A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.
A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.
The collection of short stories entitled Behind the Lines: Bulguma and Other Stories draws on Hašek’s experience from revolutionary Russia. In a manner similar to that employed in his caricatures of the pre-war monarchy, he satirically captures events of the Bolshevik revolution from the perspective of a Red commissar in a combination of grotesque humor and sarcasm. Historical events serve merely as part of the historical mystification. Hašek presents them as he perceived them as a man and participant in historical events. He depicts them primarily as simple and human, pushing his critical view into the background. On the border of a comic exaggeration and a realistic depiction, an amusing story about a forgotten Tartar town of Bugulma unfolds featuring the Soviet commander of the Tver Revolutionary Regiment, drunk Yerokhimov, and Comrade Gašek, the Commanding Officer of Bugulma. Employing humor and exaggeration, Hašek demonstrates the zealotry of the revolutionary period as well as the stupidity and simple human insecurity of authoritarians. The collection of short stories, Behind the Lines, also includes other sketches by Hašek, written at the same time.
An extraordinary novel about a strong-willed woman who disguises herself as a man in order to fight beside her husband in the Civil War. Rosetta doesn't want her new husband, Jeremiah, to enlist, but he joins up, hoping to make enough money that they'll be able to afford their own farm someday. When Jeremiah leaves, Rosetta decides her true place is by his side, no matter what that means, and follows him into war. Rich with historical details and inspired by the many women who fought in the Civil War while disguised as men, I Shall Be Near To You is a courageous adventure, a woman's search for meaning and individuality, and a poignant story of enduring love.
In Home of the Brave, former Secreatary of Defense Caspar W. Weinberger brings us a chronicle of heroism in the War on Terror. They are nineteen of the most highly decorated soldiers, sailors, airmen, and marines in the United States military, and yet most Americans don't even know their names. In this riveting, intimate account, former Secretary of Defense Caspar Weinberger and Wynton C. Hall tell stories of jaw-dropping heroism and hope in Afghanistan and Iraq. Home of the Brave takes readers beyond the bullets and battles and into the hearts and minds of the men and women who are fighting terrorists overseas so that America doesn't have to fight them at home. These are the powerful, true-life stories of the hopes, fears, and triumphs these men and women experienced fighting the War on Terror. But more than that, these are the stories of soldiers who risked everything to save lives and defend freedom. Including: *Lieutenant Colonel Mark Mitchell, the Green Beret leader whose 15-man Special Forces team took 500 Al Qaeda and Taliban prisoners, and posthumously repatriated the body of the first American to die in combat in the War on Terror, CIA agent Johnny "Mike" Spann. *Army National Guard Sergeant Leigh Ann Hester, the first woman ever to be awarded the Silver Star for combat, whose sharp-shooting and bravery played an enormous role in fighting off over fifty Iraqi insurgents while her ten-person squad protected a convoy of supplies on the way to fellow soldiers. *Sergeant Rafael Peralta, a Mexican immigrant, enlisted in the Marines the same day he received his green card. Wounded from enemy fire, Peralta used his body to smother the blast of an enemy grenade and gave his life so that his marine brothers could live. These real-life heroes remind us of American history's most enduring lesson: Ours would not be the land of the free if it were not also the home of the brave. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Praise for the first edition: "Aberth wears his very considerable and up-to-date scholarship lightly and his study of a series of complex and somber calamites is made remarkably vivid." -- Barrie Dobson, Honorary Professor of History, University of York The later Middle Ages was a period of unparalleled chaos and misery -in the form of war, famine, plague, and death. At times it must have seemed like the end of the world was truly at hand. And yet, as John Aberth reveals in this lively work, late medieval Europeans' cultural assumptions uniquely equipped them to face up postively to the huge problems that they faced. Relying on rich literary, historical and material sources, the book brings this period and its beliefs and attitudes vividly to life. Taking his themes from the Four Horsemen of the Apocalypse, John Aberth describes how the lives of ordinary people were transformed by a series of crises, including the Great Famine, the Black Death and the Hundred Years War. Yet he also shows how prayers, chronicles, poetry, and especially commemorative art reveal an optimistic people, whose belief in the apocalypse somehow gave them the ability to transcend the woes they faced on this earth. This second edition is brought fully up to date with recent scholarship, and the scope of the book is broadened to include many more examples from mainland Europe. The new edition features fully revised sections on famine, war, and plague, as well as a new epitaph. The book draws some bold new conclusions and raises important questions, which will be fascinating reading for all students and general readers with an interest in medieval history.
Near the close of the Civil War, as General Sherman blazed his path to the sea, an unknown infantryman rifled through the North Carolina state house.The soldier was hunting for simple Confederate mementos—maps, flags, official correspondence—but he wound up discovering something far more valuable. He headed home to Ohio with one of the touchstones of our republic: one of the fourteen original copies of the Bill of Rights. Lost Rights follows that document’s singular passage over the course of 138 years, beginning with the Indiana businessman who purchased the looted parchment for five dollars, then wending its way through the exclusive and shadowy world of high-end antiquities—a world populated by obsessive archivists, oddball collectors, forgers, and thieves— and ending dramatically with the FBI sting that brought the parchment back into the hands of the government. For fans of The Billionaire’s Vinegar and The Lost Painting, Lost Rights is “a tour de force of antiquarian sleuthing” (Hampton Sides).
For twenty-five years, millions of Americans watched Jack Perkins on NBC News as a correspondent, commentator, and anchorman. People were familiar with his face, his bearing, and his rich, reassuring bass. Yet at the age of fifty-two and at the height of his career, Jack Perkins left the world of broadcasting and moved with his wife, Mary Jo, to a bare-necessities cabin on an uninhabited island off the coast of Maine. This isolated home they came to call Moosewood was the setting for and the catalyst to Jack and Mary Jo’s spiritual awakening. For thirteen years they endured (and learned to enjoy) snowbound winters, shuttling supplies from the mainland, testing themselves and the strength of their marriage, and discovering the rewards and glories of a close-to-nature life. Which is to say, the rewards and glories of a close-to-God life. As far as the public was aware, Jack Perkins had vanished. In fact, he was doing research; not, for a change, about the unknown private life of a movie star or celebrated artist, but about the unknown sides of himself. Jack’s personal account in Finding Moosewood, Finding God tells a relatable story of one man drawn to cast off a shallow and unsatisfying lifestyle in order to seek out a deeper, more meaningful and spiritual life. Within the course of explaining how their lives were blessedly transformed especially during the cycle of their first year of island living, Jack draws in stories from his long career in an impressionistic, associative way that invites the reader to connect the dots. One finds—as he finally did—that there’d been many hints along the way of a greater plan at work. This rich memoir also contains a photo insert.
After losing his job, Lee Kravitz, a workaholic in his midfifties, took stock of his life and realized just how disconnected he had become from the people who mattered most to him. He committed an entire year to reconnecting with them and making amends. Kravitz takes readers on ten transformational journeys, among them repaying a thirty-year-old debt, making a long-overdue condolence call, finding an abandoned relative, and fulfilling a forgotten promise. Along the way, we meet a cast of wonderful characters and travel the globe-to a refugee camp in Kenya, a monastery in California, the desert of southern Iran, a Little League game in upstate New York, and a bar in Kravitz's native Cleveland. In each instance, the act of reaching out opens new paths for both personal and spiritual growth. All of us have unfinished business-the things we should have done but just let slip. Kravitz's story reveals that the things we've avoided are exactly those that have the power to transform, enrich, enlarge, and even complete us. The lesson of the book is one applicable to us all: Be mindful of what is most important, and act on it. The rewards will be immediate and lasting.
