Dionysian Imagery in Archaic Greek Art
Dionysian Imagery in Archaic Greek Art

Author: Thomas H. Carpenter

Publisher: Oxford University Press, USA

Published: 1986

Total Pages: 198

ISBN-13:

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This study examines the development of Dionysian imagery in Greek vase painting from the first appearance of the god on an Attic vase c. 580 BC to the point at which red figure overtook black figure as the dominant style of vase painting in Attica c. 520 BC.

Dionysian Imagery in Fifth-century Athens
Dionysian Imagery in Fifth-century Athens

Author: Thomas H. Carpenter

Publisher:

Published: 1997

Total Pages: 232

ISBN-13:

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This is an extensive study of Dionysian imagery found primarily in scenes on red-figure vases of the fifth-century BC but also in the architectural sculpture, coins, and theatre of the same period. Thomas Carpenter seeks to define a methodology for using this imagery as evidence for cultural and religious activity, and challenges some commonly-held views about the meaning of Dionysian iconography, at the same time pointing to problems inherent in the evidence under scrutiny.

Dionysos in Classical Athens
Dionysos in Classical Athens

Author: Cornelia Isler-Kerényi

Publisher: BRILL

Published: 2014-11-14

Total Pages: 310

ISBN-13: 9004270124

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Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.

The Frame in Classical Art
The Frame in Classical Art

Author: Verity Platt

Publisher: Cambridge University Press

Published: 2017-04-20

Total Pages: 737

ISBN-13: 1316943275

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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.

Civilizing Violence
Civilizing Violence

Author: Cornelia Isler-Kerényi

Publisher: Saint-Paul

Published: 2004

Total Pages: 148

ISBN-13:

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Convinced that the images on Greek pottery vases offer a valuable approach to the religious world of the ancients, the author investigates how the Greeks integrated violence into society.

The Colors of Clay
The Colors of Clay

Author: Beth Cohen

Publisher: Getty Publications

Published: 2006

Total Pages: 386

ISBN-13: 0892369426

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"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.