"Meticulously researched and engagingly written, Ken Roberts' The Cedar Choppers leads us on a fascinating journey to the heart of this legendary Texas subculture."-- Steven L. Davis, PEN USA-winning author and past president, Texas Institute of Letters "Meant first for general audiences but badly needed by scholars, the work brings a neglected group into the southwestern history canon . . . a readable, conversational narrative."--Southwestern Historical Quarterly "The best Texas book I've read of late was The Cedar Choppers: Life on the Edge of Nothing by Ken Roberts. It doubles as one of the most instructive books about Austin's history and culture."--Austin American Statesman Number Twenty-four: Sam Rayburn Series on Rural Life, sponsored by Texas A&M University-Commerce
Rudder From Leader to Legend Thomas A. Hatfield In this first comprehensive biography of James Earl Rudder, Hatfield covers Rudder's storied military exploits -- from years spent stateside training the all-volunteer 2nd Ranger Battalion to the unit's trek over the cliffs of Pointe du Hoc during the D-Day invasion. 540 pp. 68 b&w photos. 8 maps. Bib. Index. $30.00 cloth
**NAMED ONE OF THE BEST ART BOOKS OF THE DECADE BY ARTNEWS** The first and definitive biography of the celebrated collectors Dominique and John de Menil, who became one of the greatest cultural forces of the twentieth century through groundbreaking exhibits of art, artistic scholarship, the creation of innovative galleries and museums, and work with civil rights. Dominique and John de Menil created an oasis of culture in their Philip Johnson-designed house with everyone from Marlene Dietrich and René Magritte to Andy Warhol and Jasper Johns. In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum. Now, with unprecedented access to family archives, William Middleton has written a sweeping biography of this unique couple. From their ancestors in Normandy and Alsace, to their own early years in France, and their travels in South America before settling in Houston. We see them introduced to the artists in Europe and America whose works they would collect, and we see how, by the 1960s, their collection had grown to include 17,000 paintings, sculptures, drawings, photographs, rare books, and decorative objects. And here is, as well, a vivid behind-the-scenes look at the art world of the twentieth century and the enormous influence the de Menils wielded through what they collected and built and through the causes they believed in.
This controversial, eye-opening book by Elizabeth McGreevy suggests a different perception of Mountain Cedars (also called Ashe Junipers). It digs into the politics, history, economics, culture, and ecology surrounding these trees in the Hill Country of Texas from the 1700s to the present. Since the 1920s, reporters, writers, scientists, landowners, politicians, and cedar fever victims have characterized the trees as a non-native, water-hogging, grass-killing, toxic, useless species to justify its removal. The result has been a glut of Mountain Cedar tall tales. Yet before the 1890s, people highly respected Mountain Cedars. The Mountain Cedars they reported were large timber trees with strong, decay-resistant heartwood. Most were cut down and sold to boost the young Hill Country economy. The clearcutting of old-growth forests and dense woodlands and the continuous overgrazing of prairies that followed led to mass soil degradation and erosion. Acting as nature's bandage, Mountain Cedars morphed into pioneering bushes and spread across degraded soils. This book tracks down the origins of the tall tales to determine what is true, what is false, and what is somewhere in between. Through a series of revelations, the author replaces anti-cedar sentiments with a more constructive, less emotional approach to Hill Country land management.
In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.
