This volume consists of some of Raja Rao s short stories, extracts of his novels and non-fictions substantiated by an understanding of Rao s history, politics and philosophy.
About the marriage of Rama, a young Brahmin doing graduate work in France, to Madeleine, an ethereal French college teacher, some six years his senior. In her eagerness to attain Eastern wisdom, Madeleine first casts her husband in the role of guru. Later, as her "saintliness" (or madness) progresses, she transcends the need for human companionship, leaving Rama free to pursue his own search for self-awareness.
This collection of Raja Rao’s short fiction traverses the entire span of his literary career. These vibrant stories reveal his deep understanding of village life and his passion for India’s freedom struggle, and showcase his experimentation with form and style. They range from ones written by a struggling young writer to those of later years, displaying a mature, stylistic formalism.
This collection brings together some of the best and the most recent international scholarship on Raja Rao. Word as Mantra provides diverse critical as well as personal perspectives on Raja Rao the writer, the teacher, the philosopher, and the man commemorating the coming of age of Indian English writing.
Rama, a young scholar, meets Madeleine at a university in France. Though they seem to be made for each other, both alike in temperament and character, at times they are divided, a huge gulf separating them. Rama’s trip back to India for his father’s illness forcibly reminds him of the underlying contrasts between India and Europe, and of a certain conflict between them in himself. When he returns to France, Rama and Madeleine must face the problems in their marriage. Can they preserve their identities, or must one sacrifice one’s inheritance to make the relationship a success?
The Sacred Wordsmith compiles the best of Raja Rao's writings, including his autobiographical Prefaces and Introductions. The volume puts together several of his noted acceptance speeches, including those for the Sahitya Akademi Award and Neustadt International Prize, and other famous pieces, such as 'The World is Sound', 'The Word', 'Why Do You Write?', 'The West Discovers Sanskrit', 'The English Language and Us', and 'The Story Round, Around Kanthapura', a fascinating, unpublished account of the makings of his famous first novel.
First published in 1996 when he was eighty-eight years old, this selection of nearly six decades of Raja Rao's non-fiction is an audacious contemplation on the deeper significance of India. A combination of fables, journeys, discussions and meditations, The Meaning of India advances the view that India is not just a geographical entity, or even a civilization-state. India is, above all, a metaphysic, a way of being and regarding the self and the world. Drawing on a wide range of sources-including the Vedas, the Upanishads, the Ramayana, the Mahabharata, the Gita, the Buddha, Sankara, Bhartrihari, Kalidasa, Dostoevsky, Valéry, Rilke, Mann and Mallarmé-as also meetings with Gandhi, Nehru, Forster and Malraux, Rao teases out the implications of Advaita or non-dualism, which he regards as India's unique contribution to the world.