2016. The Bright Side Sanctuary for Animals is in trouble. Ariel discovers that her mother Mona's animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes, it is also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six years, returns to her childhood home - and finds her first love, a ranch hand named Gideon, still working at the Bright Side. Back in Lawrence, Ariel's fiancé, Dex, sets out to confront Ariel and finds her questioning the meaning of her life in Lawrence--and whether she belongs with Dex or with someone else, somewhere else.
Kansas boys -- The golden state -- A million and one Marthas -- Go on, eat your heart out -- The house on Alabama Street -- Night of indulgences -- Stupid girls -- Thousand-dollar decoy -- First love -- Queen of England -- Bald bear -- Acknowledgment
The “moving” true story of a woman fighting to give a group of chimpanzees a second chance at life (People). In 1997, Gloria Grow started a sanctuary for chimps retired from biomedical research on her farm outside Montreal. For the indomitable Gloria, caring for thirteen great apes is like presiding over a maximum-security prison, a Zen sanctuary, an old folks’ home, and a New York deli during the lunchtime rush all rolled into one. But she is first and foremost creating a refuge for her troubled charges, a place where they can recover and begin to trust humans again. Hoping to win some of this trust, journalist Andrew Westoll spent months at Fauna Farm as a volunteer, and in this “incisive [and] affecting” book, he vividly recounts his time in the chimp house and the histories of its residents (Kirkus Reviews). He arrives with dreams of striking up an immediate friendship with the legendary Tom, the wise face of the Great Ape Protection Act, but Tom seems all too content to ignore him. Gradually, though, old man Tommie and the rest of the “troop” begin to warm toward Westoll as he learns the routines of life at the farm and realizes just how far the chimps have come. Seemingly simple things like grooming, establishing friendships and alliances, and playing games with the garden hose are all poignant testament to the capacity of these animals to heal. Brimming with empathy and entertaining stories of Gloria and her charges, The Chimps of Fauna Sanctuary is an absorbing, bighearted book that grapples with questions of just what we owe to the animals who are our nearest genetic relations. “A powerful look at how we treat our closest relatives.” —The Plain Dealer “I knew the prison-like conditions of the medical research facility from which Gloria rescued these chimpanzees; when I visited them at their new sanctuary I was moved to tears. . . . Andrew Westoll is a born storyteller: The Chimps of Fauna Sanctuary, written with empathy and skill, tenderness and humour, involves us in a world few understand. And leaves us marveling at the ways in which chimpanzees are so like us, and why they deserve our help and are entitled to our respect.” —Dr. Jane Goodall “This book will make you think deeply about our relationship with great apes. It amazed me to discover the behaviors and feelings of the chimpanzees.” —Temple Grandin, author of Animals in Translation
#1 New York Times bestseller and USA Today bestseller The more we know about the animals in our world and the better we care for them, the better our lives will be. Former veterinary technician and animal advocate Tracey Stewart understands this better than most—and she’s on a mission to change how we interact with animals. Through hundreds of charming illustrations, a few homemade projects, and her humorous, knowledgeable voice, Stewart provides insight into the secret lives of animals and the kindest ways to live with and alongside them. At home, she shows readers how to speak “dog-ese” and “cat-ese” and how to “virtually adopt” an animal. In the backyard, we learn about building bee houses, dealing nicely with pesky moles, and creative ways to bird-watch. And on the farm, Stewart teaches us what we can do to help all farm animals lead a better life (and reveals pigs’ superpowers!). Part practical guide, part memoir of her life with animals, and part testament to the power of giving back, Do Unto Animals is a gift for animal lovers of all stripes.
The remarkable true story of a family who move into a rundown zoo-already a BBC documentary miniseries and excerpted in The Guardian. In the market for a house and an adventure, Benjamin Mee moved his family to an unlikely new home: a dilapidated zoo in the English countryside. Mee had a dream to refurbish the zoo and run it as a family business. His friends and colleagues thought he was crazy. But in 2006, Mee and his wife with their two children, his brother, and his 76-year-old mother moved into the Dartmoor Wildlife Park. Their extended family now included: Solomon, an African lion and scourge of the local golf course; Zak, the rickety Alpha wolf, a broadly benevolent dictator clinging to power; Ronnie, a Brazilian tapir, easily capable of killing a man, but hopelessly soppy; and Sovereign, a jaguar and would-be ninja, who has devised a long term escape plan and implemented it. Nothing was easy, given the family's lack of experience as zookeepers, and what follows is a magical exploration of the mysteries of the animal kingdom, the power of family, and the triumph of hope over tragedy. We Bought a Zoo is a profoundly moving portrait of an unforgettable family living in the most extraordinary circumstances.
“[An] often beautiful jewel of a book . . . Black’s power as a writer means she can take us with her to places that normally our minds would refuse to go.”—The New York Times Book Review (Editors’ Choice) From the New York Times bestselling author of The Still Point of the Turning World comes an incisive memoir about how she came to question and redefine the concept of resilience after the trauma of her first child’s death. “Congratulations on the resurrection of your life,” a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly: She left the marriage that fractured under the terrible weight of her son’s illness, got remarried to a man who she fell in love with while her son was dying, had a flourishing career, and gave birth to a healthy baby girl. But she rejected the idea that she was leaving her old life behind—that she had, in the manner of the mythical phoenix, risen from the ashes and been reborn into a new story, when she still carried so much of her old story with her. More to the point, she wanted to carry it with her. Everyone she met told her she was resilient, strong, courageous in ways they didn’t think they could be. But what did those words mean, really? This book is an attempt to unpack the various notions of resilience that we carry as a culture. Drawing on contemporary psychology, neurology, etymology, literature, art, and self-help, Emily Rapp Black shows how we need a more complex understanding of this concept when applied to stories of loss and healing and overcoming the odds, knowing that we may be asked to rebuild and reimagine our lives at any moment, and often when we least expect it. Interwoven with lyrical, unforgettable personal vignettes from her life as a mother, wife, daughter, friend, and teacher, Rapp Black creates a stunning tapestry that is full of wisdom and insight.