As Charles Frazier's novel Cold Mountain dramatized, dissenters from the Confederacy lived in mortal danger across the South. In scattered pockets from the Carolinas to the frontier in Texas, some men clung to a belief in the Union or an unwillingness to preserve the slaveholding Confederacy, and they died at the hands of their own neighbors. Brush Men and Vigilantes tells the story of how dissent, fear, and economics developed into mob violence in a corner of Texas--the Sulphur Forks river valley northeast of Dallas. Authors David Pickering and Judy Falls have combed through court records, newspapers, letters, and other primary sources and collected extended-family lore to relate the details of how vigilantes captured and killed more than a dozen men. The authors' story begins before the Civil War, as they describe the particular social and economic conditions that gave rise to tension and violence during the war. Unlike most other parts of Texas, the Sulphur Forks river valley had a significant population of Upper Southerners, some of whom spoke out against secession, objected to enlisting in the Confederate army, or associated with "Union men." For some of them, safety meant disappearing into the tangled brush thickets of the region. Routed from the thicket or gone to ground there, dissenters faced death. Betrayed by links to a well-known Union guerrilla from the Sulphur Forks area, more men of the area were captured, tried in mock courts, and hanged. Other men met their death by sniper fire or private execution, as in the case of brush man Frank Chamblee, who for years eluded his enemies by clever tricks but was finally gunned down after the war, reportedly by one of the area's most prominent men. Anyone with an interest in the new history of the Civil War or Texas should find much to digest in this compelling book, whose authors Richard B. McCaslin congratulates for taking their place "in the ranks of Texas' literary reconstructionists."
In Why Texans Fought in the Civil War, Charles David Grear provides insights into what motivated Texans to fight for the Confederacy. Mining important primary sources—including thousands of letters and unpublished journals—he affords readers the opportunity to hear, often in the combatants’ own words, why it was so important to them to engage in tumultuous struggles occurring so far from home. As Grear notes, in the decade prior to the Civil War the population of Texas had tripled. The state was increasingly populated by immigrants from all parts of the South and foreign countries. When the war began, it was not just Texas that many of these soldiers enlisted to protect, but also their native states, where they had family ties.
This text explores the natural history of Texas and more than 2900 springs in 183 Texas counties. It also includes an in-depth discussion of the general characteristics of springs - their physical and prehistoric settings, their historical significance, and their associated flora and fauna.
At the low-water bridge below Tom Miller Dam, west of downtown Austin, during the summer of his tenth or eleventh year, Ken Roberts had his first encounter with cedar choppers. On his way to the bridge for a leisurely afternoon of fishing, he suddenly found himself facing a group of boys who clearly came from a different place and culture than the middle-class, suburban community he was accustomed to. Rather, “. . . they looked hard—tanned, skinny, dirty. These were not kids you would see in Austin.” When Roberts’s fishing companion curtly refused the strangers’ offer to sell them a stringer of bluegills, the three boys went away, only to reappear moments later, one of them carrying a club. Roberts and his friend made a hasty retreat. This encounter provoked in the author the question, “Who are these people?” The Cedar Choppers: Life on the Edge of Nothing is his thoughtful, entertaining, and informative answer. Based on oral history interviews with several generations of cedar choppers and those who knew them, this book weaves together the lively, gritty story of these largely Scots-Irish migrants with roots in Appalachia who settled on the west side of the Balcones Fault during the mid-nineteenth century, subsisting mainly on hunting, trapping, moonshining, and, by the early twentieth century, cutting, transporting, and selling cedar fence posts and charcoal. The emergence of Austin as a major metropolitan area, especially after the 1950s, soon brought the cedar choppers and their hillbilly lifestyle into direct confrontation with the gentrified urban population east of the Balcones Fault. This clash of cultures, which provided the setting for Roberts’s encounter as a young boy, propels this first book-length treatment of the cedar choppers, their clans, their culture and mores, and their longing for a way of life that is rapidly disappearing.
Timmy Overton of Austin and Jerry Ray James of Odessa were football stars who traded athletics for lives of crime. The original rebels without causes, nihilists with Cadillacs and Elvis hair, the Overton gang and their associates formed a ragtag white trash mafia that bedazzled Austin law enforcement for most of the 1960s. Tied into a loose network of crooked lawyers, pimps and used car dealers who became known as the "traveling criminals," they burglarized banks and ran smuggling and prostitution rings all over Texas. Author Jesse Sublett presents a detailed account of these Austin miscreants, who rose to folk hero status despite their violent criminal acts.
