Traces the author's coming-of-age in an exclusive white California suburb in the 1970s and 1980s, describing the prejudices that minimized her family's achievements and her struggles to define herself as "the black girl next door" in light of her parents' dreams.
Brad Parks's smart-mouthed, quick-witted reporter returns in The Girl Next Door—another action-packed entry in his award-winning series, written with an unforgettable mix of humor and suspense. Reading his own newspaper's obituaries, veteran reporter Carter Ross comes across that of a woman named Nancy Marino, who was the victim of a hit-and-run while she was on the job delivering copies of that very paper, the Eagle-Examiner. Struck by the opportunity to write a heroic piece about an everyday woman killed too young, he heads to her wake to gather tributes and anecdotes. It's the last place Ross expects to find controversy—which is exactly what happens when one of Nancy's sisters convinces him that the accident might not have been accidental at all. It turns out that the kind and generous Nancy may have made a few enemies, starting with her boss at the diner where she was a part-time waitress, and even including the publisher of the Eagle-Examiner. Carter's investigation of this seemingly simple story soon has him in big trouble with his full-time editor and sometime girlfriend, Tina Thompson, not to mention the rest of his bosses at the paper, but he can't let it go—the story is just too good, and it keeps getting better. But will his nose for trouble finally take him too far?
After years of pining for the girl next door, 15-year-old Matthew Wainwright must deal with Tabby dating a popular senior just when he needs her most in this fiercely funny and heart-wrenching debut novel.
Darynda Jones, author of The New York Times bestselling series that began with First Grave on the Right, brings us Death and the Girl Next Door, a thrilling Young Adult novel garnering high praise and early buzz from major authors Ten years ago, Lorelei's parents disappeared without a trace. Raised by her grandparents and leaning on the support of her best friends, Lorelei is finally beginning to accept the fact that her parents are never coming home. For Lorelei, life goes on. High school is not quite as painful as she thinks it will be, and things are as normal as they can be. Until the day the school's designated loner, Cameron Lusk, begins to stalk her, turning up where she least expects it, standing outside her house in the dark, night after night. Things get even more complicated when a new guy—terrifying, tough, sexy Jared Kovach—comes to school. Cameron and Jared instantly despise each other and Lorelei seems to be the reason for their animosity. What does Jared know about her parents? Why does Cameron tell Jared he can't have Lorelei? And what will any of them do when Death comes knocking for real? Thrilling, sassy, sexy, and inventive, Darynda Jones's first foray into the world of teens will leave readers eager for the next installment. "Unique, witty, and touching—I LOVED THIS BOOK!" —P.C. Cast, New York Times bestselling author of The House of Night Series
As Charlotte Chandler did so well in her previous biographies, she will again draw on the recorded words of Joan Crawford and those who knew her well to paint a rich portrait of the woman and the star. Joan Crawford was born Lucille LeSueur in Texas in 1908. She became a chorus girl in silent films before finding her voice in Possessed(1931) with Clark Gable. Their affair would continue, on and off screen, for many years. Throughout the thirties, Joan continued to earn critical acclaim for her forte of playing career women who never gave up. Her Oscar-winning film Mildred Piercein 1945 began the long-running feud between Joan and Bette Davis, which reached its height with Whatever Happened to Baby Janein 1962. Joan was married four times including once to Douglas Fairbanks Jr, who spoke extensively to Charlotte Chandler for this book. Following her death, Joan's decision to cut her eldest children out of her will prompted her daughter Christina to write the damning bookMommie Dearest which changed Joan's image forever. Charlotte Chandler spent many hours recording interviews with Joan and also those closest to her. What emerges is a subtle portrait of a complex women and a new insight into the legendary actress.
A teenage girl is held captive and brutally tortured by neighborhood children. Based on a true story, this shocking novel reveals the depravity of which we are all capable.
When bones are discovered in a tin box inside the tunnel a group of long-time friends played in as children, they reunite to recall their adventures in the tunnel for the detective investigating the case.
The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq. The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas. Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition. This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.
A powerful, beautifully written memoir about coming of age as a black girl in an exclusive white suburb in "integrated," post-Civil Rights California in the 1970s and 1980s. At six years of age, after winning a foot race against a white classmate, Jennifer Baszile was humiliated to hear her classmate explain that black people "have something in their feet to make them run faster than white people." When she asked her teacher about it, it was confirmed as true. The next morning, Jennifer's father accompanied her to school, careful to "assert himself as an informed and concerned parent and not simply a big, black, dangerous man in a first-grade classroom." This was the first of many skirmishes in Jennifer's childhood-long struggle to define herself as "the black girl next door" while living out her parents' dreams. Success for her was being the smartest and achieving the most, with the consequence that much of her girlhood did not seem like her own but more like the "family project." But integration took a toll on everyone in the family when strain in her parents' marriage emerged in her teenage years, and the struggle to be the perfect black family became an unbearable burden. A deeply personal view of a significant period of American social history, The Black Girl Next Door deftly balances childhood experiences with adult observations, creating an illuminating and poignant look at a unique time in our country's history.