Kira helps track down the paradise parrot, a bird thought to be extinct, and prove that it still exists. While observing the elusive bird, bushfires threaten to wipe out the sanctuary and the parrot's habitat. There's no choice but to evacuate all the animals.
Whether as an adolescent studying at a seminary or as a journalist living just outside Philadelphia's city limits, Gene has always lived and worked close to the woods, and his curiosity and keen sense of observation have taught him valuable lessons about a wide variety of trees: their distinct characteristics and the multiple benefits and uses they have. In addition to imparting many fascinating practical details of woods wisdom, A Sanctuary of Trees is infused with a philosophy and descriptive lyricism that is born from the author's passionate and lifelong relationship with nature:There is a point at which the tree shudders before it begins its descent. Then slowly it tips, picks up speed, often with a kind of wailing death cry from rending wood fibers, and hits the ground with a whump that literally shakes the earth underfoot. The air, in the aftermath, seems to shimmy and shiver, as if saturated with static electricity.
“A chaotic, furious, extraordinary Bengali confection...Irresistible.” -- Philip Hensher, Man Booker–shortlisted author of The Northern Clemency “A feminist, fractured fairy tale…this is a story that lingers.” – NPR "The book is a riot, a sprightly thriller that will make you not only want to discover more Bengali cultural norms of the vintage era but also create rational stirrings within you to go look up more of Shirshendu Mukhopadhyay’s works." -- World Literature Today A laugh-out-loud, tug-at-your-heartstrings tale of love, family, and freedom centered around three generations of Bengali women. Somlata has just married into the dynastic but declining Mitra family. At eighteen, she expects to settle into her role as a devout wife in this traditional, multi-generational family. But then Somlata, wandering the halls of the grand, decaying Mitra mansion, stumbles upon the body of her great aunt-in-law, Pishima. A child bride widowed at twelve, Pishima has finally passed away at the ripe old age of seventy. But she isn’t letting go just yet. Pishima has long harbored a grudge against the Mitras for keeping her in perpetual widowhood, never allowed to fall in love.. Now, her ghost intends to meddle in their lives, making as much mischief as possible. Pishima gives Somlata the keys to her mysterious box of gold to keep it out of the Mitras’ hands. However, the selfless Somlata, witnessing her new family waste away their wealth to the brink of bankruptcy, has her own ideas. Boshon is a book-loving, scooter-riding, rebellious teenager who wants nothing to do with the many suitors that ask for her hand. She yearns for freedom and wants to go to college. But when her poor neighbor returns from America she finds herself falling in love. Perhaps Pishima’s yearning spirit lives on in her own her heart? The Aunt Who Wouldn’t Die is a frenetic, funny, and fresh novel about three generations of Mitra women who are surprising at every turn and defy all expectations. They may be guarding a box of gold, but they are the true treasures in this gem of a novel. Translated from the Bangla by Arunava Sinha
Gigot's Feeding Hour deftly reimagines motherhood and devotion in the most tender of ways. This book will remind you how to care and be cared for. I'm so smitten with these love poems that dare promise a possible landscape where "...we can finally have everything, be everything we are called to be; Ourselves, in our own parade. Riding the elephant in the room, back and forth between home and away." -Aimee Nezhukumatathil, author of Oceanic and World of Wonders It might perhaps come as a surprise that a book immersed in the experience of motherhood-carrying, birthing, and raising a child-would also be so replete with hunger. But motherhood is all about the mutual desire of bodies and their ability to sate our endless thirst: the mother's body, the child's, and, in Jessica Gigot's new collection, the earth's, as well. From new lambs to tulip bulbs, from pelicans to pink moons, these poems are a meditation on the world's generous offerings. These tender poems, like bare-rooted, spare-spined saplings waiting to be planted, possess the delicate heft of haiku and a heavier weight, too-that of all the promising leaves those trees will someday bear. As Gigot says, "what we care for comes / back to us in hard / and mysterious ways." -Keetje Kuipers, author of All Its Charms and The Keys to the Jail Jessica Gigot tells us "the earth laughs in grass," as she composes a poetry of hard-earned joy sewn in the fertile soil of motherhood and farming. A shepherdess, Gigot speaks with authority about the sacrifices of care, the shared happiness and grief that braid like an old rope around the life she has chosen. There is magic in this collection as the poet "dreams herself into the bodies of these sheep" and tells us about the changing landscape, strands of past and present, the possible futures that her own pregnancies remind her still await. She proclaims, "I sing to / The one I am welcoming to this strange world," and her poems are an openhearted host for lucky readers like us. -Todd Davis, author of Native Species and Winterkill The Buddhist teacher Jack Kornfield said, "everything has a beginning and an end. Make peace with this and all will be well." In Jessica Gigot's Feeding Hour we encounter this basic truth again and again. What can one animal teach another about the harsh hours of labor, mothering, and letting go? How much are we part of a universal family of beings? As Gigot states our lives are "...separate / and also glaringly interwoven." As a farmer engaged with the life cycle of her sheep on a daily bases and her own experiences of motherhood Gigot turns a keen eye on the vacillations of birth, growth and departures evident in the instinctual nature of all animals. These poems reveal that "life spawns more life/ and what we care for comes/back to us in hard and mysterious ways." -Tina Schumann, author of Praising the Paradox
