Newly discovered work by one of Canada’s favourite writers The Canadian Shields brings together fifty short writings by Carol Shields (1935–2003), including more than two dozen previously unpublished short stories and essays and two dozen essays previously published but never before collected. Invaluable to scholars and admirers of Shields’s work, the writings discovered in the National Library Archives by Nora Foster Stovel and presented to the public here for the first time reflect Shields’s interest in the relationships between reality and fiction, mothers and daughters, and gender and genre. They also reveal her love of Canada, especially Winnipeg, her home for twenty years. Originally written for women’s magazines, travel journals, convocation addresses, and even graduate school term papers, Shields’s imaginative essays explore ideas about home, Canadian literature, contemporary women’s writing, and the future of fiction. Whether autobiographical, cultural, or feminist in focus, these works vividly illuminate the multiple chapters of Shields’s writing life. Margaret Atwood and Lorna Crozier frame Shields’s texts with tributes to her work and impact. An introduction by Stovel situates Shields as a Canadian author and subversive feminist writer, demonstrating how American-born-and-raised Carol Anne Warner became “the Canadian Shields”—a quintessential and beloved Canadian writer and the only author to win both the Pulitzer Prize and the Governor General’s Gold Medal for Fiction.
Being a Canadian carries with it a tangible sense of living on the edge of a vast barren interior. Only named as such in 1883, the Canadian Shield is an empty immensity of lakes, bogs, rivers, forest and protruding ribs of hard Precambrian crystalline rock that covers more than half of the total land area of Canada. This book traces the geologic evolution of the Shield, its first tentative exploration by humans starting 11,000 years ago as the last great ice sheets withdrew, its changing economic fortunes as Europeans penetrated its remote rocky vastnesses for furs and metals, and its transformation in the twentieth century into a national icon to Canadians. Regarded as 'barren' and of no value, much of the Shield was given away in 1670 to a single London-based fur trading company, the Hudson Bay Company, who jealously guarded its northern domain until 1867. This two hundred year long monopoly created a virtual government over a huge piece of North America. Without the HBC, much of it would have passed into American hands and there would have been no 'Canadian' Shield or country called Canada. As a nation, we are indebted to hard rock.
“Unless you’re lucky, unless you’re healthy, fertile, unless you’re loved and fed, unless you’re offered what others are offered, you go down in the darkness, down to despair.” Reta Winters has many reasons to be happy: Her three almost grown daughters. Her twenty-year relationship with their father. Her work translating the larger-than-life French intellectual and feminist Danielle Westerman. Her modest success with a novel of her own, and the clamour of her American publisher for a sequel. Then in the spring of her forty-fourth year, all the quiet satisfactions of her well-lived life disappear in a moment: her eldest daughter Norah suddenly runs from the family and ends up mute and begging on a Toronto street corner, with a hand-lettered sign reading GOODNESS around her neck. GOODNESS. With the inconceivable loss of her daughter like a lump in her throat, Reta tackles the mystery of this message. What in this world has broken Norah, and what could bring her back to the provisional safety of home? Reta’s wit is the weapon she most often brandishes as she kicks against the pricks that have brought her daughter down: Carol Shields brings us Reta’s voice in all its poignancy, outrage and droll humour. Piercing and sad, astute and evocative, full of tenderness and laughter, Unless will stand with The Stone Diaries in the canon of Carol Shields’s fiction.
The Canadian Armed Forces has not always embraced diversity and inclusion, but its future depends on it. As the country’s demographic makeup changes, its military must adapt to a new multicultural reality and diminishing pools of people from which it can recruit. Canada’s population is increasingly urbanized, immigrant, and not necessarily Christian, white, or bilingual. To attract and retain CAF personnel, the military will have to embrace and champion diversity while demonstrating that it is inclusive. Using a number of cases to highlight both challenges and opportunities, Strengthening the Canadian Armed Forces through Diversity and Inclusion provides a timely look at an established Canadian institution in a rapidly changing world. The editors explore how Canadian Muslim youth, LGBTQ+ individuals, women, racialized minorities, Indigenous communities, and people of non-Christian faiths see their experiences in the CAF. While diversity is a reality, inclusion is still a work in progress for the Canadian Armed Forces, as it is for society at large.
