Fake

Fake

Author: Clifford Irving

Publisher:

Published: 2013

Total Pages:

ISBN-13:

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The story of Elmyr de Hory from his earliest days as a pupil of Leger in Paris, to his final escapades on the island of Ibiza.


Art Thieves, Fakers and Fraudsters

Art Thieves, Fakers and Fraudsters

Author: Penelope Jackson

Publisher:

Published: 2017-06

Total Pages: 0

ISBN-13: 9781927249512

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"Art crime is soaring. Every year as much as $10 billion worth of artworks are stolen. Many more are vandalised, damaged or destroyed. Added to this is a flourishing world of fakes and forgeries, often sold for millions of dollars and hanging in the world's most prestigious galleries. If you think this is happening only in Paris, London and New York, prepare to be surprised as art curator Penelope Jackson reveals the underbelly of the New Zealand art world"--Back cover.


Original Fake

Original Fake

Author: Kirstin Cronn-Mills

Publisher: G.P. Putnam's Sons Books for Young Readers

Published: 2016

Total Pages: 354

ISBN-13: 0399173269

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"Frankie Neumann's an introvert, and he's always been the outsider in his family of performers, but all that's about to change once he finds an outlet for his artistic talents"--


Art Forgery

Art Forgery

Author: Thierry Lenain

Publisher: Reaktion Books

Published: 2012-01-15

Total Pages: 386

ISBN-13: 1861899599

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With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.


Fake?

Fake?

Author: Mark Jones

Publisher: Univ of California Press

Published: 1990-01-01

Total Pages: 316

ISBN-13: 9780520070875

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Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.


The Art of Forgery

The Art of Forgery

Author: Noah Charney

Publisher: Phaidon Press

Published: 2015-05-12

Total Pages: 296

ISBN-13: 9780714867458

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The Art of Forgery: Case Studies in Deception explores the stories, dramas and human intrigues surrounding the world’s most famous forgeries – investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.


Fake Like Me

Fake Like Me

Author: Barbara Bourland

Publisher: Grand Central Publishing

Published: 2019-06-18

Total Pages: 335

ISBN-13: 1538759500

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From critically acclaimed author Barbara Bourland, comes an "impressively intelligent thriller," nominated for the Edgar Allan Poe Award, about a young painter who tracks the mysterious life and death of her role model, uncovering strange secrets that lead to the truth of her demise (Refinery29). After a fire rips through her loft, destroying the seven billboard-size paintings meant for her first major exhibition, a young painter is left with an impossible task: recreate the lost artworks in just three months without getting caught -- or ruin her fledgling career. Homeless and desperate, she begs her way into Pine City, an exclusive retreat in upstate New York notorious for three things: outrageous revelries, glamorous artists, and the sparkling black lake where brilliant prodigy Carey Logan drowned herself. Taking up residence in Carey's former studio, the painter works with obsessive, delirious focus. But when she begins to uncover strange secrets at Pine City and falls hard for Carey's mysterious boyfriend, a single thought shadows her every move: What really happened to Carey Logan?


Forged

Forged

Author: Jonathon Keats

Publisher: Oxford University Press

Published: 2013

Total Pages: 206

ISBN-13: 0199928355

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According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.


The Last Painting of Sara de Vos

The Last Painting of Sara de Vos

Author: Dominic Smith

Publisher: Sarah Crichton Books

Published: 2016-04-05

Total Pages: 305

ISBN-13: 0374714045

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“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.