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Author: Robert Corn-Revere
Publisher: Cambridge University Press
Published: 2021-11-04
Total Pages: 385
ISBN-13: 110712994X
DOWNLOAD EBOOKThe book explores the importance of free speech in America by telling the stories of its chief antagonists - the censors.
Author: Carl E. Schneider
Publisher: MIT Press
Published: 2015-04-10
Total Pages: 293
ISBN-13: 0262028913
DOWNLOAD EBOOKAn argument that the system of boards that license human-subject research is so fundamentally misconceived that it inevitably does more harm than good. Medical and social progress depend on research with human subjects. When that research is done in institutions getting federal money, it is regulated (often minutely) by federally required and supervised bureaucracies called “institutional review boards” (IRBs). Do—can—these IRBs do more harm than good? In The Censor's Hand, Schneider addresses this crucial but long-unasked question. Schneider answers the question by consulting a critical but ignored experience—the law's learning about regulation—and by amassing empirical evidence that is scattered around many literatures. He concludes that IRBs were fundamentally misconceived. Their usefulness to human subjects is doubtful, but they clearly delay, distort, and deter research that can save people's lives, soothe their suffering, and enhance their welfare. IRBs demonstrably make decisions poorly. They cannot be expected to make decisions well, for they lack the expertise, ethical principles, legal rules, effective procedures, and accountability essential to good regulation. And IRBs are censors in the place censorship is most damaging—universities. In sum, Schneider argues that IRBs are bad regulation that inescapably do more harm than good. They were an irreparable mistake that should be abandoned so that research can be conducted properly and regulated sensibly.
Author: William Empson
Publisher: Oxford, UK ; New York, NY, USA : B. Blackwell
Published: 1987-01
Total Pages: 226
ISBN-13: 9780631156758
DOWNLOAD EBOOKAnalyzes Marlowe's Doctor Faustus, argues that the original text was subjected to religious censorship, and speculates on the original theme of the play
Author: A. E. Astin
Publisher: Oxford University Press
Published: 1978
Total Pages: 388
ISBN-13: 9780198148098
DOWNLOAD EBOOKOxford Scholarly Classics is a new series that makes available again great academic works from the archives of Oxford University Press. Reissued in uniform series design, the reissues will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.
Author: Anthony Neilson
Publisher: A&C Black
Published: 2014-05-27
Total Pages: 46
ISBN-13: 1472538390
DOWNLOAD EBOOK"This is a profound and tragic vision of humanity at its bare, forked basics" (Patrick Marmion, Evening Standard) The Censor is "a gripping brief encounter between a pornographic film actress and the man with the licensing scissors. A moving parable of the critic and artist as a healing and finally tragic, love story." (Michael Coveney, Daily Mail)
Author: Liliana Corobca
Publisher: Seven Stories Press
Published: 2022-11-08
Total Pages: 355
ISBN-13: 1644211513
DOWNLOAD EBOOKA fascinating narrative of life in communist Romania, and a thought-provoking meditation on the nature of literature and censorship. Winner of the 2023 Oxford Weidenfeld Translation Prize A Censor’s Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths. The novel begins with a seemingly non-fiction frame story—an exchange of letters between the author and Emilia Codrescu, the female chief of the Secret Documents Office in Romania’s feared State Directorate of Media and Printing, the government branch responsible for censorship. Codrescu had been responsible for the burning and shredding of the censors’ notebooks and the state secrets in them, but prior to fleeing the country in 1974 she had stolen one of these notebooks. Now, forty years later, she makes the notebook available to Liliana, the character of the author, for the newly instituted Museum of Communism. The work of a censor—a job about which it is forbidden to talk—is revealed in this notebook, which discloses the structures of this mysterious institution and describes how these professional readers and ideological error hunters are burdened with hundreds of manuscripts, strict deadlines, and threatening penalties. The censors lose their identity, and are often frazzled by neuroses and other illnesses.
Author: Thomas Doherty
Publisher: Columbia University Press
Published: 2009-03-31
Total Pages: 441
ISBN-13: 0231512848
DOWNLOAD EBOOKFrom 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
Author: Liliana Corobca
Publisher:
Published: 2022-03-03
Total Pages: 496
ISBN-13: 9781838415938
DOWNLOAD EBOOKEmilia Codrescu had been responsible for the burning and shredding of Romanian censors' notebooks, viewed as State secrets, but prior to fleeing the country in 1974 she had stolen one. Now, forty years later, she makes the notebook available to 'Liliana Corobca' for the newly instituted Museum of Communism The Censor's Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths.
Author:
Publisher:
Published: 1730
Total Pages: 74
ISBN-13:
DOWNLOAD EBOOKAuthor: Amnon Raz-Krakotzkin
Publisher: University of Pennsylvania Press
Published: 2007-08-06
Total Pages: 334
ISBN-13: 9780812240115
DOWNLOAD EBOOKIn The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.
