When the adults want to junk Busby the school bus, he runs away and winds up in a field where the children convince the adults to upgrade rather than replace him.
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.
A black child protests an unjust law in this story loosely based on Rosa Parks' historic decision not to give up her seat to a white passenger on a bus in Montgomery, Alabama, in 1955.
Through his lens as a "colored" child, "Negro" teenager, "Black" young man, and finally successful African American state official, this book reveals how Merritt D. Long was shaped by - and helped to shape - American history. Jim Crow laws, segregation and the civil rights movement are the backdrop to Long's childhood and youth in Alabama in the 1950's and 1960's. As a child, the color of Long's skin dictated what doors he could walk through, where he could sit on the bus, where he could eat, and what water fountains he could use. But like many other southern Black people, the powerful pride of his family and community steeled him against the incessant insults of racism. And the civil rights movement help fuel his determination to become an educated, successful professional. Along the way, including a Morehouse College education in Atlanta, he met and was inspired by Muhammed Ali, Rosa Parks, and Julian Bond. But even at the pinnacle of his professional success as the head of several major state agencies, he continued to experience racist reactions to his authority and leadership. His journey led him to become a widely admired community leader, a loving husband and father, and a mentor and benefactor to the next generation of young people who struggle to overcome economic hardship and the still-present barriers of entrenched, systemic racism.
Containing over 25,000 entries, this unique volume will be absolutely indispensable for all those with an interest in Britain in the twentieth century. Accessibly arranged by theme, with helpful introductions to each chapter, a huge range of topics is covered. There is a comprehensiveindex.
One of the most essential works on the 1960s counterculture, Tom Wolfe's The Electric Kool-Aid Test is the seminal work on the hippie culture, a report on what it was like to follow along with Ken Kesey and the Merry Pranksters as they launched out on the "Transcontinental Bus Tour" from the West Coast to New York, all the while introducing acid (then legal) to hundreds of like-minded folks, staging impromptu jam sessions, dodging the Feds, and meeting some of the most revolutionary figures of the day.