Reference Guide to Russian Literature

Reference Guide to Russian Literature

Author: Neil Cornwell

Publisher: Routledge

Published: 2013-12-02

Total Pages: 1013

ISBN-13: 1134260709

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First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.


An Anthology of Russian Literature from Earliest Writings to Modern Fiction

An Anthology of Russian Literature from Earliest Writings to Modern Fiction

Author: Nicholas Rzhevsky

Publisher: Routledge

Published: 2019-09-16

Total Pages: 566

ISBN-13: 1317476867

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Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.


Handbook of Russian Literature

Handbook of Russian Literature

Author: Victor Terras

Publisher: Yale University Press

Published: 1985-01-01

Total Pages: 584

ISBN-13: 9780300048681

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Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays


Vladimir Odoevsky and Romantic Poetics

Vladimir Odoevsky and Romantic Poetics

Author: Neil Cornwell

Publisher: Berghahn Books

Published: 1998

Total Pages: 192

ISBN-13: 9781571819079

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Russian thinker, pedagogue, musicologist, amateur scientist, and public servant Odoevsky (1804-69) was mentioned in the same breath as Pushkin and Gogol during his day, and is now enjoying (we presume) a revival as a writer of Romantic and Gothic fiction. Cornwell (Russian and comparative literature, U. of Bristol, England) analyzes his contribution to Russian prose fiction, particularly his approach to Romanticism, his Gothic novellas, his proto-science fiction, and his critical reception. Annotation copyrighted by Book News, Inc., Portland, OR


Reinventing Romantic Poetry

Reinventing Romantic Poetry

Author: Diana Greene

Publisher: Univ of Wisconsin Press

Published: 2004-01-15

Total Pages: 321

ISBN-13: 0299191036

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Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.


Vergil in Russia

Vergil in Russia

Author: Zara Martirosova Torlone

Publisher: OUP Oxford

Published: 2014-11-27

Total Pages: 315

ISBN-13: 019100362X

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The Russian reception of the greatest Roman poet, Vergil, provided Russian thinkers with a way in which to define Russian-European features. This volume looks to uncover the nature of Russian reception of Vergil, and argues that the best way to analyse his presence in Russian letters is to view it in the context of the formation and development of Russian national and literary identity. Russian reception of Vergil began to play an integral role in the eighteenth century - starting with the reforms of Peter the Great - and continued to be an important point of reference for Russian writers well into the last part of the twentieth century. At the beginning of the twentieth century, it took on a spiritual, almost messianic mission, while towards the end of the millennium the post-modernist Vergil of Joseph Brodsky contemplated the fate of a poet in the world. However, Russian reception of Vergil offers significantly more than mere foreign importation or imitation of the beliefs and attitudes towards Vergil developed in Europe. It provides a gateway to understanding Russian eighteenth- and nineteenth-century thought about national identity and values, and uncovers important sources of later thinking about the character and destiny of Russia. Vergil in Russia reveals that at the centre of Russian reception of Vergil is Russia's challenge to define the character and validity of their own civilization. Vergil's poems, especially the Aeneid, gave Russian men of letters an opportunity to think about and act upon national self-determination in both political and cultural terms.


V.F. Odoevsky

V.F. Odoevsky

Author: Neil Cornwell

Publisher: Bloomsbury Publishing

Published: 2015-11-19

Total Pages: 450

ISBN-13: 1474241417

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Odoyevsky (1804-1869) was a leading writer, musicologist, popular educator and public servant in Russia, close to the major historical events of his period and acquainted with many of the leading personalities, from Pushkin to Glinka, to Turgenev, Tolstoy and Tchaikovsky, as well as Berlioz and Wagner. Based upon published and unpublished sources in Russia and the West, Cornwell paints a portrait of one of Russia's central figures, though little known in the West.


The Myth of A.S. Pushkin in Russia's Silver Age

The Myth of A.S. Pushkin in Russia's Silver Age

Author: Brian Horowitz

Publisher: Northwestern University Press

Published: 1996

Total Pages: 152

ISBN-13: 9780810113558

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Mikhail Osipovich Gershenzon, philosopher, journalist, and scholar, was one of the most original and eccentric Pushkinists of Russia's Silver Age. His eclectic critical judgment was highly esteemed by his generation's best poets and critics, and many of his idiosyncratic interpretations of Pushkin have become canonical. Brian Horowitz's detailed study illuminates both Pushkin's position as a cultural icon of the Silver Age and Gershenzon's role in establishing and challenging that reputation. As Gershenzon's work mirrors both significant and hidden aspects of the Pushkin scholarship of his day, his articulation of Pushkin as the symbolic key to Russian culture reflects the Silver Age nostalgia for and identification with the Golden Age in which Pushkin wrote. This first book-length study of this important figure provides a vivid sense of the inner workings of Russian literary life in the early part of this century.


The Society Tale in Russian Literature

The Society Tale in Russian Literature

Author: Cornwell

Publisher: BRILL

Published: 2023-12-14

Total Pages: 203

ISBN-13: 900464797X

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This collection of essays is the first book to appear on the society tale in nineteenth-century Russian fiction. Written by a team of British and American scholars, the volume is based on a symposium on the society tale held at the University of Bristol in 1996. The essays examine the development of the society tale in Russian fiction, from its beginnings in the 1820s until its subsumption into the realist novel, later in the century. The contributions presented vary in approach from the text or author based study to the generic or the sociological. Power, gender and discourse theory all feature strongly and the volume should be of considerable interest to students and scholars of nineteenth-century Russian literature. There are essays covering Pushkin, Lermontov, Odoevsky and Tolstoi, as well as more minor writers, and more general and theoretical approaches.