The time between the wars, the 1920 and 1930s, differed from each other in almost every respect. “The Roaring ’20s” ushered in a period of optimism and frivolity, complete with daring fashions for women that broke from the Victorian standard of dress. With the stock market crash of 1929, the 1930s were markedly more subdued. As the United States struggled through the Great Depression, the somber tones were reflected in people’s everyday wear, though cinematic stars still wore dazzling outfits. The 1920s and 1930s details how men and women dressed during the periods between World War I and World War II, giving ample examples of the style of costumes and fashions popular at the time. Chapters include: New Clothes for a New Age Gentlemen and Gangsters 1920s Casual and Day Wear 1930s Women's Wear 1930s Men's Wear The Golden Age of Glamour 1930s Day Wear, Sportswear, and Children's Wear Accessories.
Houston was already a dynamic city when it experienced an exciting period of accelerated growth in the 1920s and 1930s. The Roaring Twenties began with a national ban on alcohol and ended abruptly with the stock market crash of 1929, but the prominent and influential Jesse Jones ensured the city's part in the economic collapse was minimal. Despite the country's financial woes, Houston's downtown was booming. Skyscrapers set new records in height, forever changing the skyline and appearance of the city. The introduction and widespread use of air-conditioning tamed the stifling heat and humidity for which Houston was known. The National Democratic Convention of 1928 showed the rest of the nation what a modern metropolis Houston had become. This entertaining new book illustrates how Houstonians lived, worked, and played during both the good times and the bad in the early 1900s.
This penetrating analysis of one of the most extraordinary fads ever to strike America details how dance marathons manifested a potent from of drama. Between the two world wars they were a phenomenon in which working-class people engaged in emblematic struggles for survival. Battling to outlast other contestants, the dancers hoped to become notable. There was crippling exhaustion and anguish among the contenders, but ultimately it was the coupling of authentic pain with staged displays that made dance marathons a national craze. Within the well-controlled space of theatre they revealed actual life's unpredictability and inconsistencies, and, indeed, the frightful aspects of social Darwinism. In this grotesque theatrical setting we see also a horrifying metaphor - the ailing nation grappling with difficult times.
The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an eco-nomic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women's social, sexual, eco-nomic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were postponed by the pov-erty of the new state and the political agendas of leaders like Lenin, Trotsky, and Stalin.
Across the British Empire and the world, the 1920s and 1930s were a time of unprecedented social and cultural change. Girls and young women were at the heart of many of these shifts, which included the aftermath of the First World War, the enfranchisement of women, and the rise of the flapper or “Modern Girl.” Out of this milieu, the Girl Guide movement emerged as a response to popular concerns about age, gender, race, class, and social instability. The British-based Guide movement attracted more than a million members in over forty countries during the interwar years. Its success, however, was neither simple nor straightforward. Using an innovative multi-sited approach, Kristine Alexander digs deeper to analyze the ways in which Guiding sought to mold young people in England, Canada, and India. She weaves together a fascinating account that connects the histories of girlhood, internationalism, and empire, while asking how girls and young women understood and responded to Guiding’s attempts to lead them toward a service-oriented, “useful” feminine future.
This volume in Oxford's A Very Short Introduction series offers a concise, readable narrative of the vast span of American history, from the earliest human migrations to the early twenty-first century when the United States loomed as a global power and comprised a complex multi-cultural society of more than 300 million people. The narrative is organized around major interpretive themes, with facts and dates introduced as needed to illustrate these themes. The emphasis throughout is on clarity and accessibility to the interested non-specialist.
Set in the 1920's Jazz Age on Long Island, The Great Gatsby chronicles narrator Nick Carraway's interactions with the mysterious millionaire Jay Gatsby and Gatsby's obsession to reunite with his former lover, the beautiful Daisy Buchanan. First published in 1925, the book has enthralled generations of readers and is considered one of the greatest American novels.
"Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject." —Dudley Andrew, Yale University "Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history." —Abé Mark Nornes, University of Michigan Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country’s film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese. Wada-Marciano’s thought-provoking examinations illustrate the reciprocal relationship between cinema and Japan’s vernacular modernity—what Japanese modernity actually meant to Japanese. Her thorough and thoughtful analyses of dozens of films within the cultural contexts of Japan con tribute to the current inquiry into non-Western vernacular modernities.
