During the twenty-second century, a space probe's investigation of a mysterious, cylindrical asteroid brings man into contact with an extra-galactic civilization
Ben Novack, Jr. was born into a life of luxury and opulence. Heir to the legendary Fontainebleau hotel, he spent his childhood surrounded by some of the world's biggest stars, including Frank Sinatra and the Rat Pack, Elvis Presley, and Ann-Margret, who performed regularly at the Fontainebleau's La Ronde Room. He sat by while his parents entertained presidents and movie stars, as they reigned over Miami Beach in the ‘50's and ‘60's, and when the family business went sour he became wealthy in his own right, founding a multi-million dollar business using connections he made at the Fontainebleau. But Ben, Jr.'s luxurious, celebrity-studded lifestyle would end in another hotel room—a thousand miles away from the one where he grew up—when police found him bound up in duct tape, beaten to death. Seven years earlier, police found Novack in an eerily similar situation—when his wife Narcy duct-taped him to a chair for twenty-four hours and robbed him. Claiming it was a sex game, he never pressed charges and never followed through with a divorce. Now prosecutors claimed Narcy let the vicious killers into the room and watched as they beat her husband with dumbbells. They also suspected she was involved in the horrendous death of Novack's mother, just three months before. But it would be Narcy's own daughter who implicated her to the police. John Glatt tells the whole story of this twisted case of passion, perversion, and paradise lost, in Prince of Paradise.
From the acclaimed bestselling author of Philistines at the Hedgerow comes a remarkably revealing profile of the Miami Beach no one knows–a tale of fabulous excess, thwarted power, and rekindled lives that will take its place among the decade’s best works of social portraiture. Created from a mix of swampland and dredged-up barrier reef, Miami Beach has always been one part drifter-mecca and one part fantasyland, simultaneously a catch basin for con men, fast-talk artists, and shameless self-promoters, and a Shangri-La for sun worshippers and hardcore hedonists. In Miami Beach it’s often said that "if you’re not indicted you’re not invited." But the city’s mad, fascinating complexity resists easy stereotyping. Fool’s Paradise is more than just a present-day profile of a dark Eden. Gaines journeys back into the city’s social and cultural history, unearthing stories of the resort’s past that are every bit as absorbing–and jaw-dropping–as those of its present. The book begins with a snapshot of the city’s current excess (this is, after all, a sun-washed hamlet that boasts, on a per capita basis, more bars–and breast implants–than any other place in America), then plunges into the Beach’s origins, chronicling the audacious rise of such hoteliers as the Fontainebleau’s Ben Novack and the Eden Roc’s Harry Mufson, the sharp-elbowed tactics of Al Capone and Frank Sinatra, and the Mac-10 shooting sprees of the Marielito and Colombian drug lords. From there, the narrative shifts to two wildly eccentric souls who gave their lives to preserving the city’s architectural dazzle and creating its color palette, introduces us to "the Most Powerful Man in Miami Beach," and arrives finally in the modern day, where we meet, among others, a kinky German playboy who once owned a quarter of South Beach and publicly flaunts his sexual escapades; a fabulously successful nightclub promoter whose addictive past seems to have given him a portal into the night world’s id; and a gaggle of young sexy models, dreamers, and schemers on a mission to achieve significance. Evoking the Beach’s surreal blend of flashy Vegas and old Hollywood glamour, as well as its manic desperation and reckless wealth, Gaines persuasively demonstrates that though the Beach is–in the words of its most famous drag queen–"an island of broken toys . . . a place where people get away with things they’d never get away with anyplace else," it casts an irresistible spell.
Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation’s shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald’s deepest allegiances were to a fading antebellum world he associated with his father’s Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts of Lake Forest, Princeton, and Hollywood—places that left an indelible mark on his worldview. In this comprehensive biography, Brown reexamines Fitzgerald’s childhood, first loves, and difficult marriage to Zelda Sayre. He looks at Fitzgerald’s friendship with Hemingway, the golden years that culminated with Gatsby, and his increasing alcohol abuse and declining fortunes which coincided with Zelda’s institutionalization and the nation’s economic collapse. Placing Fitzgerald in the company of Progressive intellectuals such as Charles Beard, Randolph Bourne, and Thorstein Veblen, Brown reveals Fitzgerald as a writer with an encompassing historical imagination not suggested by his reputation as “the chronicler of the Jazz Age.” His best novels, stories, and essays take the measure of both the immediate moment and the more distant rhythms of capital accumulation, immigration, and sexual politics that were moving America further away from its Protestant agrarian moorings. Fitzgerald wrote powerfully about change in America, Brown shows, because he saw it as the dominant theme in his own family history and life.
From the Nobel Prize winner comes a captivating novel about an idealistic Icelandic farmer who journeys to Mormon Utah and back in search of paradise. • "Full of an earthy poetry...a style wonderfully wise and entirely Scandinavian in its combination of magic and reality." —The New York Times Book Review • With an introduction by the Pulitzer Prize-winning author of A Thousand Acres. The quixotic hero of this long-lost classic is Steinar of Hlidar, a generous but very poor man who lives peacefully on a tiny farm in nineteenth-century Iceland with his wife and two adoring young children. But when he impulsively offers his children's beloved pure-white pony to the visiting King of Denmark, he sets in motion a chain of disastrous events that leaves his family in ruins and himself at the other end of the earth, optimistically building a home for them among the devout polygamists in the Promised Land of Utah. By the time the broken family is reunited, Laxness has spun his trademark blend of compassion and comically brutal satire into a moving and spellbinding enchantment, composed equally of elements of fable and folkore and of the most humble truths.
From the author of The Raj Quartet, a coming-of-age tale about a boy and his childhood friendships with a British diplomat’s daughter and the son of a Raj. The Birds of Paradise is set in India when the British Raj still seemed a paradise, but a paradise that boy comes to recognize as already lost. As Scott weaves together themes of political and personal history, he makes us feel how the protagonist identifies with the beautiful, mysterious India of the Raj. With a keen eye for character and graceful prose, Scott captures the reverie of a youth complete with parades of elephants, garden parties, and the titular birds of paradise, who are stuffed trophies of an Indian prince, kept as decoration in a gilded cage. When the boy is sent away to England, he experiences his exile as both the personal wound of abandonment and the foreshadowing of the Partition. Winner of the Booker Prize Praise for The Birds of Paradise “A rare literary bird, a novel that in a short space recreates a man’s lifetime. Using exotic backgrounds, it manages to say something useful about growing up—a process that only children believe takes place mainly in childhood.” —Time “Scott’s vision is both precise and painterly. Like an engraver crosshatching the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, New York Times Book Review “One of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Far more even than E. M. Forester, in whose long literary shadow he has to work, Paull Scott is successful in exploring the provinces of the human heart.” —Life
Explores the conviction that paradise existed in a precise although unreachable earthly location. Delving into the writings of dozens of medieval and Renaissance thinkers, from Augustine to Dante, this title presents a study of the meaning of Original Sin and the human yearning for paradise.