The idea for Dropped Threads: What We Aren't Told came up between Carol Shields and longtime friend Marjorie Anderson over lunch. It appeared that after decades of feminism, the “women's network” still wasn't able to prevent women being caught off-guard by life. There remained subjects women just didn't talk about, or felt they couldn't talk about. Holes existed in the fabric of women's discourse, and they needed examining. They asked thirty-four women to write about moments in life that had taken them by surprise or experiences that received too little discussion, and then they compiled these pieces into a book. It became an instant number one bestseller, a book clubs' favourite and a runaway success. Dropped Threads, says Anderson, "tapped into a powerful need to share personal stories about life's defining moments of surprise and silence." Readers recognized themselves in these honest and intimate stories; there was something universal in these deeply personal accounts. Other stories and suggestions poured in. Dropped Threads would clearly be an ongoing project. Like the first volume, Dropped Threads 2 features stories by well-known novelists and journalists such as Jane Urquhart, Susan Swan and Shelagh Rogers, but also many excellent new writers including teachers, mothers, a civil servant, a therapist. This triumphant follow-up received a starred first review in Quill and Quire magazine, which called it “compassionate and unflinching.” The book deals with such difficult topics as loss, depression, disease, widowhood, violence, and coming to terms with death. Several stories address some of the darker sides of motherhood: - A mother describes how, while sleep-deprived and in a miserable marriage, she is shocked to find infanticide crossing her mind. - Another woman recounts a memory of her alcoholic mother demanding the children prove their loyalty in a terrifying way. - A woman desperate for children refers to the bleak truth as: "Another Christmas of feeling barren." Narrating the fertility treatment she undergoes, the hopes dashed, she is amusing in retrospect and yet brutally honest. While they deal with loss and trauma, the pieces show the path to some kind of acceptance, showing the authors’ determination to learn from pain and pass on the wisdom gained. The volume also covers the rewards of learning to be a parent, choosing to remain single, or fitting in as a lesbian parent. It explores how women feel when something is missing in a friendship, how they experience discrimination, relationship challenges, and other emotions less easily defined but just as close to the bone: - Alison Wearing in “My Life as a Shadow” subtly describes allowing her personality to be subsumed by her boyfriend's. - Pamela Mala Sinha tells how, after suffering a brutal attack, she felt self-hatred and a longing for retribution. - Dana McNairn talks of her uncomfortable marriage to a man from a different social background: "I wanted to fit in with this strange, wondrous family who never raised their voices, never swore and never threw things at one another." Humour, a confiding tone, and beautiful writing elevate and enliven even the darkest stories. Details bring scenes vividly to life, so we feel we are in the room with Barbara Defago when the doctor tells her she has breast cancer, coolly dividing her life into a 'before and after.' Lucid, reflective and poignant, Dropped Threads 2 is for anyone interested in women's true stories.
In Canadian Political Economy, experts from a number of disciplinary backgrounds come together to explore Canada’s empirical political economy and the field's contributions to theory and debate. Considering both historical and contemporary approaches to CPE, the contributors pay particular attention to key actors and institutions, as well as developments in Canadian political-economic policies and practices, explored through themes of changes, crises, and conflicts in CPE. Offering up-to-date interpretations, analyses, and descriptions, Canadian Political Economy is accessibly written and suitable for students and scholars. In 17 chapters, the book’s topics include theory, history, inequality, work, free trade and fair trade, co-operatives, banking and finance, the environment, indigeneity, and the gendered politics of political economy. Linking longstanding debates with current developments, this volume represents both a state-of-the-discipline and a state-of-the-art contribution to scholarship.
The Stone Diaries marked a new phase in a literary career already ablaze with achievement. As well as the many international awards it received, including the Pulitzer Prize, the National Book Critics Circle Award and the Governor General's Award, the book also met with universal critical acclaim and topped bestseller lists around the world. "Carol Shields," raved Maclean's, "has crafted a small miracle of a novel." "The Stone Diaries," said the New York Times Book Review, "reminds us again why literature matters." The San Diego Tribune called The Stone Diaries "a universal study of what makes women tick." Now, in Larry's Party, Carol Shields does the same for men. Larry Weller, born in 1950, is an ordinary guy made extraordinary by his creator's perception, irony and tenderness. Larry's Party gives us, as it were, a CAT scan of his life, in episodes between 1977 and 1997 that flash backward and forward seamlessly. As Larry journeys toward the new millennium, adapting to society's changing expectations of men, Shields' elegant prose transforms the trivial into the momentous. We follow this young floral designer through two marriages and divorces, his interactions with parents, friends and a son. And throughout, we witness his deepening passion for garden mazes -- so like life, with their teasing treachery and promise of reward. Among all the paradoxes and accidents of his existence, Larry moves through the spontaneity of the seventies, the blind enchantment of the eighties and the lean, mean nineties, completing at last his quiet, stubborn search for self. Larry's odyssey mirrors the male condition at the end of our century with targeted wit, unerring poignancy and faultless wisdom.
Place and Replace is a collection of recent interdisciplinary research into Western Canada that calls attention to the multiple political, social, and cultural labours performed by the concept of “place.” The book continues a long-standing tradition of situating questions of place at the centre of analyses of Western Canada’s cultures, pasts, and politics, while making clear that place is never stable, universal, or static. The essays here confirm the interests and priorities of Western Canadian scholarship that have emerged over the past forty years and remind us of the importance of Indigenous peoples, dispossession, and colonialism; of migration, race and ethnicity; of gender and women’s experiences; of the impact of the natural and built environment; and the impact of politics and the state.
Carol Shields, best known for her fiction writing, received both the Pulitzer Prize and the Governor General’s Award for Fiction for her novel The Stone Diaries. But she also wrote hundreds of poems over the span of her career. The Collected Poetry of Carol Shields includes three previously published collections and over eighty unpublished poems, ranging from the early 1970s to Shields’s death in 2003. In a detailed introduction and commentary, Nora Foster Stovel contextualizes these poems against the background of Shields’s life and oeuvre and the traditions of twentieth-century poetry. She demonstrates how poetry influenced and informed Shields’s novels; many of the poems, which constitute miniature narratives, illuminate Shields’s fiction and serve as the testing ground for metaphors she later employed in her prose works. Stovel delineates Shields’s career-long interest in character and setting, gender and class, self and other, actuality and numinousness, as well as revealing her subversive feminism, which became explicit in Reta Winter’s angry (unsent) letters in Unless and in the stories of poet Mary Swann and Daisy Goodwill in Swann and The Stone Diaries. The first complete collection of her poetry, this volume is essential for all readers of Carol Shields. Stovel’s detailed annotations, based on research in the Carol Shields fonds at Library and Archives Canada, reveal the poems in all their depth and resonance, and the dignity and consequence they afford to ordinary people.
