An investigation into the remarkable "poetics of the atom" in English literary texts from the mid to late seventeenth century. The early modern "atom" - understood as an indivisible particle of matter - captured the poetic imagination in ways that extended far beyond the reception of Lucretius and Epicurean atomism. Contrarily to fears of atomisation and materialist threat, many poets and philosophers of the period sought positive, spiritual motivation in the concept of material indivisibility. This book traces the metaphysical import of these poetic atoms, teasing out an affinity between poetic and atomic forms in seventeenth-century texts. In the writings of Henry More, Thomas Traherne, Margaret Cavendish, Hester Pulter and Lucy Hutchinson, both atoms and poems were instrumental in acts of creating, ordering and reconstructing knowledge. Their poems emerge as exquisitely self-conscious atomic forms, producing intimate reflections on the creative power and indivisibility of self, soul and God. The book begins with a survey of the imaginative possibilities surrounding the early modern "atom", before considering the indivisible centres of the Cambridge Platonist Henry More's cosmic, Spenserian poetics. The focus then turns to the lyrical bond formed between atom and soul in the writings of Thomas Traherne, and from there, to the experimental sequences of Margaret Cavendish and Hester Pulter, whose poetic spaces create new worlds and imagine alternative lives. The book concludes with a study of Lucy Hutchinson's creation poem Order and Disorder, which anticipates the regeneration of fallen being in atomic and alchemical terms.
The first book-length biography of John Cruso of Norwich (b. 1592/3), a second-generation migrant poet, translator and military author, that explores ideas and practices of identity formation in the early modern period.John Cruso of Norwich (b. 1592/3), the eldest son of Flemish migrants, was a man of many parts: Dutch and English poet, translator, military author, virtuoso networker, successful merchant and hosier, Dutch church elder and militia captain. This first book-length biography, making extensive use of archival and literary sources, reconstructs the life and work of this multi-talented, self-made man, whose literary oeuvre is marked by its polyvocality. Cruso''s poetry includes a Dutch amplificatio on Psalm 8, some 221 Dutch epigrams, and elegies (one of which frames the most important Anglo-Dutch literary moment in the seventeenth century, a collection of Dutch and Latin elegies which marked the death of the London Dutch church minister, Simeon Ruytinck, and included verses by Constantijn Huygens and Jacob Cats). As a military author, Cruso published five works, in English, including two translations from the French. These works display his knowledge of the canon of classical and Renaissance literature, which, in turn, allowed him to fashion himself as a miles doctus, a learned soldier, and make a contribution to military science in England prior to and during the English Civil Wars. In focusing on the rich and varied life and works of John Cruso, this book also explores ideas and practices of identity formation in the early modern period, as well as allowing Cruso''s life to shed further light on the migrant experience in seventeenth-century Norwich. Joby shows how a second-generation migrant could successfully integrate himself into English society, whilst continuing to engage with his Low Countries heritage.and Jacob Cats). As a military author, Cruso published five works, in English, including two translations from the French. These works display his knowledge of the canon of classical and Renaissance literature, which, in turn, allowed him to fashion himself as a miles doctus, a learned soldier, and make a contribution to military science in England prior to and during the English Civil Wars. In focusing on the rich and varied life and works of John Cruso, this book also explores ideas and practices of identity formation in the early modern period, as well as allowing Cruso''s life to shed further light on the migrant experience in seventeenth-century Norwich. Joby shows how a second-generation migrant could successfully integrate himself into English society, whilst continuing to engage with his Low Countries heritage.and Jacob Cats). As a military author, Cruso published five works, in English, including two translations from the French. These works display his knowledge of the canon of classical and Renaissance literature, which, in turn, allowed him to fashion himself as a miles doctus, a learned soldier, and make a contribution to military science in England prior to and during the English Civil Wars. In focusing on the rich and varied life and works of John Cruso, this book also explores ideas and practices of identity formation in the early modern period, as well as allowing Cruso''s life to shed further light on the migrant experience in seventeenth-century Norwich. Joby shows how a second-generation migrant could successfully integrate himself into English society, whilst continuing to engage with his Low Countries heritage.and Jacob Cats). As a military author, Cruso published five works, in English, including two translations from the French. These works display his knowledge of the canon of classical and Renaissance literature, which, in turn, allowed him to fashion himself as a miles doctus, a learned soldier, and make a contribution to military science in England prior to and during the English Civil Wars. In focusing on the rich and varied life and works of John Cruso, this book also explores ideas and practices of identity formation in the early modern period, as well as allowing Cruso''s life to shed further light on the migrant experience in seventeenth-century Norwich. Joby shows how a second-generation migrant could successfully integrate himself into English society, whilst continuing to engage with his Low Countries heritage.ance literature, which, in turn, allowed him to fashion himself as a miles doctus, a learned soldier, and make a contribution to military science in England prior to and during the English Civil Wars. In focusing on the rich and varied life and works of John Cruso, this book also explores ideas and practices of identity formation in the early modern period, as well as allowing Cruso''s life to shed further light on the migrant experience in seventeenth-century Norwich. Joby shows how a second-generation migrant could successfully integrate himself into English society, whilst continuing to engage with his Low Countries heritage.
Early modern thought was haunted by the unknowable character of the fallen world. The sometimes brilliant and sometimes baffling fusion of theological and scientific ideas in the era, as well as some of its greatest literature, responds to this sense that humans encountered only an incomplete reality. Ranging from Paradise Lost to thinkers in and around the Royal Society and commentary on the Book of Job, The Unknowable in Early Modern Thought explores how the era of the scientific revolution was in part paralyzed by and in part energized by the paradox it encountered in thinking about the elusive nature of God and the unfathomable nature of the natural world. Looking at writers with scientific, literary and theological interests, from the shoemaker mystic, Jacob Boehme to John Milton, from Robert Boyle to Margaret Cavendish, and from Thomas Browne to the fiery prophet, Anna Trapnel, Kevin Killeen shows how seventeenth-century writings redeployed the rich resources of the ineffable and the apophatic—what cannot be said, except in negative terms—to think about natural philosophy and the enigmas of the natural world.
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged.We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies. By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
An indispensable reference for scholars and students of eighteenth-century English literature This addition to the celebrated Wiley-Blackwell Keywords series explores the meanings of fifty-eight of the most important words in British literature of the period 1640-1789. Professor DeMaria focuses on words used with frequency and urgency throughout the works of most major and several minor writers of the British Neoclassical era, with the occasional reach back to the early seventeenth century for a definitive usage found in Francis Bacon, for instance, and look forward to the nineteenth century to the works of Wordsworth, Austen, and Keats. Through discussions of words such as atom, economy, humanity, labor, machine, slavery, society, and system he reveals underlying assumptions about the way writers of the period thought about the physical and social world. Likewise, considerations of words such as happiness, passion, truth, and virtue shed light on the ethical and moral commitments of the age. Unlike dictionaries and many big-data semantics projects, this book brings forth the ambiguities, nuances, and ironies that accrued to word usages during the period through a heightened awareness of the contexts in which they occurred. Highlights and exposes the salient cultural and literary debates and metamorphic moments of cultural thought Reveals an increase in irony and a decrease in allegorical usage as an important trend in the evolution of literary language during the Neoclassical period Stresses the contexts within which words or phrases appear in order to offer a fuller understanding of their meanings and significance than available from digital databases Draws upon a vast compilation of sources from one of the most transformative eras of English literature Rigorous in its scholarship and historical reach, British Literature 1640-1789: Keywords is an indispensable resource which scholars and students of British Neoclassical literature will want to keep close at hand. It is certain to become a fixture of most university reference libraries.
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
