"The latest entry in National Geographic's popular photo line gives readers a front-row seat to the wonders of landscape photography. Choosing from among the world's best portfolios, curators at National Geographic have arranged a symphony of photographs that tell the story of a single day, from dawn's first light to the closing moments of sunset, from daylight to dark. Short legends accompany every photograph to explain the picture, the scene it conveys, or how the photographer captured it, along with quotations from literature that provide historical context. With the widest possible array of perspectives, close-ups, and details, these photos present a lifetime of vision, each page a new experience of time and light"--
Few images of black Americans in the Civil War period exist or have survived, but now the granddaughter of a South Carolina slave has assembled the most comprehensive and significant collection of such rare images ever compiled. Bringing the truth of their daily lives to light, scenes of maternal affection, matrimony, war, and the grim reality of the master-slave relationship will help readers focus their perceptions of the black American experience in ways not otherwise available in modern history studies.
In 1909 the French banker and philanthropist Albert Kahn launched a monumentally ambitious project: to produce a color photographic record of human life on Earth. An internationalist and pacifist, Kahn believed that he could use the new autochrome--the world's first portable, true-color photographic process--to create a global photographic archive that would promote cross-cultural understanding and peace. Over the next twenty years, he sent a group of photographers to more than fifty countries around the world, amassing more than 72,000 images. Until recently his collection was all but forgotten. Now, a century after he began his "Archives of the Planet" project, this book--richly illustrated in color throughout--and the BBC series it follows are bringing Kahn's dazzling early twentieth-century pictures to a wide audience for the first time, and putting color into what we usually think of as a monochrome world. Kahn's photographers captured times, places, and people we simply do not expect to see in color photographs. They documented age-old cultures on the brink of being changed forever by war, modernization, and Westernization, recording the last years of Ireland's traditional Celtic villages and the late days of the Austro-Hungarian and Ottoman empires. They photographed First World War soldiers in their trenches as well as the postwar celebrations in London. In the course of their travels, they also took the earliest color photographs in countries as varied as Vietnam and Brazil, Mongolia and Norway, Benin and the United States. After being financially ruined in the Great Depression, Kahn was forced to bring his project to a premature end, but today his collection of early color photographs is recognized as one of the world's most important. The Dawn of the Color Photograph makes it easy to see why.
This photography guide has a unique structure that leads the reader on an hour-by-hour, picture-by-picture journey from dawn to dusk, and then on into the night. Each chapter focuses on the benefits and challenges of shooting in the available light at a particular time of the day, highlighting suitable landscape types, styles of photography and processing techniques of that moment. There are regular "technique" panels to help readers hone their camera skills, and each chapter concludes with an awe-inspiring double-page image that demonstrates the results that are possible--accompanied by an extended caption and a personal anecdote from the photographer.
Made over the course of some thirty years, the photographs in this book depict the many faces of April Dawn Alison, the female persona of an Oakland, California based photographer who lived in the world as a man. This previously unseen body of self-portraits, which was given to the San Francisco Museum of Modern Art in 2017, begins tentatively in 1970s black-and-white, and evolves in the 80s into an exuberant, wildly colorful, and obsessive practice inspired by representations of women in classic film, BDSM pornography and advertising. A singular, long-term exploration of a non-public self, the archive contains photographs that are beautiful, hilarious, enigmatic, and heartbreakingly sad, sometimes all at once.0With essays by Hilton Als (American writer and theater critic for The New Yorker), Zackary Drucker (American transgender multimedia artist, LGBT activist, actress and producer of smash Netflix series Transparent) and Erin O?Toole (associate curator of photography at the San Francisco Museum of Modern Art).00.
This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.
