Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
The successful rescue of imprisoned Italian dictator Benito Mussolini from atop the Gran Sasso plateau by German glider-borne troops on 12 September 1943 was one of the most dramatic Special Forces operations in military history. Arrested by his own officers in July 1943, Mussolini had been whisked away to an isolated and heavily-guarded mountain-top resort, the Hotel Campo Imperatore at Gran Sasso, which could only be reached by a heavily guarded cable car station. It was clear to the Germans - who wished to rescue Mussolini in order to keep at least the appearance that Italy was still on the Axis side - that any conventional rescue operation would have to fight its way through too much opposition and that Mussolini's captors would have ample time to execute him before he could be rescued. However, the Waffen SS had begun to develop the genesis of a commando-style raiding force that appeared suitable for the mission. Once Mussolini's location at Gran Sasso was confirmed, Hitler ordered the assault force, led by SS Haupsturmführer Otto Skorzeny, to conduct a rescue mission to extract Mussolini alive from the mountaintop. Despite unfavorable terrain for a gliderborne landing - including large boulders and steep cliffs near the landing zone - most of the German gliders succeeded in landing atop the Gran Sasso and the assault force was able to move in before the stunned Italian defenders could organize a response or eliminate Mussolini. Adding to the successful assault, Skorzeny was able to organize a desperate and ad hoc extraction plan using a light Fiesler Storch aircraft, when failed communications scuttled the pre-planned extraction method. At great risk, Mussolini was flown off the mountain and Skorzeny's raiding force had achieved all their objectives without firing a shot. Although the rescue of Mussolini failed to keep Italy on the Axis side, it did serve as a valuable propaganda boost for Germany in the face of defeats in Italy and the Soviet Union, as well as pointing toward a new dimension in warfare. This title details the strategic context of this daring raid, the origins of the plans, and the initial strategy adopted by the German Special Operations forces, before going on to describe in full detail the plan, execution and final outcome of the operation. Forczyk also offers a complete and comprehensive analysis of the events and their aftermatch, along with suggestions for further reading. Discover the history of this classic wartime raid, which continues to fascinate military history enthusiasts and lovers of adventure, in this new addition to the Raid series by Robert Forczyk.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
By the end of volume 1 of The Life of William Faulkner ("A filling, satisfying feast for Faulkner aficianados"— Kirkus), the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second and concluding volume of Carl Rollyson’s ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts—a symptom of the South’s faded fortunes—and numerous mouths to feed and funerals to fund. And so he turns to the classic temptation for financially struggling writers—Hollywood. Thus begins roughly a decade of shuttling between his home and family in Mississippi—lifeblood of his art—and the backlots of the Golden Age film industry. Through Faulkner’s Hollywood years, Rollyson introduces such personalities as Humphrey Bogart and Faulkner’s long-time collaborator Howard Hawks, while telling the stories behind films such as The Big Sleep and To Have and Have Not. At the same time, he chronicles with great insight Faulkner's rapidly crumbling though somehow resilient marriage and his numerous extramarital affairs--including his deeply felt, if ultimately doomed, relationship with Meta Carpenter. (In his grief over their breakup, Faulkner—a dipsomaniac capable of ferocious alcoholic binges—received third-degree burns when he passed out on a hotel-room radiator.) Where most biographers and critics dismiss Faulkner’s film work as at best a necessary evil, at worst a tragic waste of his peak creative years, Rollyson approaches this period as a valuable window on his artistry. He reveals a fascinating, previously unappreciated cross-pollination between Faulkner’s film and literary work, elements from his fiction appearing in his screenplays and his film collaborations influencing his later novels—fundamentally changing the character of late-career works such as the Snopes trilogy. Rollyson takes the reader on a fascinating journey through the composition of Absalom, Absalom!, widely considered Faulkner’s masterpiece, as well as the film adaptation he authored—unproduced and never published— Revolt in the Earth. He reveals how Faulkner wrestled with the legacy of the South—both its history and its dizzying racial contradictions—and turned it into powerful art in works such as Go Down, Moses and Intruder in the Dust. Volume 2 of this monumental work rests on an unprecedented trove of research, giving us the most penetrating and comprehensive life of Faulkner and providing a fascinating look at the author's trajectory from under-appreciated "writer's writer" to world-renowned Nobel laureate and literary icon. In his famous Nobel speech, Faulkner said what inspired him was the human ability to prevail. In the end, this beautifully wrought life shows how Faulkner, the man and the artist, embodies this remarkable capacity to endure and prevail.
“An incredible up close and personal look . . . [at] the men, machines and operational history of the Waffen-SS.”—MSC Review Connect This book in the popular Images of War series covers the deeds of the Waffen-SS on the Eastern Front during the Second World War. With extensive text and in-depth captions with many rare and unpublished photographs, it is an absorbing analysis of the part they played on the Eastern Front. It reveals in detail how this elite band of men fought during the opening phase of Barbarossa, the invasion of Russia, how it supported and took part in the victory at Kharkov, Demyansk and other battles in the Soviet Union. The book reveals the Waffen-SS’s role at Kursk and how it was forced to withdraw in the face of overwhelming enemy superiority and were rushed from one danger zone to another to plug gaps in the front. Often these troops faced an enemy ten-times their strength, and it was for this reason they were feared and respected by their enemy. Although by early May 1945, the Waffen-SS was all but destroyed, having battled across half Russia and gone on to protect the withdrawals of the rest of the German Army to the very gates of Berlin. “In addition to the images we get a fairly extensive appendix showing the order of battle of the Waffen-SS on the Eastern Front and details on uniforms, weapons and equipment. The book would be very useful as a visual aid for living history exponents and model makers.”—War History Online