Yale University's Elizabethan Club is the home of an outstanding collection of rare editions of early English literature, including the four Folios of Shakespeare, the famous forty quartos acquired from the Huth Collection, the finest of the four known copies of Venus and Adonis, and the unique copy of the first Troilus and Cressida. This volume by Stephen Parks makes available for the first time a detailed bibliographical catalogue of the collection, including full details of provenance, binding, and condition of each of the books.
"The Elizabethan Club of Yale University and Its Library" was first published in 1986 to celebrate the 75th anniversary of the founding of the Elizabethan Club. This second, greatly enlarged edition is being published in celebration of the Club's centenary. This edition includes full descriptions of the rare books in the Elizabethan Club's collection, including the nearly sixty new acquisitions of the past quarter century, and for the first time a listing of manuscripts and objects. Full-color photographs by Richard Cheek elegantly display the Club's rooms and garden, and nearly all its rare books, manuscripts, and objects are beautifully presented in full-color reproductions.
Tom Lockwood's study is the first examination of Jonson's place in the texts and culture of the Romantic age. Part one of the book explores theatrical, critical, and editorial responses to Jonson, including his place in the post-Garrick theatre, critical estimations of his life and work, and the politically-charged making and reception of William Gifford's 1816 edition of Jonson's Works. Part two explores allusive and imitative responses to Jonson's poetry and plays in the writings of Samuel Taylor Coleridge, and explores how Jonson serves variously as a model by which to measure the poet laureate, Robert Southey, and Coleridge's eldest son, Hartley. The introduction and conclusion locate this 'Romantic Jonson' against his eighteenth-century and Victorian re-creations. Ben Jonson in the Romantic Age shows us a varied, mobile, and contested Jonson and offers a fresh perspective on the Romantic age.
The Arden Research Handbook of Shakespeare and Textual Studies is a wide-ranging, authoritative guide to research on Shakespeare and textual studies by an international team of leading scholars. It contains chapters on all the major areas of current research, notably the Shakespeare manuscripts; the printed text and paratext in Shakespeare's early playbooks and poetry books; Shakespeare's place in the early modern book trade; Shakespeare's early readers, users, and collectors; the constitution and evolution of the Shakespeare canon from the sixteenth to the twenty-first century; Shakespeare's editors from the eighteenth to the twenty-first century; and the modern editorial reproduction of Shakespeare. The Handbook also devotes separate chapters to new directions and developments in research in the field, specifically in the areas of digital editing and of authorship attribution methodologies. In addition, the Companion contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Textual Studies is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, an essential companion for all those interested in Shakespeare and textual studies.
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
This study of Elizabethan and Jacobean royal entertainments, including tiltyard speeches and court masques, is the first to look in detail at the surviving material texts. It examines the 1602 Harefield entertainment, the 1575 Woodstock entertainment, the Merchant Taylors' and Theobalds' entertainments, and Ben Jonson's work for the Jacobean court.
