The Americans in the Great War Vol.1 (of 3) (Illustrations)

The Americans in the Great War Vol.1 (of 3) (Illustrations)

Author: Michelin and Cie

Publisher: Michelin & Cie, Clermont-Ferrand

Published: 2015-11-07

Total Pages: 111

ISBN-13:

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When the United States of America declared war on Germany, it was not known exactly what shape their intervention would take—i.e., if their help would be limited to aiding the Allies financially and industrially and tightening the blockade, or if they would take an active part in the military operations. Opinions on this point were much divided, and if many were in favour of an unrestricted participation in the war, others were for a more moderate programme. When, at the beginning of April, 1917, President Wilson announced that America’s help was to be unrestricted, the army of the United States comprised some 9,000 officers and 200,000 men—a mere “drop in the ocean,” as numbers go in modern warfare. Marshal Joffre’s visit to the United States aroused great enthusiasm; the Conscription Bill was promptly passed, and the American War Minister, Mr. Baker, and Marshal Joffre studied the organization and transportation to France of a powerful expeditionary force. With wonderful rapidity recruits were raised, regiments formed, and training camps built. French and British instructors co-operated heartily, and, pending the creation of national war factories, France equipped the first American army with her famous 75mm. guns, 155mm. howitzers, machine-guns, etc. By March, 1918, the American Army had grown to more than 110,000 officers and 1,400,000 men, with sixteen immense training camps, besides special technical schools and up-to-date aviation camps. When, on March 28, in the name of the American people, General Pershing offered to place the whole of the forces under his command at the disposal of Marshal Foch, who had just been made “Generalissimo of the Allied Armies,” part of the new American army had already landed in France, and several divisions were facing the enemy on the Lorraine front. Meanwhile, the American Army continued to grow apace. In August, thirty-two divisions of fighting troops, besides the staffs of the non-combatant services—in all, more than 1,300,000 men—had landed in France. In October this number had swelled to 1,700,000, while more than 2,000,000 men were training in American camps. The German U-boats failed to check America’s gigantic effort for the “New Crusade,” and each month 250,000 American soldiers reached France, with their arms, equipment, and baggage. It was estimated that in 1919 the American forces in the field would be numerically equal to the entire German army. The victorious termination of the war prevented this formidable American army from demonstrating its full strength, but that portion which took part in the fighting gave ample proof of its mettle. Long before the United States declared war, American Red Cross and aviation volunteers had proved the fine qualities of the American soldier. The expectations of the Allies were fulfilled; wherever they fought the American expeditionary forces gave a good account of themselves. “We have come to kill and be killed, so let’s go ahead,” declared Generals Pershing and Bliss when, on March 28, they gallantly offered to lead their troops into battle. And it is a fact that their men did “go ahead” with a fine contempt for death.


The Art of World War 1

The Art of World War 1

Author: Ephraim Durnst

Publisher:

Published: 2020-02-03

Total Pages: 212

ISBN-13:

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A collection of full-color artwork from World War One that illustrates the immense destruction and human turmoil of The Great War. World War One raged from 1914 through 1918. Before the advent of modern video and photography, artists documented it using a variety of mediums for newspapers and magazines from the era. Using their imagination and technical skill, these talented illustrators and painters created something beautiful out of something terrible that gives a candid look at one humanity's greatest conflicts. The Art of World War 1 collects more than 100 brilliant pieces from the WW1-era depicting French, British, German, American troops, and more involved in the struggle. Stunning color illustrations from artists like Francois Flameng, Charles Hoffbauer, G. Koch, Georges Scott, Willy Stöwer, and more fill the pages with intimate scenes and epic shots of destruction. Included are prints featuring air combat, soldiers charging, tanks, boats, and the aftermath of battle. Using pens, pencils, paints, and brushes, they captured the action and emotion of The Great War in a way that film could not. In many cases, these brave individuals traveled to the front lines and sketched, drew, and painted what they saw. More than 100 years after its creation, their art is more vivid and impactful today than ever before.


