* A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles -- Samba, Bossa Nova, Frevo, etc. * Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style * Many variations of basic comping patterns written out, each with complete chord voicings. * Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc.
In this update of the Acoustic Guitar Answer Book, Sharon Isbin, the classical guitar virtuoso who heads the Juilliard School Guitar Department, answers 50 essential questions about performing, practicing, and choosing and caring for your guitar. The questions were asked by Acoustic Guitar magazine readers and answered by Isbin in four years of Master Class columns in the magazine. This book collects all this vital information together in an easy reference format - an absolute must for every classical guitar player. Includes new appendices of resources for classical guitarists and students. 88 pages, 9 inch. x 12 inch.
Educator and performer Carlos Arana captures Brazil's rich musical heritage with impeccable stylistic, historic, and technical analyses. The first section of this book covers the fundamental rhythmic and harmonic characteristics of samba, bossa nova, and choro styles followed by practical applications on the guitar. The practical applications break each of the styles down to their historic and regional roots combined with examples that capture the essence of each style. The next section takes you to the northeast of Brazil with the rhythm figures of baio, toada, xote, afox, frevo, Marcha, and Marcha Rancho. Over 60 examples, written in standard notation and tablature, are demonstrated on the included CD.
(Guitar Reference). The PRS Guitar Book details every facet of the wonderful electric guitars made by PRS, the Maryland-based company founded in 1985 by musician and guitar builder Paul Reed Smith. The paperback edition is updated to include all the latest information on the acclaimed Singlecut models, as well as the intriguing story of the Santana SE the company's first venture into overseas manufacture. An inviting narrative describes the evolution of this internationally renowned guitar maker, while dynamic color photography spotlights outstanding PRS guitars such as the Signature, signed by Smith; the Dragon, sporting opulent shell inlays; the Swamp Ash Special and Rosewood Limited, using non-standard materials; and ultra-rare models from limited and custom runs. Other featured guitars include the latest acoustic-electrics, and the Santana models that celebrate the partnership between PRS guitars and their best-known player, Carlos Santana. A special section highlights the company's famed use of highly patterned maple woods, displaying the most stunning "flame-top" and "quilt-top" examples. This definitive book also provides an absorbing photo-essay on the making of a PRS guitar, plus specifications for identifying and dating PRS instruments. " The PRS Guitar Book is a must-have for any collector, PRS owner, or anyone who appreciates PRS guitars." Guitar Digest "Masterful ... tons of gorgeous, full-color photos." Guitar Player "This hefty volume of brilliantly colorful guitars made by Paul Reed Smith exemplifies the best and the brightest..." Dirty Linen "A fitting tribute to a company which has, in a short time, come to symbolize a quality alternative to the 'big two' American electric guitar manufacturers." Vintage Guitar
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.
Written by a jazz teacher for jazz teachers, "The Real Jazz Pedagogy Book" is based on the premise that successful jazz teachers must be constantly working four main areas: 1) the wind instruments-including tone production, intonation, and section playing skills; 2) playing styles correctly-such as rhythmic and time feel approach, articulation approach, and phrasing; 3) the rhythm section-playing the instruments, time feel and concept, coordination of comping, harmonic voicings, drum fills and setups, stylistic differences; and 4) the soloists-developing improvisational skills (both right brain and left brain), jazz theory, the ballad soloist, and the vocal soloist. Ray Smith, who has taught and directed jazz ensembles, including the acclaimed Brigham Young University group, Synthesis, and given private lessons for over forty years, also discusses the details of running school programs. Smith's YouTube channel complements "The Real Jazz Pedagogy Book."
Renowned guitarist Billy Newman guides you through distinctive rhythms such as tango, samba and bossa nova, as he clearly explains the corresponding chord sequences and techniques found in each style. Included is a CD demonstrating all examples covered throughout the book, which are written in both standard notation and TAB to make learning easy and fun.
Growing from a small custom shop in the early 1970s to the only new brand to have challenged the traditional Big Three of American acoustic guitars (Gibson, Guild, and Martin), Taylor has effectively changed the marketplace for acoustic steel-string guitars and influenced every other maker of acoustic stringed instruments. But Taylor's influence in the guitar market goes far beyond the guitars themselves. Having pioneered the use of modern building techniques – such as utilizing CNC machines, UV-finishing, etc. – the company has been an undisputed leader when it comes to innovation. Taylor's latest efforts are concentrated on wood conservation, and again, the company is setting the example that the industry is following. The Taylor Guitar Book combines a historical story line with useful hands-on information about model changes over the years – to help readers learn how to identify and date a Taylor – and features shop and factory photos (both historical and current) as well as full-color images of guitars.
Fix any rhythm section for less than $80! Perfect for instrumental jazz ensembles, small group combos, vocal jazz ensembles, and praise and worship bands!
A Novel Approach to Learning Guitar Chord Progressions This treatise seeks to encourage guitarists of all levels to find their voice by experimenting and creating chordal ideas by playing notes on any part of the fingerboard to come up with their own chord shapes and patterns and not necessarily familiar, geometric shapes. These chord progressions can express an emotion or tone, be it sad, happy, humorous, mysterious, and the next step is to use an online chord app (if needed) to determine the names of the chords that were created. Guitarists who compose instrumental pieces will not be limited by conventional chord shapes but can come up with unusual chordal ideas that highlight their creative and compositional abilities against a background of shapes and patterns. "This is interesting! I am an intermediate-level guitar player, and I am only familiar with moving basic chord shapes vertically, but I do think it would have been very useful if I had been familiar with these chord shapes, and this concept of moving them horizontally, earlier in my learning process." -- Dennis Dezentje, The Netherlands "I have read this book repeatedly and found it quite interesting. It did not take long to recognize the genius it unleashed. As I explored Persaud's Geometric Patterns, Angles and the Guitar and applied its principles, I most certainly wished I had had access to it much earlier during my exposure to advanced guitar methods." -- Hezekiah Dean, District Superintendent of Education (retired), Bahamas "This method can revolutionize the way a student is taught to play a musical instrument. Many students have problems processing words. For many of them, learning through visualizing shapes and the pattern of movements will be easier because the concept is more concrete. Geometric Patterns, Angles and the Guitar will have great success with both tactile and visual learners." -- Mary Moncur Grey, B.A., Dip Ed., MBA "The author provides an interesting geometrical concept, something that the mathematically oriented guitarist will certainly appreciate. Geometric Patterns, Angles and the Guitar will open up a less-trodden path for guitarists, allowing them to explore chord construction, sounds and tonalities. Welcome to music creativity beyond basic music theory." --Rehman Abdul, M.S., P. Eng., Geotechnical Engineer
