The author has created a portrait of Ashbee, a man who happily supported his unsuspecting wife and four children, but spent his spare time cataloguing such risque titles as Miss Bellasis Birched for Thieving and The Marchioness' Amorous Pastimes. The work includes access to Ashbee's diaries.
In this engrossing true drama, Dr Orion first finds herself the subject of obsessive love and then unsuccessfully tries to free herself of her patient, Fran who continues to stalk the doctor to this day...8 yrs and counting.
Ukrainian Erotomaniac Fictions explores the aggressive sexualization of the Ukrainian cultural mainstream after the collapse of the USSR as a counter-reaction to the Soviet state's totalitarian, repressive politics of the body. While the book's introduction includes concise sections on such pornified cultural forms as advertising, mass media, visual art, and film, its major focus is on textual production that has contributed significantly to the literary explosion in Ukraine, which began in the 1990s. Drawing on cultural, postcolonial, feminist, and gender theories, the book examines transgressive potentials of the erotic under postcolonial, postcommunist, and post-totalitarian conditions. It offers insight into the convoluted dialectics between the imported conventions of Western "porno-chic" and the received oppressive Soviet gender and sexual ideologies. Within a broad historical and cultural framework, the study considers writers' engagements in dialogues with their own tradition and colonial legacy, as well as with a variety of transcultural flows. By bringing together diverse erotomaniac fictions, Maryna Romanets charts the ways in which they are embedded in the processes of Ukraine's cultural decolonization.
I began these memoirs when about twenty-five years old, having from youth kept a diary of some sort, which perhaps from habit made me think of recording my inner and secret life. When I began it, I had scarcely read a baudy book, none of which excepting "Fanny Hill" appeared to me to be truthful, that did, and it does so still; the others telling of recherche eroticisms, or of inordinate copulative powers, of the strange twists, tricks, and fancies, of matured voluptuousness, and philosophical lewedness, seemed to my comparative ignorance, as baudy imaginings, or lying inventions, not worthy of belief; although I now know by experience, that they may be true enough, however eccentric, and improbable, they may appear to the uninitiated. Fanny Hill was a woman's experience. Written perhaps by a woman, where was a man's, written with equal truth? That book has no baudy word in it; but baudy acts need the baudy ejaculations; the erotic, full flavored expressions, which even the chastest indulge in, when lust, or love, is in its full tide of performance. So I determined to write my private life freely as to fact, and in the spirit of the lustful acts done by me, or witnessed; it is written therefore with absolute truth, and without any regard whatever for what the world calls decency. Decency and voluptuousness in its fullest acceptance, cannot exist together, one would kill the other; the poetry of copulation I have only experienced with a few women, which however neither prevented them, nor me from calling a spade, a spade. I began it for my amusement; when many years had been chronicled I tired of it and ceased. Some ten years afterwards I met a woman, with whom, or with those she helped me do; I did, said, saw, and heard, well nigh everything a man and woman could do with their genitals, and began to narrate those events, when quite fresh in my memory, a great variety of incidents extending over four years or more. Then I lost sight of her, and my amorous amusements for a while were simpler, but that part of my history was complete.