest minds ever to graduate from the prestigious Stanford University. They met again in Quantico, Virginia. Robert Hunter has become the head of the LAPD’s Ultra Violent Crimes Unit. Lucien Folter has become the most prolific and dangerous serial killer in FBI history. The FBI caught Lucien. He's been in prison for years. But Lucien has just escaped. And he’s angry. He's going to make the person who put him away suffer. That person . . . is Robert Hunter. And every story must come to an end . . . PRAISE FOR CHRIS CARTER ‘An exceptional thriller writer who fully deserves to be ranked alongside Jeffery Deaver’ Daily Mail ‘Former criminal psychologist Carter knows what he’s talking about when it comes to creating bone-chilling serial killers, so be prepared for a terror ride’ Heat ‘Carter has a background in criminal psychology and the killers at the centre of his novels are all the more terrifying for it’ Mail on Sunday ‘Carter is one of those authors who makes writing look effortless . . . I couldn't put it down’ Crimesquad ‘An insanely good crime series. Extraordinarily well written, high quality and high drama all the way’ Liz Loves Books ‘An intriguing and scary thriller’ Better Reading ‘A gripping feast of thrills’ Shots ‘A page turner’ Express ‘A gripping psychological thriller’ Breakaway ‘Punchy and fast paced’ Sunday Mirror
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
THE FIRST CHILLING NOVEL IN THE ACCLAIMED ROBERT HUNTER SERIES When the body of a young woman is discovered in a derelict cottage in Los Angeles, Robert Hunter is thrown into a nightmare case. The victim suffered a terrible death, and on the nape of her neck has been carved a strange double-cross: the signature of a psychopath known as the Crucifix Killer. But that's impossible. Because two years ago, the Crucifix Killer was caught and executed. Could this therefore be a copycat killer? Or could the unthinkable be true? Is the real killer still out there, ready to embark once again on a vicious and violent killing spree, selecting his victims seemingly at random, taunting Robert Hunter with his inability to catch him? Hunter and his rookie partner, Garcia, need to solve this case and fast. PRAISE FOR CHRIS CARTER 'Gripping . . . Not for the squeamish' Heat 'A page turner' Express
A personal and critical work that celebrates the pleasure of books and reading. Largely unknown to readers today, Sir Philip Sidney’s sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as “some luminous globe” wherein “all the seeds of English fiction lie latent.” In Gallery of Clouds, the Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: “The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at sail, my mother. These clouds stay still only as long as I look at them, and then they change.” Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. Eisendrath holds out her manuscript—an infinite moment passes—and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces linked through metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne’s practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African American head librarian in the Chicago public library system; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Walter Benjamin’s “scholarly romance,” The Arcades Project. Eisendrath’s wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and abounding grace.
Sylvia Ji's haunting, seductive and psychedelically tinged portrayals of women offer a whole new slant on femininity, and blur the line between high and lowbrow art. The dominant influence on her work is La Calavera Catrina, the iconic skeleton dame of Mexico's Day of the Dead celebrations, and her macabre, yet glamorous, take on the Sugar Skull tradition. This retrospective monograph offers a lavish overview of an artist who draws inspiration from life and death to create highly charged and darkly exotic work.
