The Author Furnishes Evidences To Prove That Taj Mahal Existed Years Before The Death Of Mumtaz Mahal. According To The Author It Was A Temple Palace And The Records Were Falsified To Show It As A Grave.
It is tough to be a famous junior, and more so when the senior happens to be Akbar, the Mughal-e-Azam. This was the tragedy of Jahangir. It was a personal tragedy in which neither Anarkali not Noor Jahan had any role, though popular stories associate these two women, more than anyone else with Jahangir. Jahangir's love for his father was deep and his admiration vast. The events described in this book are based on the memoirs of Akbar and Jahangir and other historical records.
Clearly written and fascinatingly illustrated, Tourists at the Taj describes the conflicting narratives which surround the site. For some the Taj is an evocative symbol of the colonial past. For others it is a symbolic centre of Islamic power. For many of the thousands of tourists that visit it each year it is simply a monument of love. The author shows how tourism can be seen as a performance and the tourist site as a stage on which tourists are directed and rehearsed but also able to improvise their own cultural rituals.
An enduring monument of haunting beauty, the Taj Mahal seems a symbol of stability itself. The familiar view of the glowing marble mausoleum from the gateway entrance offers the very picture of permanence. And yet this extraordinary edifice presents a shifting image to observers across time and cultures. The meaning of the Taj Mahal, the perceptions and responses it prompts, ideas about the building and the history that shape them: these form the subject of Giles Tillotson's book. More than a richly illustrated historyÑthough it is that as wellÑthis book is an eloquent meditation on the place of the Taj Mahal in the cultural imagination of India and the wider world. Since its completion in 1648, the mausoleum commissioned by the fifth Mughal emperor, Shah Jahan, for his wife Mumtaz Mahal, has come to symbolize many things: the undying love of a man for his wife, the perfection of Mughal architecture, the ideal synthesis of various strands of subcontinental aesthetics, even an icon of modern India itself. Exploring different perspectives brought to the magnificent structureÑby a Mughal court poet, an English Romantic traveler, a colonial administrator, an architectural historian, or a contemporary Bollywood filmmakerÑthis book is an incomparable guide through the varied and changing ideas inspired by the Taj Mahal, from its construction to our day. In Tillotson's expert hands, the story of a seventeenth-century structure in the city of Agra reveals itself as a story about our own place and time.
The Islamic State has spread its tentacles in India, penetrating stealthily into the academia, media and politics. The mastermind is Shamsur Ali, a physicist from Bangladesh. To destabilize India, he wants to create a sort of apocalypse, which the twenty-year-old Kubha must prevent at any cost, come what may. In a brazen attempt at legitimizing the demolition of one of the most prominent historical structures in India, someone - unbelievably, it could be both Hiranyagarbha Bharata, a radical Hindu outfit, and the Islamic State - resorts to a big deceit. Afsar Fareedi, a linguistic paleontologist, catches the fraud. In the melee, there are three gruesome murders, including that of her father, perhaps to eliminate all traces of a carpet which, Afsar discovers, has a lot hidden in its mysterious motifs. At the center of all this is a verse composed by the maverick mathematician, Aryabhata, 1500 years ago. A very readable sequel to The Ekkos Clan. Sudipto Das is a gifted storyteller -Jug Suraiya, The Times of India Intelligent narration and mindful suspense -Deccan Chronicle Attitude of genuine scientific curiosity - Asian Age A woman Indiana Jones or a Bond - The Hindu Sends chills down your spine - New Indian Express Extravagant plots - The Hans India
The Author Furnishes Facts Which According To Him Have Been Knowingly Or Unknowingly Ingnored By Historians. In The Light Of These Facts, The History Would Appear To Be Different.
Built in the sixteenth and seventeenth centuries, India’s Mughal monuments—including majestic forts, mosques, palaces, and tombs, such as the Taj Mahal—are world renowned for their grandeur and association with the Mughals, the powerful Islamic empire that once ruled most of the subcontinent. In Monumental Matters, Santhi Kavuri-Bauer focuses on the prominent role of Mughal architecture in the construction and contestation of the Indian national landscape. She examines the representation and eventual preservation of the monuments, from their disrepair in the colonial past to their present status as protected heritage sites. Drawing on theories of power, subjectivity, and space, Kavuri-Bauer’s interdisciplinary analysis encompasses Urdu poetry, British landscape painting, imperial archaeological surveys, Indian Muslim identity, and British tourism, as well as postcolonial nation building, World Heritage designations, and conservation mandates. Since Independence, the state has attempted to construct a narrative of Mughal monuments as symbols of a unified, secular nation. Yet modern-day sectarian violence at these sites continues to suggest that India’s Mughal monuments remain the transformative spaces—of social ordering, identity formation, and national reinvention—that they have been for centuries.