H.M. Raven Gabriel, Knaresborough Castle “It was early morning. Igraine had not got up yet. Starving, or should that be RAVENous, I flew to the table, ignoring Ravenelf’s opinion that I would get into trouble... Huh, as if I care.” This book is a diary account of the first year of my beloved Gabriel’s life, as told by Gabriel, the inimitable H.M. Raven Gabriel of Knaresborough Castle. Yes, there is a little artistic licence, but the comical exploits of Gabriel Raven actually happened.
My name is Beatrice. When I was born, I was blessed with the Sight, an ability to see into the future. I was immediately removed from my parents and enrolled in the Institution, where all Seers are raised and trained. At the age of twelve, I had my first true vision, earning the mark of the raven's wings tattooed by my eyes. And when I turned seventeen, one of my Visions came true. Things haven't been the same since.The Institution now depends on me to keep the City safe from our enemies, the Dreamcatchers, but I'm keeping a secret from everyone. It is a secret that could put us all in danger. A secret that could kill me and everyone close to me...
When Madeline, a teen with terminal lung disease, accepts healing in exchange for a year of service in the Sunlit Lands, she and her friend Jason enjoy being privileged members of Elenil society, until they learn that magic carries a high price.
"Agatha is a Hawk, brave and fierce, who patrols the high walls of her island home. She takes pride in her duties, though some in her clan whisper that she has only been given them to keep her out of the way, because of the condition she was born with. Jaime, thoughtful and anxious, is an Angler, but he hates the sea. To make matters worse, he's been chosen for a duty that has been outlawed by the clan for generations: to marry. The elders won't say why they have promised him to a girl from a neighboring island, but there are rumors of approaching danger. When disaster strikes and the clan is kidnapped, it is up to Agatha and Jaime to travel across mainland Scotia, a land devastated by a mysterious plague, where forgotten magic and dark secrets lurk in every shadow..."--Page [2] of cover.
If you think you can unlock the gates of Hell and just invite yourself in, you must be Dreaming! The epic crossover between two of the most beloved fantasy universes in comics begins here. John "Jack" Locke is ten years dead, but that hasn't stopped him from posting the occasional letter home... from Hell. Now, Mary Locke will do anything to save her brother's soul. Her quest to rescue him from The Pit will require her to outsmart Roderick Burgess (the most evil man in England), puzzle her way through the House of Mystery, and risk the walking nightmare known as The Corinthian in a disintegrating Kingdom of Dreams!
Samuel Pepys was a great collector of books, news, and gossip. This study uses his surviving papers to examine reading practices, collecting, and the exchange of information in the late seventeenth century. Offering the first extensive history of reading during the Restoration, it traces developments in the book trade and news transmission at a time when England was the scene of dramatic political and religious upheavals. The investigation goes beyond Pepys's famous diary of the 1660s, employing a variety of sources to explore the role that reading played in Pepys's life and in the lives of his contemporaries. It begins by examining what it meant to be a reader in Restoration London: the skills, the people, and the places involved. Pepys's wide-ranging interests serve as starting points for considering news exchange and the reception of major literary genres in the Restoration. Particular attention is given to conduct books, histories, religious works, and recreational reading (romances, drama, and novels). The appeal that these works held for readers was not always what we might expect -or, indeed, what the authors and publishers had expected. Additional chapters explore the social interactions surrounding information gathering: the ways people acquired oral and written news in London; the experience of book-buying; and the acquisition of manuscript and print through social networks. Analysed alongside other records, Pepys's papers provide unrivalled insights into literary and cultural developments in the second half of the seventeenth century.
Fictional war narratives often employ haunted battlefields, super-soldiers, time travel, the undead and other imaginative elements of science fiction and fantasy. This encyclopedia catalogs appearances of the strange and the supernatural found in the war stories of film, television, novels, short stories, pulp fiction, comic books and video and role-playing games. Categories explore themes of mythology, science fiction, alternative history, superheroes and "Weird War."
Originally published in 1892, "the object of this Handbook is to supply readers and speakers with a lucid, but very brief account of such names as are used in allusions and references, whether by poets or prose writers; - to furnish those who consult it with the plot of popular dramas, the story of epic poems, and the outline of well-known tales. The number of dramatic plots sketched out is many hundreds. Another striking and interesting feature of the book is the revelation of the source from which dramatists and romancers have derived their stories, and the strange repetitions of historic incidents. It has been borne in mind throughout that it is not enough to state a fact. It must be stated attractively, and the character described must be drawn characteristically if the reader is to appreciate it, and feel an interest in what he reads." This work, an American reprint of The Reader's Handbook by E. Cobham Brewer, ..".while retaining all of the original material that can interest and aid the English-speaking student, gives also 'characters and sketches found in American novels, poetry and drama.'"
This work indexes books, dissertations and journal articles that mention television shows. Memoirs, autobiographies, biographies, and some popular works meant for fans are also indexed. The major focus is on service to researchers in the history of television. Listings are keyed to an annotated bibliography. Appendices include a list of websites; an index of groups or classes of people on television; and a list of programs by genre. Changes from the second edition include more than 300 new shows, airing on a wider variety of networks; 2000-plus references (more than double the second edition); and a large increase in scholarly articles. The book provides access to materials on almost 2300 shows, including groundbreaking ones like All in the Family (almost 200 entries); cult favorites like Buffy: The Vampire Slayer (200-plus entries); and a classic franchise, Star Trek (more than 400 entries for all the shows). The shows covered range from the late 1940s to 2010 (The Walking Dead). References range from 1956 to 2013.
