This is a wonderfully imaginative story about a friendship between two baseball stars that survive's Issy's compulsion to dance. This is a humorous story of childhood friendship between a dedicated, professional nine year old and her comparatively immature home run hitting buddy. Full color throughout.
Just in time for baseball season! Babe Ruth came from a poor Baltimore family and, as a kid, he was a handful. It was at a reform school that Babe discovered his talent for baseball, and by the age of nineteen, he was on his way to becoming a sports legend. Babe was often out of shape and even more often out on the town, but he had a big heart and an even bigger swing! Kids will learn all about the Home Run King in this rags-to- riches sports biography. With black-and-white illustrations throughout, a true sports legend is brought to life.
The Cooperstown Symposium on Baseball and American Culture, 2009-2010 is an anthology of scholarly essays that utilize the national game to examine topics whose import extends beyond the ballpark and constitute a significant academic contribution to baseball literature. The essays represent sixteen of the leading presentations from the two most recent proceedings of the annual Cooperstown Symposium on Baseball and American Culture, held, respectively, on June 3-5, 2009, and June 2-4, 2010. The anthology is divided into five parts: Baseball as Culture: Dance, Literature, National Character, and Myth; Constructing Baseball Heroes; Blacks in Baseball: From Segregation to Conflicted Integration; The Enterprise of Baseball: Economics and Entrepreneurs; and Genesis and Legacy of Baseball Scholarship, which features an essay written by the co-creator of baseball scholarship, Dorothy Seymour Mills.
From the vaudeville gyrations of New York Giants star pitchers Rube Marquard and Christy Mathewson, to Gene Kelly and Frank Sinatra as hoofing infielders in Take Me Out to the Ball Game, to the stage and screen versions of Damn Yankees, the connection between baseball and dance is an intimate, perhaps surprising one. Covering more than a century of dancing ballplayers and baseball-inspired dance, this entertaining study examines the connection in film and television, in theatrical productions and in choreography created for some of the greatest dancers and dance companies in the world.
All across the country in 1919, people are throwing down their bats, and giving up America's national pastime, so it is up to Babe Ruth to win back fans and save baseball.
Illus. in full color. A shortstop in a tutu? Not if she can help it! Forced by her mother into taking ballet lessons, a die-hard tomboy discovers that there's team spirit at the barre as well as on the baseball diamond.
Roch is tired of being beaten every spring in the town's informal boxing tournament. He orders barbells to build up his muscles and trains all winter long. Does he win? Well, sort of.
“A lush Narnia tale for grownups”: The first comprehensive biography of the rebel thinker who married C. S. Lewis (Megan Marshall, Pulitzer Prize winner). If Joy Davidman is known at all, it’s as the wife of C. S. Lewis, author of The Chronicles of Narnia. On her own, she was a poet and radical, a contributor to the communist journal New Masses, and an active member of New York literary circles of the 1930s and ’40s. Growing up in a family of Jewish immigrants in the Bronx, she became an atheist, then a practitioner of Dianetics, and finally a Christian convert after experiencing a moment of transcendent grace. She was also a mother, a novelist, a screenwriter, and an intelligent, difficult, and determined woman. In 1952 she set off for England to pursue C. S. Lewis, the man she considered her spiritual guide and her intellectual mentor. Out of a deep friendship grounded in faith, poetry, and a passion for writing grew a timeless love story, and an unforgettable marriage of equals—one that would be immortalized in the film Shadowlands and Lewis’s memoir, A Grief Observed. “Plumbing the depths of unpublished documents, Santamaria reveals the vision and writing of a young woman whose coming of age in the turbulent thirties is both distinctive and emblematic of her time” (Susan Hertog, author of Anne Morrow Lindbergh: Her Life). Finally, Joy Davidman is brought out of her husband’s shadow to secure a place in literary history that is both a long-time coming and well-deserved. “This book gives Davidman her life back. . . . Ms. Santamaria succeeds in de-mythologizing Davidman’s story.” —The Wall Street Journal “Compelling . . . clear, unsentimental.” — The New York Times Book Review