Queen Juana of Spain was the daughter of Ferdinand and Isabel, and sister of Catherine of Aragon. She was instrumental in creating the powerful Hapsburg houses of Spain and Austria which would endure for centuries. Throughout her life Juana was callously denied power and status by three men: her husband Philip, her father Ferdinand, and her son Charles. She faced their relentless physical and mental cruelty with courage and determination, her spirited resistance earning her, unjustly, the nickname by which she is remembered; Juana la Loca, Joan the Mad."
A spunky young girl from Colombia loves playing with her canine best friend and resists boring school activities, especially learning English, until her family tells her that a special trip is planned to an English-speaking place.
"Drawing upon recent scholarship and years of archival research, Bethany Aram offers a new vision of Juana's life. In this part biography, part study of royal authority, Aram asserts that Juana was more complicated than her contemporaries and biographers have portrayed her. Not the frail and unstable woman usually depicted, Juana employed pious practices to defend her own interests as well as those of her children. As queen, she worked tirelessly to assure the succession of her son Charles V to the throne and thereby to establish the Habsburg dynasty in the kingdoms that others managed to govern in her name. She emerges as a woman of immense importance in Spanish and European history."--BOOK JACKET.
Edited by art historian Noelia García Pérez, this first-ever collection of essays on Juana of Austria, the younger daughter of Holy Roman Emperor Charles V and sister to Philip II of Spain, offers an interdisciplinary study of the Habsburg princess that addresses her political, religious, and artistic dimensions. The volume’s contextual framework shows her sharing agency with other women of her dynastic family who governed in the sixteenth century and developed an outstanding reputation for promoting artists and works of art. The Making of Juana of Austria demonstrates how Juana’s role as a leading patron of the arts offered her a means of creating her own image, which she then promulgated through the objects she collected and her crowning architectural endeavor, the Monastery-Palace of the Descalzas Reales. Drawing on early modern literature, archival documents, and artworks, the essays in this volume delineate a new portrait of Juana of Austria. Contributors not only highlight her multiple facets—princess of Portugal, regent of Castile, and the only female Jesuit in history—but also show her as a discerning art patron and collector who pursued an active role of patronage, through which she constructed her own art collection and used it to articulate a visual statement of her lineage, power, and religious convictions. Her role as an art promoter culminated with the foundation of the Descalzas Reales and the works of art she collected and displayed within its walls. The Making of Juana of Austria offers a new perspective on female rule and patronage, exploring the achievements of a crucial figure in the history of art, court, and gender in early modern Europe.
A heartfelt, visually stunning picture book from Caldecott Honor and Robert F. Sibert Medal winner Juana Martinez-Neal illuminates a young girl’s day of play and adventure in the lush rain forest of Peru. Zonia’s home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer? Acclaimed author-illustrator Juana Martinez-Neal explores the wonders of the rain forest with Zonia, an Asháninka girl, in her joyful outdoor adventures. The engaging text emphasizes Zonia’s empowering bond with her home, while the illustrations—created on paper made from banana bark—burst with luxuriant greens and delicate details. Illuminating back matter includes a translation of the story in Asháninka, information on the Asháninka community, and resources on the Amazon rain forest and its wildlife.
A 2019 Caldecott Honor Book What’s in a name? For one little girl, her very long name tells the vibrant story of where she came from — and who she may one day be. If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of Sofia, the grandmother who loved books and flowers; Esperanza, the great-grandmother who longed to travel; José, the grandfather who was an artist; and other namesakes, too. As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.
"From a very young age, Juana Inés loved words. When she was three years old, she followed her sister to school and begged the teacher to let her stay so she could learn how to read. Juana enjoyed poring over books and was soon making up her own stories, songs, and poems. Juana wanted to become a scholar, but career options for women were limited at this time. She decided to become a nun--Sor Juana Inés de la Cruz--in order to spend her life in solitude reading and writing. Though she died in 1695, Sor Juana Inés is still considered one of the most brilliant writers in Mexico's history: her poetry is recited by schoolchildren throughout Mexico and is studied at schools and universities around the world"--
Grande puts a human face on the epic story about those who make it across the border into America, those who never make it across, and those who are left behind.
The author documents the ways in which identity formation and representation within the gay Latinidad population impacts gender and cultural studies today.
