Whether you are an Off Beat Cinema fan or you are simply off beat, 365 Movies: A Good Movie for Every Day of the Year will become your bible for those moments when you just want someone else to pick out a movie for your viewing entertainment. Greg Sterlace gives you a droll glimpse at movies you may have never considered or classics that deserve a second look. Sure, you may have seen Midnight Cowboy when you snuck into the theater when you were 15, but did you really catch all the nuances of depravity at that tender age? Give it another look now that you are sullied by life.
The steamy and thrilling story of Laura and Massimo continues in this unputdownable sequel to the international bestseller 365 Days – the inspiration behind Netflix’s blockbuster movie. Laura Biel’s new life in Sicily looks like the perfect fairy tale: a grand wedding, a wealthy and devoted husband, a baby on the way and lavish luxury complete with servants, extravagant cars and seaside palazzos. Yes, all of this would be perfect, except for the fact that Laura is constantly surrounded by gangsters as the threat of her kidnapping looms large. Laura is about finally discover what it means to be married to the most dangerous man in Italy.
Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation. In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
Sure, everybody loves the movies. But how much do these movie enthusiasts really know about them? In this groundbreaking book, noted film critic Chris Barsanti gives you the most entertaining crash course in good film in a book--one movie a day. This is not just another greatest-movies celebration. Pairing cinema's lesser-seen gems alongside blockbusters, great early works from the pioneers of film alongside often-overlooked films from great directors, Barsanti unveils the movies that all true cineastes must see--for everyone's viewing pleasure. Filmology: So you can watch your way to an education in film!
While watching a movie, how many viewers notice some of the finer details of the film, such as the time of day during a scene—or even the date itself? For instance, does anyone remember what day detention is served by the high schoolers in The Breakfast Club or can guess when aliens first make their presence known in Independence Day? And perhaps only history buffs or fanatics of Leonardo DiCaprio can cite the exact date the Titanic sunk. In A Year of Movies: 365 Films to Watch on the Date They Happened Ivan Walters provides a selection for every day on the calendar in which at least some of the events in the film take place. For some films, the entire drama occurs on a very specific day. For other films, such as The Right Stuff, the date in question is represented in a key scene or two or even for just a few pivotal seconds. Certain films, to be sure, are obvious candidates for inclusion in this book. What other movie would make sense to watch on February 2nd than Groundhog Day? Is there a more appropriate film to consider for June 6th than The Longest Day? Representing a variety of genres—from comedies and dramas to westerns and film noir—these films offer fans a unique viewing opportunity. While helping viewers decide what to watch on a given day, this book will also introduce readers to films they may not have otherwise considered. Aimed at film buffs and casuals viewers alike, A Year of Movies is also an ideal resource for librarians who want to offer creative programming for their patrons.
A standalone contemporary dark romance with a vampire twist, from the New York Times bestselling author of A Nordic King and Sins & Needles All Lenore Warwick wants for her 21st birthday is to hang out with her friends, finish her second year at Berkeley with flying colors, and maybe catch the eye of a hot musician playing a show at a club that she can now (legally) get into.Unfortunately, fate has other plans for her.A week before her birthday, she's kidnapped by the brooding and dangerous stranger with cold eyes and a lethal touch, who has been stalking her on San Francisco's fog-shrouded streets. Absolon Stavig isn't your average criminal though. He's a centuries-old vampire who's caught between wanting to kill Lenore and wanting to save her.You see Lenore, too, is a vampire.She just doesn't know it yet.Taken by a pair of vampire slayers when she was just an infant, Lenore was raised never knowing her true nature. All Lenore knows is that she has (normal) parents who love her, that she's exceptionally smart, and she's squeamish around blood. But once she turns twenty-one, she'll fully turn into a vampire, and Solon hopes he'll be there to guide her, opening her eyes to her deepest hunger...both sexual and otherwise.But this turning can't be kept a secret. Soon both slayers and vampires are hunting Lenore, with only Solon and his unpredictable motley crew of vampires to save her.If they don't kill her first.Black Sunshine is a dark adult standalone romance with a paranormal twist, about sex, love, secrets, and revenge, set in contemporary San Francisco. CONTENT WARNING: as a vampire romance with a sexy bite, it features blood, blood play, cutting, bondage, and scenes of dubious consent
"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--
So often, it's the simplest acts of courage that touch the lives of others. Sudha Murty-through the exceptional work of the Infosys Foundation as well as through her own youth, family life and travels-encounters many such stories . . . and she tells them here in her characteristically clear-eyed, warm-hearted way. She talks candidly about the meaningful impact of her work in the devadasi community, her trials and tribulations as the only female student in her engineering college and the unexpected and inspiring consequences of her father's kindness. From the quiet joy of discovering the reach of Indian cinema and the origins of Indian vegetables to the shallowness of judging others based on appearances, these are everyday struggles and victories, large and small. Unmasking both the beauty and ugliness of human nature, each of the real-life stories in this collection is reflective of a life lived with grace.
"A meaningful panoramic view of what it means to be human...Cause for celebration." --Times-Picayune From the author of the National Book Critics Circle Award finalist Let the Dead Bury Their Dead comes a moving, cliché-shattering group portrait of African Americans at the turn of the twenty-first century. In a hypnotic blend of oral history and travel writing, Randall Kenan sets out to answer a question that has has long fascinated him: What does it mean to be black in America today? To find the answers, Kenan traveled America--from Alaska to Louisiana, from Maine to Las Vegas--over the course of six years, interviewing nearly two hundred African Americans from every conceivable walk of life. We meet a Republican congressman and an AIDS activist; a Baptist minister in Mormon Utah and an ambitious public-relations major in North Dakota; militant activists in Atlanta and movie folks in Los Angeles. The result is a marvellously sharp, full picture of contemporary African American lives and experiences.
