These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style. The comb binding creates a lay-flat book that is perfect for study and performance.
Complex, surprising pieces by a brilliant, underrated Russian 20th-century Romantic whose music, though similar to that of his friend Rachmaninoff, is more cerebral and harmonically adventurous. These 34 "fairy tales" for piano highlight the composer's gift for musical storytelling, with their intense polyrhythms, intricate textures, and complex harmonic development.
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
A favored student and comrade of Mozart, and Haydn's successor as music director to the Esterhazy court, Johann Nepomuk Hummel (1778 1827) was considered in his lifetime to be one of Europe's greatest composers and pianists. For his craftsmanship and sense of 18th-century style, Hummel was thought to be a true representative of his age, an "elder statesman of Viennese Classicism" ("Grove"). His compositions for solo piano reflect his essential qualities of classical grace, melodic elegance, and brilliant virtuosity fully evident in this compilation of 15 of Hummel's most important keyboard works: Rondo, Op. 11; Sonata in E-flat Major, Op. 13; Fantasie, Op. 18; Rondo-Fantasie, Op. 19; Sonata in F Minor, Op. 20; Caprice, Op. 49; "La Bella Caprissiosa" (Polonaise), Op. 55; Variations, Op. 57; 24 Preludes, Op. 67; Sonata in F-sharp Minor, Op, 81; Sonata in D Major, Op. 106; "La Contemplazione," Op. 107, No. 3; Rondo all'Ungherese, Op. 107, No. 6; Rondo Brillante, Op. 109; "La Galante" (Rondeau Brillant), Op. 120. Now pianists and music lovers can enjoy a treasury of Hummel's most representative piano music in this attractive, durable, and inexpensive edition, reproduced from authoritative Universal-Edition scores, edited by Charles de Beroit."
Published within the Signature Series, this series of performing editions of standard keyboard works includes informative introductions and performance notes.
The entire corpus of Beethovan's piano sonatas is contained in this two-volume work -32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathetique, Moonlight, and Pastorale sonatas. Volume Two contains the seventeen sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier.
These 24 works reveal Debussy's genius: "La Cathedrale engloutie," "Ondine," "La fille aux cheveux de lin," "Feuilles mortes," "Ce qu'a vu le Vent d'Ouest," many more. Glossary of French terms.
Newly and painstakingly engraved by Ephraim Hammett Jones, the second part of this two-volume Urtext edition completes the sonata cycle with Nos. 10–18 and also features the Adagio in B Minor, K.540.
Volume I of two-volume set of excellent Breitkopf & Hartel edition includes Hoboken Nos. 1-29 arranged in chronological sequence: Sonata No. 1 in C Major (before 1760) through Sonata No. 29 in F Major (ca 1774-1776)."
