Over the course of a career spanning five decades, Canadian poet, novelist and playwright Earle Birney produced some of Canada’s best-known poems. The Essential Earle Birney contains a selection of his pivotal works, including early break-out successes; nuanced, mid-career lyrics; avant-garde experiments; and beautiful, deceptively simple love poetry. From ‘David’ to ‘Bushed’ to ‘Anglo-Saxon Street’, this indispensable collection reaffirms Birney’s position as a key figure in modern Canadian poetry. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible, and affordable. The Essential Earle Birney is the 10th volume in the series.
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
"We can no longer pretend we don't know about residential schools, murdered and missing Aboriginal women and 'Indian hospitals.' The only outstanding question is how we respond." —Tom Sandborn, Vancouver Sun A shocking exposé of the dark history and legacy of segregated Indigenous health care in Canada. After the publication of his critically acclaimed 2011 book Drink the Bitter Root: A Writer’s Search for Justice and Healing in Africa, author Gary Geddes turned the investigative lens on his own country, embarking on a long and difficult journey across Canada to interview Indigenous elders willing to share their experiences of segregated health care, including their treatment in the "Indian hospitals" that existed from coast to coast for over half a century. The memories recounted by these survivors—from gratuitous drug and surgical experiments to electroshock treatments intended to destroy the memory of sexual abuse—are truly harrowing, and will surely shatter any lingering illusions about the virtues or good intentions of our colonial past. Yet, this is more than just the painful history of a once-so-called vanishing people (a people who have resisted vanishing despite the best efforts of those in charge); it is a testament to survival, perseverance, and the power of memory to keep history alive and promote the idea of a more open and just future. Released to coincide with the Year of Reconciliation (2017), Medicine Unbundled is an important and timely contribution to our national narrative.
This groundbreaking collection of essays shows how the American Western has been reimagined in different national contexts, producing fictions that interrogate, reframe, and remix the genre in unexpectedly critical ways.
CBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2023 What can we remove from ourselves and still be ourselves? Written after a brain tumour diagnosis, The King of Terrors is a treatise on living with illness and the way that language, relationships and our immersion in the natural world can free us from the spectre of impending collapse. Johnstone's poems oscillate between the personal and the public, the clinical and the spiritual, so we're never quite sure what we are seeing, no matter how familiar. "There is a moving, fierce intensity to The King of Terrors. Jim Johnstone knowingly reminds us that betrayals of the body are also betrayals of language, ‘each bloody / mouthful a sentence fragment.’ These are lines of admission, ambition, and harrowing truth, and Johnstone – despite a future only as certain ‘as the body // it inhabits’ – offers a form of redemption, for the fortitude of the sick, for poetry itself." – Randall Mann, author of Deal: New and Selected Poems "The King of Terrors is a luminous meditation on the otherworld of illness and treatment, contemplating the mysteries of death and the frontiers of mind and body with sharp clarity and radical vulnerability. These mesmerizing, urgent poems admit us not only to waiting rooms and brain scans, but also to the intimate fears that accompany the estranging experience of being unwell, or, as the poet says, living 'between / age and agency.' Haunting, stark, and lyrical, The King of Terrors is charged, as all the best poetry is, with the shock of the mortal." – Sarah Holland-Batt, author of The Jaguar
