This volume features the Thannhauser bequest of early modern art, made to the Guggenheim Museum in New York. With 32 pieces representing Picasso alone, the collection includes works by Manet, Gauguin, Degas, Van Gogh and Cezanne. A series of essays helps to place them in an art-historical context.
Edited by Matthew Drutt. Essays by Jack Flam, Robert Rosenblum, Richard Schiff, Ann Dumas, Theodore Reff, Colin A. Bailey, Albert Boime, Beth Archer Brombert, Anne F. Collins, Elizabeth W. Easton, Michael Fitzgerald, Fred Licht, Joachim Pissarro, Belinda
"Published on the occasion of the exhibition Visionaries: Creating a Modern Guggenheim, organized by Megan Fontanella, Curator, Collections and Provenance, Solomon R. Guggenheim Museum, New York, February 10-September 6, 2017."
Originally, Solomon R. Guggenheim donated works from his collection to the Solomon R. Guggenheim Foundation, which he began in 1937 to support and promote non-objective art. Then, in 1939, he established the Museum of Non-Objective Painting, which was renamed the Solomon R. Guggenheim Museum in 1952, and its signature Frank Lloyd Wright building opened on New York's Fifth Avenue in 1959. Over time, the Guggenheim has expanded the type of art that it exhibits and collects through the addition of other great collections - notably, those of Karl Nierendorf, Peggy Guggenheim, Justin and Hilde Thannhauser, and Giuseppe Panza di Biumo - as well as through opportunities that resulted from the institution's increasingly international focus in more recent decades. The Guggenheim today encompasses venues on two continents: the museum in New York, the Peggy Guggenheim Collection in Venice, the Guggenheim Museum Bilbao, the Deutsche Guggenheim in Berlin and the Guggenheim Hermitage Museum in Las Vegas. This volume is published on the occasion of a major exhibition at the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, and the Kunstmuseum Bonn. With its comprehensive presentation of masterworks from the Guggenheim's extended holdings, it provides insight into Modern and Contemporary art movements - from Impressionism to Cubism, Surrealism to Abstract Expressionism, Pop art and Minimalism to the most recent developments - and the distinctive features of the collection. The selection emphasizes the Guggenheim's ongoing commitment to acquiring the work of particular artists in depth, including Vasily Kandinsky, Paul Klee, Pablo Picasso, Robert Rauschenberg, Richard Serra and Matthew Barney, among many others.
A Letter from the Editor Juilee Decker Articles Russel Wright and Handicraft: Transnational Collecting Practices Jennifer Way The Anatomy of the New Jewish Museum, Munich: Traces of the Past and Present Carol Salus KE EMu and the Future for Natural History Collections María Consuelo Sendino Evaluation of Gender Representation of Museum Collection Positions in the United States Meghan E. Beverung Book Reviews College and University Archives: Readings in Theory and Practice edited by Christopher J. Prom and Ellen D. Swain Reviewed by Amanda Bahr-Evola Making Digital Cultures: Access, Interactivity, and Authenticity by Martin Hand Reviewed by Katharine K. Liu
Drawing on the same standards of accuracy as the acclaimed DK Eyewitness Travel Guides, DK Top 10 New York City uses exciting colorful photography and excellent cartography to provide a reliable and useful travel guide in ebook format. Dozens of Top 10 lists provide vital information on each destination, as well as insider tips, from avoiding the crowds to finding out the freebies, The DK Top 10 Guides take the work out of planning any trip.
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.