A collection of previously uncollected mystery and suspense fiction by the "father of noir" and author of Night Has Thousand Eyes presents twenty masterful tales, many of them originally written for the pulp magazines and never before published in book form. Reprint.
Including the complete novels "I Married a Dead Man" and "Waltz into Darkness" plus "Rear Window" and four other short stories, "The Cornell Woolrich Omnibus" provides a thrilling collection of classic works from the quintessential master of noir fiction.
Rear window "tells the tale of Hal Jeffries, trapped in his apartment because of a broken leg, who watches his neighbors through his rear window-- until he is certain he's discovered a murder. In this story, as in the other four-- all featured as 'Alfred Hitchcock Presents' episodes-- Woolrich proves he is the all-time master of the noir genre".--Back cover.
On a mild midwestern night in the early 1940s, Johnny Marr leans against a drugstore wall. He’s waiting for Dorothy, his fiancée, and tonight is the last night they’ll be meeting here, for it’s May 31st, and June 1st marks their wedding day. But she’s late, and Johnny soon learns of a horrible accident—an accident involving a group of drunken men, a low-flying charter plane, and an empty liquor bottle. In one short moment Johnny loses all that matters to him and his life is shattered. He vows to take from these men exactly what they took from him. After years of planning, Johnny begins his quest for revenge, and on May 31st of each year—always on May 31st—wives, lovers, and daughters are suddenly no longer safe. From the Trade Paperback edition.
AMERICA'S MASTER OF SUSPENSE...FIRST IN THE DEFINITIVE SERIES OF THIS AMERICAN GENIUS No one knew who she was, where she came from, or why she had entered their lives. All they really knew about her was that she possessed a terrifying beauty-and that each time she appeared, a man died horribly. . . .
What if you woke up to discover everyone thought you were somebody else? Pregnant and abandoned, all Helen Georgesson has is five dollars and a one-way ticket to San Francisco. Then she is involved in a train crash, and regains consciousness only to discover that she has given birth - and, in a bizarre twist of fate, has been mistaken for somebody else. Helen decides to claim this opportunity to make a new life for herself and her son. But eventually her past will catch up with her, in terrible ways...
132 profiles of the men and women who wrote the books that became the backbone of the Pulp and Paperback Era from the 1930s through the 1960s. Each profile contains details about the author's life and explores key works; also covered are screenplay and teleplay work, as well as movies based on the authors' stories.
Wearing a low-cut dress or sweater - usually in tatters - and menaced by a group of muscular thugs or a single, scarred villain, the clichéd cover girls of pulp fiction magazines stole the limelight from their rather more spirited sisters concealed within. From the pens of writing legends like Dashiell Hammett, Cornell Woolrich and Raymond Chandler, stories of the greatest grand dames of the pulp genre have been gathered together in this unique volume. Its pages are rich with female jewel thieves of a certain elegance, feisty reporters in pursuit of an exclusive, gun molls with gangster boyfriends, avenging angels, tough broads and out-and-out hoodlums. Tailor-made for pulp novices and hard-boiled fans with a soft spot for the masters, Pulp Fiction: The Dames shows that some writing has an edge that time just can't dull.