The Art of Clothing: A Pacific Experience is a collection of richly textured and tremendously engaging empirical studies of cloth and clothing in colonial and post-colonial Pacific contexts. By challenging readers to reconsider the very nature of the materiality of clothing, the editors productively situate this volume at the intersection of a number of ongoing interdisciplinary projects that are coalescing around an interest in cloth and clothing. The book as a whole speaks lucidly to issues of current concern in a wide range of academic fields - including cultural studies, material culture, Pacific history, art history, history of religions, and museum studies.
The late 19th century invention of 'fashion' as we understand it inspired avant-garde artists of the period to create an art form to counter commercial fashion. This is the history of the modern relationship between artists and this 'anti fashion'.
An eye-opening and richly illustrated journey through the clothes worn by artists, and what they reveal to us. From Yves Klein’s spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman, from Andy Warhol’s denim to Martine Syms’s joy in dressing, the clothes worn by artists are tools of expression, storytelling, resistance, and creativity. In What Artists Wear, fashion critic and art curator Charlie Porter guides us through the wardrobes of modern artists: in the studio, in performance, at work or at play. For Porter, clothing is a way in: the wild paint-splatters on Jean-Michel Basquiat’s designer clothing, Joseph Beuys’s shamanistic felt hat, or the functional workwear that defined Agnes Martin’s life of spiritua labor. As Porter roams widely from Georgia O’Keeffe’s tailoring to David Hockney’s bold color blocking to Sondra Perry’s intentional casual wear, he weaves his own perceptive analyses with original interviews and contributions from artists and their families and friends. Part love letter, part guide to chic, with more than 300 images, What Artists Wear offers a new way of understanding art, combined with a dynamic approach to the clothes we all wear. The result is a radical, gleeful inspiration to see each outfit as a canvas on which to convey an identity or challenge the status quo.
In figurative art, sketching the clothed figure requires a detailed study of the folds of the garment and the way in which fabrics sit in relation to the movement of the human body. In this book, Giovanni Civardi shares his expert advice on how to draw clothing on human figures exploring lighting, perspective and the composition of fabric on the human body. Train yourself to see not just the body, but what surrounds it by using the techniques of chiaroscuro and by observing the tonal characteristics of the fabric texture. This inspirational and easy-to-follow guide will suit beginners as well as more expert artists providing a comprehensive overview of the techniques including advice and suggestions for the practical aspects of drawing from life.
Step-by-step instructions for 24 specialized techniques for the experienced sewer. The newfound fondness for fashionable handmade clothes is driving a robust market for sewing machines. The New York Times reports that sales more than doubled over the last decade. These creative sewers are hungry for resources to help them create personalized clothing. Folds in Fashion provides detailed instructions on how to make 24 basic projects that create sophisticated embellishments for contemporary fashion pieces. Experienced sewers will revel in the creative projects and ideas from Rosa Garcia Prieto. Clear line drawings and concise instructions simplify the complex construction of features that are both consistent with current trends and timeless. Only standard sewing tools are required. Folds in Fashion covers both traditional projects and those with elements of innovation. The book is about working with the natural tendencies of fabrics to create three-dimensional shapes with the appropriate textures that often imitate natural forms. Each project provides different ideas to apply to small details or to an entire pattern. Thanks to great illustrations that show the final results, everyone can adjust an initial idea and give it a personal touch. The 24 projects include: Origami Rectangles with Strips Filigree Pleats Symmetrical Tucks for Skirts Frills inserted into Pleats Pleats and Ruffles Combination for Necklines Louis XV Jabot Frayed Fabric Roses Wire Snails Pointed Shoulder Pads Microdrapery Irregular Pleated Bodice Sixteenth-Century Ruff Godet Pleats with Tulle Ruffles Quilting with Kapok. Innovative, inspiring and concise, Folds in Fashion is an ideal how-to book for new designers and adventurous sewers.
Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims. Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before? According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes. Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home. Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face. A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary. For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.
In her first-ever book, celebrity stylist Kate Young draws inspiration from iconic fashion moments in film to choose the most influential eveningwear styles of all time, and offers her expert insight as to why these looks are so definitive and are worth revisiting today for that special night out. Spanning classic moments such as Audrey Hepburn in a timeless pink cocktail dress in Breakfast at Tiffany's and Julia Roberts in that iconic red gown in Pretty Woman, this book, complete with a directory of go-tos, is an accessory no woman will want to dress for the dark without.
Since embarking on economic reforms in 1978, the People’s Republic of China has also undergone a sweeping cultural reorganization, from proletarian culture under Mao to middle-class consumer culture today. Under these circumstances, how has a Chinese middle class come into being, and how has consumerism become the dominant ideology of an avowedly socialist country? The Art of Useless offers an innovative way to understand China’s unprecedented political-economic, social, and cultural transformations, showing how consumer culture helps anticipate, produce, and shape a new middle-class subjectivity. Examining changing representations of the production and consumption of fashion in documentaries and films, Calvin Hui traces how culture contributes to China’s changing social relations through the cultivation of new identities and sensibilities. He explores the commodity chain of fashion on a transnational scale, from production to consumption to disposal, as well as media portrayals of the intersections of clothing with class, gender, and ethnicity. Hui illuminates key cinematic narratives, such as a factory worker’s desire for a high-quality suit in the 1960s, an intellectual’s longing for fashionable clothes in the 1980s, and a white-collar woman’s craving for brand-name commodities in the 2000s. He considers how documentary films depict the undersides of consumption—exploited laborers who fantasize about the products they manufacture as well as the accumulation of waste and its disposal—revealing how global capitalism renders migrant factory workers, scavengers, and garbage invisible. A highly interdisciplinary work that combines theoretical nuance with masterful close analyses, The Art of Useless is an innovative rethinking of the emergence of China’s middle-class consumer culture.