The Art of War

The Art of War

Author: Artemis Design

Publisher:

Published: 2019-11-21

Total Pages: 144

ISBN-13: 9781702025898

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'THE ART OF WAR: VOLUME 1' IS A COLLECTION OF 130 BRITISH WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.


Fighting the Great War

Fighting the Great War

Author: Michael S. NEIBERG

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 416

ISBN-13: 0674041399

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Michael Neiberg offers a concise history based on the latest research and insights into the soldiers, commanders, battles, and legacies of the Great War.


The American Revolution (Vol. 1-3)

The American Revolution (Vol. 1-3)

Author: Robert W. Coakley

Publisher: e-artnow

Published: 2018-05-15

Total Pages: 308

ISBN-13: 8026888715

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Jerrie S. Cheek presents a collection of Web sites pertaining to the American Revolution, appropriate for use with elementary history classes. The collection offers curriculum enrichment materials, as well as lesson plans and other activities. Topics in the collection include battles and such famous Americans as George Washington (1732-1799), Benjamin Franklin (1706-1790), Betsy Ross (1752-1836), Benedict Arnold (1741-1801), and more. The Kennesaw State University Educational Technology Center in Kennesaw, Georgia, provides the collection online.


America and the Great War

America and the Great War

Author: D. Clayton James

Publisher: John Wiley & Sons

Published: 2014-09-12

Total Pages: 120

ISBN-13: 1118822935

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In America and the Great War, 1914-1920, the accomplished writing team of D. Clayton James and Anne Sharp Wells provides a succinct account of the principal military, political, and social developments in United States History as the nation responded to, and was changed by, a world in crisis. A forthright examination of America's unprecedented military commitment and actions abroad, America and the Great War includes insights into the personalities of key Allied officers and civilian leaders as well as the evolution of the new American "citizen soldier." Full coverage is given to President Wilson's beleaguered second term, the experience of Americans-including women, minorities, and recent arrivals-on the home front, and the lasting changes left in the Great War's wake.


Doughboys on the Great War

Doughboys on the Great War

Author: Edward A. Gutiérrez

Publisher: University Press of Kansas

Published: 2017-01-20

Total Pages: 320

ISBN-13: 0700624449

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“It is impossible to reproduce the state of mind of the men who waged war in 1917 and 1918,” Edward Coffman wrote in The War to End All Wars. In Doughboys on the Great War the voices of thousands of servicemen say otherwise. The majority of soldiers from the American Expeditionary Forces returned from Europe in 1919. Where many were simply asked for basic data, veterans from four states—Utah, Minnesota, Connecticut, and Virginia—were given questionnaires soliciting additional information and “remarks.” Drawing on these questionnaires, completed while memories were still fresh, this book presents a chorus of soldiers’ voices speaking directly of the expectations, motivations, and experiences as infantrymen on the Western Front in World War I. What was it like to kill or maim German soldiers? To see friends killed or maimed by the enemy? To return home after experiencing such violence? Again and again, soldiers wrestle with questions like these, putting into words what only they can tell. They also reflect on why they volunteered, why they fought, what their training was, and how ill-prepared they were for what they found overseas. They describe how they interacted with the civilian populations in England and France, how they saw the rewards and frustrations of occupation duty when they desperately wanted to go home, and—perhaps most significantly—what it all added up to in the end. Together their responses create a vivid and nuanced group portrait of the soldiers who fought with the American Expeditionary Forces on the battlefields of Aisne-Marne, Argonne Forest, Belleau Wood, Chateau-Thierry, the Marne, Metz, Meuse-Argonne, St. Mihiel, Sedan, and Verdun during the First World War. The picture that emerges is often at odds with the popular notion of the disillusioned doughboy. Though hardened and harrowed by combat, the veteran heard here is for the most part proud of his service, service undertaken for duty, honor, and country. In short, a hundred years later, the doughboy once more speaks in his own true voice.