The Apse Mosaic in Early Medieval Rome

The Apse Mosaic in Early Medieval Rome

Author: Erik Thunø

Publisher: Cambridge University Press

Published: 2015-04-20

Total Pages: 361

ISBN-13: 1107069904

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This book focuses on apse mosaics in Rome and engages topics including time, intercession, materiality, repetition, and vision.


Mosaics in the Medieval World

Mosaics in the Medieval World

Author: Liz James

Publisher: Cambridge University Press

Published: 2017-10-05

Total Pages: 1748

ISBN-13: 1108508596

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In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.


Image and Relic

Image and Relic

Author: Erik Thunø

Publisher: L'ERMA di BRETSCHNEIDER

Published: 2002

Total Pages: 302

ISBN-13: 9788882652173

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Revision of the author's thesis (Johns Hopkins University, 1999).


Rome in the Eighth Century

Rome in the Eighth Century

Author: John Osborne

Publisher: Cambridge University Press

Published: 2020-07-09

Total Pages: 313

ISBN-13: 1108834582

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A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.


The Making of Medieval Rome

The Making of Medieval Rome

Author: Hendrik Dey

Publisher: Cambridge University Press

Published: 2021-10-14

Total Pages: 956

ISBN-13: 1108985696

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Integrating the written sources with Rome's surviving remains and, most importantly, with the results of the past half-century's worth of medieval archaeology in the city, The Making of Medieval Rome is the first in-depth profile of Rome's transformation over a millennium to appear in any language in over forty years. Though the main focus rests on Rome's urban trajectory in topographical, architectural, and archaeological terms, Hendrik folds aspects of ecclesiastical, political, social, military, economic, and intellectual history into the narrative in order to illustrate how and why the cityscape evolved as it did during the thousand years between the end of the Roman Empire and the start of the Renaissance. A wide-ranging synthesis of decades' worth of specialized research and remarkable archaeological discoveries, this book is essential reading for anyone interested in how and why the ancient imperial capital transformed into the spiritual heart of Western Christendom.


Sacred Thresholds: The Door to the Sanctuary in Late Antiquity

Sacred Thresholds: The Door to the Sanctuary in Late Antiquity

Author: Emilie M. van Opstall

Publisher: BRILL

Published: 2018-07-10

Total Pages: 390

ISBN-13: 9004369007

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Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.


Rome 1300

Rome 1300

Author: Herbert L. Kessler

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 256

ISBN-13: 9780300081534

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On this Jubilee year, the authors take readers back to the first Holy Year, 1300, when Pope Boniface VII promised eternal peace for the souls of all Christians who trekked to the Eternal City. 225 illustrations, 60 in color.


The Rome of Pope Paschal I

The Rome of Pope Paschal I

Author: Caroline Goodson

Publisher: Cambridge University Press

Published: 2010-06-03

Total Pages: 409

ISBN-13: 0521768195

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A exploration of Paschal I's building campaign that illuminates the relationship between the material world and political power in medieval Rome.


Emerging Iconographies of Medieval Rome

Emerging Iconographies of Medieval Rome

Author: Annie Montgomery Labatt

Publisher: Rowman & Littlefield

Published: 2019-10-23

Total Pages: 367

ISBN-13: 1498571166

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Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah—all of which were labeled “Byzantine” by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugating these rich images to a grand narrative that privileges the East and turns Rome into an artistic backwater. In this study, Annie Montgomery Labatt reacts against traditional scholarship which presents Rome as merely an adjunct of the East. It studies medieval images with formal and stylistic analyses in combination with use of the writings of the patristics and early medieval thinkers. The experimentation and innovation in the Christian iconographies of Rome in the eighth and ninth centuries provides an affirmation of the artistic vibrancy of Rome in the period before a divided East and West. Labatt revisits and revives a lost and forgotten Rome—not as a peripheral adjunct of the East, but as a center of creativity and artistic innovation.


Iconophilia

Iconophilia

Author: Francesca Dell'Acqua

Publisher: Routledge

Published: 2020-05-07

Total Pages: 505

ISBN-13: 135181110X

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Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.