They ran across the shining sand the Pacific thundering its long surge at their backs and when they gained the roadway leaped upon bicycles and dived at faster pace into the green avenues of the park.
They ran across the shining sand, the Pacific thundering its long surge at their backs, and when they gained the roadway leaped upon bicycles and dived at faster pace into the green avenues of the park. There were three of them, three boys, in as many bright-colored sweaters, and they scorched along the cycle-path as dangerously near the speed-limit as is the custom of boys in bright-colored sweaters to go. They may have exceeded the speed-limit. A mounted park policeman thought so, but was not sure, and contented himself with cautioning them as they flashed by. They acknowledged the warning promptly, and on the next turn of the path as promptly forgot it, which is also a custom of boys in bright-colored sweaters.
This eBook features the unabridged text of ‘The Cruise of the Dazzler’ from the bestselling edition of ‘The Complete Works of Jack London’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of London includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Cruise of the Dazzler’ * Beautifully illustrated with images related to London’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Joe Bronson, a young boy who lives in San Francisco, has trouble at home and at school. The never ending arguments with his father lead him to run away and join the crew of the Dazzler. Joe dreams of an sailor's life full of freedom and excitement but he soon realizes that he signed on a pirate ship. The only new friend he finds is the young ship boy Frisco Kid. The two kids face many adventures and finally plan to escape and start a new life...
The Cruise of the Dazzler is an early novel by Jack London, set in his home city of San Francisco. It is considered a boy's adventure novel.In the novel, Joe Bronson, dissatisfied with his dull life at school, runs away and joins the crew of a sloop he sees in San Francisco Bay. He finds the captain is involved in criminal activities.The nautical activities on board a sailing boat are authentically described, and there are convincing descriptions of boats enduring stormy weather at sea.
The Cruise of the Dazzler is an early novel by Jack London, set in his home city of San Francisco. It is considered a boy's adventure novel. Joe Bronson, instead of studying for a school exam, goes out kite-flying with his school friends; on their way back he gets involved in fights with gang members in a poor part of the city. After he fails the exam the next day, he walks out of school and takes a ferry across the bay to Oakland. Looking at the boats on the wharf, he imagines the exciting life on a boat. His father, a businessman, has a liberal attitude to his son; but, critical of his recent behavior and poor school report, tells him that he might send him to a military academy. Joe later leaves a farewell note for his family; returning to Oakland, he joins the crew of a sloop, the Dazzler. The captain Pete Le Maire is known as "French Pete," and the one other crew member is 'Frisco Kid, a boy of about Joe's age. He soon realizes that French Pete is involved in criminal activity. They take scrap iron from a factory; the job is abandoned when shots are fired. Later, they work as oyster pirates. Joe, not wanting to be involved in crime, tries to escape, but each time is thwarted. French Pete tolerates Joe's opinion of him that he is a criminal. 'Frisco Kid tells Joe that he hates his life at sea; he had no family, and once worked for Red Nelson on another sloop, the Reindeer, but ran away. Arrested as a tramp, he was sent to a "boy's refuge," where conditions were intolerable; he escaped and joined French Pete. Joe resolves to leave and take 'Frisco Kid with him. French Pete and his associate Red Nelson steal a safe. Joe sees that it belongs to his father's company. The Dazzler and Reindeer sail into the Pacific, pursued for a time by a yacht; they intend to sail to Mexico. There is soon a storm and the Dazzler's mast breaks. The Reindeer gets close enough for French Pete to jump to onto it but before the boys can follow, the Reindeer disappears under the waves. The Dazzler drifts ashore at Santa Cruz. Joe goes to his father's office. His father makes him "feel at once as if not the slightest thing uncommon had occurred. It seemed as if he had just returned from a vacation, or, man-grown, had come back from some business trip."[4] His father, after hearing his story, says that the $5000 reward for the return of the safe would be shared, 'Frisco Kid's half being held in trust for his future.
The first book-length study of London as a maritime writer Jack London’s fiction has been studied previously for its thematic connections to the ocean, but Jack London and the Sea marks the first time that his life as a writer has been considered extensively in relationship to his own sailing history and interests. In this new study, Anita Duneer claims a central place for London in the maritime literary tradition, arguing that for him romance and nostalgia for the Age of Sail work with and against the portrayal of a gritty social realism associated with American naturalism in urban or rural settings. The sea provides a dynamic setting for London’s navigation of romance, naturalism, and realism to interrogate key social and philosophical dilemmas of modernity: race, class, and gender. Furthermore, the maritime tradition spills over into texts that are not set at sea. Jack London and the Sea does not address all of London’s sea stories, but rather identifies key maritime motifs that influenced his creative process. Duneer’s critical methodology employs techniques of literary and cultural analysis, drawing on extensive archival research from a wealth of previously unpublished biographical materials and other sources. Duneer explores London’s immersion in the lore and literature of the sea, revealing the extent to which his writing is informed by travel narratives, sensational sea yarns, and the history of exploration, as well as firsthand experiences as a sailor in the San Francisco Bay and Pacific Ocean. Organized thematically, chapters address topics that interested London: labor abuses on “Hell-ships” and copra plantations, predatory and survival cannibalism, strong seafaring women, and environmental issues and property rights from San Francisco oyster beds to pearl diving in the Paumotos. Through its examination of the intersections of race, class, and gender in London’s writing, Jack London and the Sea plumbs the often-troubled waters of his representations of the racial Other and positions of capitalist and colonial privilege. We can see the manifestation of these socioeconomic hierarchies in London’s depiction of imperialist exploitation of labor and the environment, inequities that continue to reverberate in our current age of global capitalism.