This book is the first collection of its kind, an anthology of classic and cutting-edge writings in the rapidly emerging field of literary ecology. Exploring the relationship between literature and the physical environment, literary ecology is the study of the ways that writing - from novels and folktales to U.S. government reports and corporate advertisements - both reflects and influences our interactions with the natural world.
This volume gathers nineteen of the most representative and defining essays from the journal ISLE: Interdisciplinary Studies in Literature and Environment over the course of its first ten years. Following an introduction that traces the stages of ecocriticism's development, The ISLE Reader is organized into three sections, each of which reflects one of the general goals the journal has sought to accomplish. The section titled "Re-evaluations" provides new readings of familiar environmental writers and new environmental perspectives on authors or literary traditions not usually considered from a green perspective. The writings in "Reaching Out to Other Disciplines" promote cross-pollination among various disciplines and methodologies in the environmental arts and humanities. The writings in the final section, "New Theoretical and Practical Paradigms," are especially significant for the conceptual and methodological terrain they map. The ISLE Reader documents the state of research in ecocriticism and related interdisciplinary fields, provides a survey of the field, and points to new methodologies and possibilities for the future.
Ecocriticism: The Essential Reader charts the growth of this important field. The first-wave ecocriticism section focuses on key readings from the 1960s to the 1990s. The second-wave ecocriticism section goes on to consider a range of exciting contemporary trends, including environmental justice, aesthetics and philosophy, and globalization. Readings include the work of: Raymond Williams Jonathan Bate Timothy Morton Ursula Heise Lawrence Buell Kate Soper Cary Wolfe and Kate Rigby. Containing seminal, representative, and contemporary work in the field, this volume and the editorial commentary is designed for use on both undergraduate and postgraduate ecocritical literature courses.
The Latin American Ecocultural Reader is a comprehensive anthology of literary and cultural texts about the natural world. The selections, drawn from throughout the Spanish-speaking countries and Brazil, span from the early colonial period to the present. Editors Jennifer French and Gisela Heffes present work by canonical figures, including José Martí, Bartolomé de las Casas, Rubén Darío, and Alfonsina Storni, in the context of our current state of environmental crisis, prompting new interpretations of their celebrated writings. They also present contemporary work that illuminates the marginalized environmental cultures of women, indigenous, and Afro-Latin American populations. Each selection is introduced with a short essay on the author and the salience of their work; the selections are arranged into eight parts, each of which begins with an introductory essay that speaks to the political, economic, and environmental history of the time and provides interpretative cues for the selections that follow. The editors also include a general introduction with a concise overview of the field of ecocriticism as it has developed since the 1990s. They argue that various strands of environmental thought—recognizable today as extractivism, eco-feminism, Amerindian ontologies, and so forth—can be traced back through the centuries to the earliest colonial period, when Europeans first described the Americas as an edenic “New World” and appropriated the bodies of enslaved Indians and Africans to exploit its natural bounty.
East Asian Ecocriticisms presents original essays from Japan, South Korea, Taiwan, and China that define and characterize trends in East Asian ecocriticism. Drawing on diverse theoretical perspectives in environmental thought and scholarship, this volume presents valuable and original contributions to global conversations.
This text is one of the first introductory guides to the field of literary ecological criticism. It is the ideal handbook for all students new to the disciplines of literature and environment studies, ecology and green studies.
Written by one of the world’s leading theorists in ecocriticism, this manifesto provides a critical summary of the ecocritical movement. A critical summary of the emerging discipline of “ecocriticism”. Written by one of the world’s leading theorists in ecocriticism. Traces the history of the ecocritical movement from its roots in the 1970s through to its diversification and proliferation today. Takes account of different ecocritical positions and directions. Describes major tensions within ecocriticism and addresses major criticisms of the movement. Looks to the future of ecocriticism, proposing that discourses of the environment should become a permanent part of literary and cultural studies.
The degrading environment of the planet is something that touches everyone. This 2011 book offers an introductory overview of literary and cultural criticism that concerns environmental crisis in some form. Both as a way of reading texts and as a theoretical approach to culture more generally, 'ecocriticism' is a varied and fast-changing set of practices which challenges inherited thinking and practice in the reading of literature and culture. This introduction defines what ecocriticism is, its methods, arguments and concepts, and will enable students to look at texts in a wholly new way. Boxed sections explain key critical terms and contemporary debates in the field with 'hands-on' examples and comparisons. Timothy Clark's thoughtful approach makes this an ideal first encounter with environmental readings of literature.
Essays exploring humanity’s connection with the environment. Although the physical relationship between the natural world and individuals is quantifiable, the psychosocial effect of the former on the latter is often less tangible. What, for instance, is the connection between the environment in which we live and our creativity? How is our consciousness bounded and delimited by our materiality? And from whence does our idea of self and our belief in free will derive and when do our surroundings challenge these basic assumptions? Eco-critic Harold Fromm’s challenging exploration of these and related questions twines his own physical experiences and observations with insights gathered from both the humanities and the sciences. Writing broadly and personally, Fromm explores our views of nature and how we write about it. He ties together ecology, evolutionary psychology, and consciousness studies to show that our perceived separation from our surroundings is an illusory construct. He argues for a naturalistic vision of creativity, free will, and the literary arts unimpeded by common academic and professional restraints. At each point of this intellectual journey, Fromm is honest, engaging, and unsparing. Philosophical, critical, often personal, Fromm’s sweeping, interdisciplinary, and sometimes combative essays will change the way you think about your place in the environment. “How rare it is that a work of philosophical inquiry is written with the passion of a cri de coeur, but Harold Fromm’s brilliantly conceived The Nature of Being Human resonates with such uncanny depths. Here is an utterly engrossing first-person account of a harrowing pilgrimage into the 21st century and its disturbing revelations about humankind’s truest nature, in contrast to the comforting solicitudes of a “humanist” past. If the role of the philosopher is to force us to think, Harold Fromm is a born philosopher.” —Joyce Carol Oates “Fromm, an erudite, prolific author of numerous works ranging from ecocritical commentary to self-reflective discourses, presents a compilation of essays that illuminate his views regarding why most Americans seem oblivious to the destruction of their environment.” —Choice “Fromm’s journey from victim, to campaigner, to pioneer of eco-criticism (that is, the study of literature from an ecological viewpoint) is documented here, alongside challenging analyses of man’s place in nature, free will, our relationship with technology and more. Scholarly but engaging, Fromm is an environmentalist, but also a realist.” —Organic Gardener
